Jung Yun's O Beautiful is a "mesmerizing and timely" (New York Times) novel about a woman trying to come to terms with the ghosts of her past and the tortured realities of a deeply divided America.
Elinor Hanson is struggling to reinvent herself as a freelance writer when she receives an unexpected assignment, a chance to write for a prestigious magazine about the Bakken oil boom in North Dakota. Elinor grew up near the Bakken, raised by an overbearing father and a distant Korean mother who met and married when he was stationed overseas.
After decades away from home, Elinor returns to a landscape she hardly recognizes, overrun by tens of thousands of newcomers. Surrounded by roughnecks seeking their fortunes in oil and long-time residents worried about their changing community, Elinor experiences a profound sense of alienation and grief. The longer she pursues this potentially career-altering assignment, the more her past intertwines with the story she’s trying to tell, revealing disturbing new realities that will forever change her and the way she looks at the world.
With graceful prose, Jung Yun's O Beautiful presents an immersive portrait of a community rife with tensions and competing interests, and one woman’s attempts to reconcile her anger with her love of a beautiful, but troubled land.
Jung Yun was born in Seoul, South Korea and grew up in Fargo, North Dakota. Her debut novel, Shelter,was long-listed for the Center for Fiction’s First Novel Prize, a finalist for the Barnes & Noble Discover Great New Writers Award, and a semi-finalist for Good Reads’ Best Fiction Book of 2016. A 2018 MacDowell fellow, her work has appeared in The Atlantic, The Washington Post, Tin House, and others. She lives in Baltimore, and serves as an assistant professor at the George Washington University.
“…And I had arrived at McDowell, with about 200 pages in the summer of 2018…And the great thing about these writing retreats is that they give you a chance to do nothing but just think about your work. And that was a real gift to me, because it was both time and peace and quiet, […]
