Notes of a Crocodile

by Qiu Miaojin, Bonnie Huie (Translator)

Overview

WINNER OF THE 2018 LUCIEN STRYK ASIAN TRANSLATION PRIZE



The English-language premiere of Qiu Miaojin's coming-of-age novel about queer teenagers in Taiwan, a cult classic in China and winner of the 1995 China Times Literature Award.

An NYRB Classics Original
Set in the post-martial-law era of late-1980s Taipei, Notes of a Crocodile is a coming-of-age story of queer misfits discovering love, friendship, and artistic affinity while hardly studying at Taiwan’s most prestigious university. Told through the eyes of an anonymous lesbian narrator nicknamed Lazi, this cult classic is a postmodern pastiche of diaries, vignettes, mash notes, aphorisms, exegesis, and satire by an incisive prose stylist and major countercultural figure.

Afflicted by her fatalistic attraction to Shui Ling, an older woman, Lazi turns for support to a circle of friends that includes a rich kid turned criminal and his troubled, self-destructive gay lover, as well as a bored, mischievous overachiever and her alluring slacker artist girlfriend.

Illustrating a process of liberation from the strictures of gender through radical self-inquiry, Notes of a Crocodile is a poignant masterpiece of social defiance by a singular voice in contemporary Chinese literature.

Product Details

ISBN-13:	9781681370767
Publisher:	New York Review Books
Publication date:	05/02/2017
Series:	NYRB Classics Series
Pages:	256
Sales rank:	69,158
Product dimensions:	5.00(w) x 7.90(h) x 0.70(d)

About the Author

Qiu Miaojin (1969–1995)—one of Taiwan’s most innovative literary modernists, and the country’s most renowned lesbian writer—was born in Chuanghua County in western Taiwan. She graduated with a degree in psychology from National Taiwan University and pursued graduate studies in clinical psychology at the University of Paris VIII. Her first published story, “Prisoner,” received the Central Daily News Short Story Prize, and her novella Lonely Crowds won the United Literature Association Award. While in Paris, she directed a thirty-minute film called Ghost Carnival, and not long after this, at the age of twenty-six, she committed suicide. The posthumous publications of her novels Last Words from Montmartre and Notes of a Crocodile made her into one of the most revered countercultural icons in Chinese letters. After her death in 1995, she was given the China Times Honorary Prize for Literature. In 2007, a two-volume edition of her Diaries was published, and in 2017 she became the subject of a feature-length documentary by Evans Chan titled Death in Montmartre.

Bonnie Huie is the recipient of a PEN/Heim Translation Fund Grant. Her rendition of Motojirō Kajii’s story “Under the Cherry Blossoms” was nominated for a Pushcart Prize, and she has also translated the work of Tatsuhiro Ōshiro. Her writings and translations appear in The Brooklyn Rail, Kyoto Journal, and Afterimage. Huie lives in New York.

Editorial Reviews

…[a] thrillingly transgressive coming-of-age story…Bonnie Huie's translation is nothing short of remarkable—loving, even; one gets the sense that great pains have been taken to preserve the voice behind this lush, ontological masterwork…Qiu Miaojin's energetic prose leaves a gratifying welt, marking the reader with the violence of her intelligence…First published in 1994, Notes of a Crocodile is in many ways a futuristic text, as it contains conversations about identity that are happening now—and ones that have yet to. It is refreshing to read a novel that so frankly examines patriarchy, misogyny, homophobia, gender normativity and capitalism—especially one that howls so freely with pain. Lazi and her friends are philosophers who feel. They convey the rich and vital role of emotion in any revolution.

The New York Times Book Review - Leopoldine Core

07/10/2017
Qiu’s novel, originally published in 1994 and now translated into English for the first time, follows a young college student, nicknamed Lazi, as she comes to terms with her homosexuality in late-1980s Taipei, shortly after the lifting of Taiwan’s long-standing martial law. Most of the novel chronicles Lazi’s on-again, off-again toxic romance with classmate Shui Ling, who leaves her miserable and obsessed. As Lazi meanders from apartments and classes, trying to figure out the mysteries of love, she sees herself as a crocodile, a character that appears in several brief chapters and that dresses as a human, afraid to show its true self as it goes about its life. Lazi also strikes up friendships with Chu Kuang, his sometimes-boyfriend Meng Sheng, and girlfriends Tun Tun and Zhi Rou, who all appear at various intervals to offer Lazi support and companionship. Qiu (Last Words from Montmartre), who died at the age of 26, creates a relatively plotless coming-of-age tale that once challenged norms, but in 2017, Lazi’s adventures are relatively tame. Though intriguing, the novel is slightly unfocused, and Lazi’s observations are frequently overwrought with youthful naïveté. Still, as a piece of counterculture literature, the novel is worth examination. (May)

