In 1995, home-recording visionary
Linda Smith was making the leap from bedroom four-track daydreaming to the digital seriousness of the compact disc and a jump to eight-track recording.
Nothing Else Matters followed close to ten years of output from
Smith that was mostly released on limited-run cassette editions and traded between die-hard underground types. That's not to say that her first album that was pressed to CD was any kind of an abandonment of her idiosyncratic songwriting or arrangement style. If anything, the smeared edges of her songs and unique perspectives on contorted pop are in clearer definition on
Nothing Else Matters, but her playfulness and aptitude for interesting sounds remain intact. On brooding tracks like "In No Uncertain Terms" and "In the Hospital," acoustic guitars are pushed along by shambling percussion and crude keyboard sounds, and
Smith is occasionally joined by
Elizabeth Downing singing wordless vocals for an effect that's haunting and homespun. "The Answer to Your Question" sounds like
the Magnetic Fields and
Young Marble Giants covering
the Modern Lovers from memory. Fittingly, the 2024 reissue of
Nothing Else Matters includes a cover of
Young Marble Giants' "Salad Days" that feels very much at home among the other Farfisa organ tones and wobbly drum beats of
Smith's compositions here.
Nancy Andrews, who would continue collaborating with
Smith for years to come, adds some violin to the joyously anxious instrumental "For Here or to Go," and the spare, melancholic guitar lament "It Seems to Me" drifts by like a soft, indecisive afternoon. Though this was one of
Smith's first forays out of the warm web of tape hiss and lo-fi production,
Nothing Else Matters is as strange and generous as any of her most deteriorating recordings. What shines here, as on all of her albums, is how unique and curious of a songwriting presence
Smith always was, in whatever fidelity, format, or era. ~ Fred Thomas