Of Women and Salt

by Gabriela Garcia, Frankie Corzo (Read by)

Overview

AN INSTANT NEW YORK TIMES BESTSELLER

A GOOD MORNING AMERICA BOOK CLUB PICK

This program includes a bonus conversation between the author and Roxane Gay.

A sweeping, masterful debut about a daughter's fateful choice, a mother motivated by her own past, and a family legacy that begins in Cuba before either of them were born

In present-day Miami, Jeanette is battling addiction. Daughter of Carmen, a Cuban immigrant, she is determined to learn more about her family history from her reticent mother and makes the snap decision to take in the daughter of a neighbor detained by ICE. Carmen, still wrestling with the trauma of displacement, must process her difficult relationship with her own mother while trying to raise a wayward Jeanette. Steadfast in her quest for understanding, Jeanette travels to Cuba to see her grandmother and reckon with secrets from the past destined to erupt.

From 19th-century cigar factories to present-day detention centers, from Cuba to Mexico, Gabriela Garcia's Of Women and Salt is a kaleidoscopic portrait of betrayals—personal and political, self-inflicted and those done by others—that have shaped the lives of these extraordinary women. A haunting meditation on the choices of mothers, the legacy of the memories they carry, and the tenacity of women who choose to tell their stories despite those who wish to silence them, this is more than a diaspora story; it is a story of America’s most tangled, honest, human roots.

A Macmillan Audio production from Flatiron Books

"Of Women and Salt is a fierce and powerful debut. Garcia wields narrative power, cultivating true and profound work on migration, legacy, and survival."—Terese Marie Mailhot, bestselling author of Heart Berries

“Gabriela Garcia captures the lives of Cuban women in a world to which they refuse to surrender and she does so with precision and generosity and beauty.”—Roxane Gay, bestselling author of Hunger and Bad Feminist

"[A] beautifully evocative first novel...This book is shaped, and given buoyancy, by Garcia’s sharp prose and by Jeanette’s ability to continue believing that the unexpected is possible, even as it repeatedly fails to materialize." —New York Times Book Review

Product Details

ISBN-13:	9781250790989
Publisher:	Macmillan Audio
Publication date:	03/30/2021
Product dimensions:	1.00(w) x 1.00(h) x 1.00(d)

About the Author

GABRIELA GARCIA is a fiction writer, poet, and journalist. Her writing has appeared in Tin House, Iowa Review, Zyzzyva, Michigan Quarterly Review, The Cincinnati Review, The Normal School, TriQuarterly, and many others. Her work was selected for publication in Best American Poetry 2019. She is the daughter of immigrants from Mexico and Cuba and grew up in Miami.

Editorial Reviews

Gabriela Garcia captures the lives of Cuban women in a world to which they refuse to surrender and she does so with precision and generosity and beauty.” - Roxane Gay, bestselling author of Hunger and Bad Feminist

From the Publisher

02/22/2021

Garcia’s dexterous debut chronicles the travails of a Cuban immigrant family. Carmen, a Cuban immigrant living in Miami, is worried about her daughter Jeanette’s addiction to drugs and alcohol. In 2014, during a moment of sobriety, Jeanette watches as her Salvadorian neighbor, Gloria, is detained by ICE while Gloria’s daughter, Ana, is away with a babysitter. After Jeanette takes in Ana, Garcia unfolds the stories of the two families in parallel narratives, shifting between Gloria awaiting deportation in a Texas detention center while Ana stays briefly with Jeanette and episodes set during the Cuban Independence Movement of the late 19th century, when Jeanette’s great-great-grandmother worked in Cuba at a cigar factory, and Carmen’s escape from Cuba 15 years after the revolution. Eventually, Jeanette’s story reveals her addiction may be her way of coping with the trauma of having been sexually assaulted as child. Throughout, Garcia illustrates the hard choices mothers make generation after generation to protect their children: “Motherhood: question mark, a constant calculation of what-if,” muses Gloria. The jumps across time and place can occasionally dampen the various threads’ emotional impact, but by the end they form an impressive, tightly braided whole. This riveting account will please readers of sweeping multigenerational stories. Agents: PJ Mark and Marya Spence, Janklow & Nesbit Assoc. (Apr.)

Publishers Weekly

02/01/2021

DEBUT Garcia's debut novel tells two parallel stories of Latinx immigrant families. While the stories intersect near the beginning and end of the book, the women's experiences are as distinct as the cultures from which they come. At the story's center is Jeanette, whose mother, Carmen, emigrated from Cuba, cutting off all ties with her family. The family is impacted by multigenerational trauma caused by war, revolution, and abuse, and Jeanette struggles with drug addiction. When her neighbor, Gloria, an undocumented immigrant from El Salvador, is detained by ICE, Jeanette briefly takes in her daughter, Ana, who is inadvertently left behind. In nonsequential chapters, we follow the struggles of Jeanette and her family, as well as Gloria and Ana's harrowing experiences with the current U.S. immigration policies. VERDICT While the nonlinear structure of the narrative sometimes makes the story feel disjointed, Garcia has carefully layered the novel so that each chapter delivers revelations about the motivations and psychological burdens of the characters that add to understanding on the part of the reader (though not necessarily the characters, who are not always party to the secrets of their mothers or grandmothers). A relevant and timely work delivered with empathy.—Christine DeZelar-Tiedman, Univ. of Minnesota Libs., Minneapolis

Library Journal

2020-12-26
An affluent Cuban immigrant reckons with her daughter’s drug addiction and her own culpability in their self-destructive choices.

As the book opens, it's 2018, and Carmen is writing in anguish to her daughter, Jeannette, begging her to find the will to live. Then we're immediately swept away to Camagüey, Cuba, in 1866, right before the first Cuban war for independence from Spain, where we meet one of the women's ancestors. María Isabel works at a cigar factory, and, as the war blooms bright and bloody, she's pursued by the factory’s lector, who reads newspapers and Victor Hugo novels to the workers as they roll cigars. If the novel had continued to offer rich scenes like these, it would have been a success, but from this point on, it feels haphazardly stitched together. We meet Jeannette in 2014, and then Carmen's and Jeanette’s voices alternate erratically through different time periods, with little resonance between them—both strands of the narrative center the useless or even abusive men who litter the lives of all the family’s women. Then, as if grafted onto the story, Garcia adds intermittent sections from the points of view of a woman named Gloria and her daughter, Ana, undocumented immigrants from El Salvador. Gloria is picked up by ICE agents while Ana is at a babysitter's house, and when the girl gets dropped off, Jeanette takes her in for a few nights before Carmen convinces her to call the police—a decision that will come to haunt Carmen. Even with snatches of gorgeously compelling prose, the book can't overcome the lack of relationship development among the women of the family in both Miami and Cuba.

A Cuban family grapples with violence and addiction, but their relationships lack depth.

Kirkus Reviews