Publishers Weekly

[A] thrillingly transgressive coming-of age story by the Taiwanese writer Qiu Miaojin. Bonnie Huie's translation is nothing short of remarkable—loving, even; one gets the sense that great pains have been taken to preserve the voice behind this lush, ontological masterwork...First published in 1994, [it] is in many ways a futuristic text, as it contains conversations about identity that are happening now - and ones that have yet to. It is refreshing to read a novel that so frankly examines patriarchy, misogyny, homophobia, gender normativity and capitalism—especially one that howls so freely with pain." —Leopoldine Core, The New York Times Book Review

"Billed as a cult classic and crafted with a unique mix of notes, diary entries, short scenes, and satire, this updated translation will shed more light on the work of a renowned but little-known author." —Sara Novic, Elle

"Her prose is in turns satirical, obsessive, and devastating, and explores 'closetedness' amidst consuming romantic love, isolation, and crippling mental illness…Qui’s work has, in a way, fulfilled what both the narrator Lazi and the crocodile are yearning for throughout the book: communion and solace with like-minded creatures." —Liz von Klemperer, Lambda Literary

"Miaojin's willingness to show youth at its most self-absorbed and earnest is part of the book's appeal. Most readers—perhaps especially those who identify as LGBTQ—will see themselves somewhere in Lazi's agonized social circle. But Miaojin also reminds her readers at every turn how truly isolating otherness can be...A meandering, but moving, look at queer identity.” —Kirkus Reviews

"Despite a short life, Qiu Miaojin has left behind a notable legacy in contemporary Chinese literature. Her writings, along with her tragic death, have shed new light on the predicament gays and lesbians faced in Taiwanese society.... At the heart of Qiu’s work lies the author’s recognition that the nature of passion and love intensifies human existence in both its most beautiful and its most monstrous moments." —Li-hua Ying, Professor of English, Bard College

"Qiu Miaojin...had an exceptional talent. Her voice is assertive, intellectual, witty, lyrical, and intimate...her works continue to command a huge following among college-educated lesbians in Taiwan, for she gave beautiful and soulful expression to the experiences of that community." —Tze-Lan D. Sang, Professor of Chinese literature and media studies, Michigan State University

From the Publisher

2017-02-21
A college student's romantic obsession with another woman threatens to derail her happiness.Taipei in the late 1980s. Lazi is 18, newly enrolled in college, and describes herself as "an innately beautiful peacock" who is "pure carrion inside." Depressed and self-harming over her attraction to women, Lazi enters into a toxic relationship with Shui Ling, a fellow student. During the course of their on-again, off-again unconsummated relationship, Lazi turns to a group of friends whose love lives are as complicated as her own. Qiu (Last Words from Montmartre, 2014), who died in 1995 at the age of 26, structures her essentially plotless novel as a series of eight notebooks that take us through Lazi's college years. These notebooks can be unabashedly adolescent—sentences like "The glow on her face was like rays of sunshine along a golden beach" abound. Also true to the college experience are the long pages of abstract conversation Lazi and her friends engage in, usually late at night. But in many ways, Qiu's willingness to show youth at its most self-absorbed and earnest is part of the book's appeal. Most readers—perhaps especially those who identify as LGBTQ—will see themselves somewhere in Lazi's agonized social circle. But Qiu also reminds her readers at every turn how truly isolating otherness can be: interspersed with Lazi's musings, Qiu tells a kind of surreal, contemporary fable of a crocodile, the subject of equal parts bigotry and misplaced reverence. The crocodile's plight, as it "got home from work [and] removed the sweat-soaked human suit clinging to its body," serves as an odd, but perfect, metaphor for Lazi, whose true heartbreak is feeling so alien as to scarcely feel human. A meandering, but moving, look at queer identity.

Kirkus Reviews