Nostromo (Mondadori)

by Joseph Conrad, Pier Francesco Paolini (Translator), Harold Bloom (Commentaries by), Virginia Woolf (Commentaries by)

Overview

Narrata in una lingua di sensuale intensità cromatica, la vicenda di Nostromo ha come sfondo l'immaginaria repubblica del Costaguana, paese ora concreto, sanguigno, ora remoto, sospeso in un'inquieta irrealtà di sogno, nella cui inafferrabile solitudine di mare e di isole si riflettono l'irrealtà e la solitudine umana. Romanzo d'avventura e di intreccio, di intrighi e di colpi di scena, Nostromo ruota attorno all'invenzione centrale di una situazione ambigua, ad altissima potenzialità drammatica ed emotiva, in cui i personaggi si vedono costretti ad affrontare e rivelare il loro io più segreto e rifiutato. Il tema, profondamente conradiano, è qui il tradimento, che si moltiplica e si riflette in innumerevoli sfaccettature. Tradimento di sé, degli altri, dei propri ideali, della propria illusoria realtà. Il tradimento colpevole, orgogliosamente vissuto come eroica forma di virtù, di Charles Gould. Il tradimento incolpevole, assunto con amaro piacere, come un perenne e liberatorio marchio di infamia, del dottor Monygham. Il tradimento, infine, stupito, doloroso, innocente e spavaldo di Nostromo, il giovane marinaio italiano al centro della vicenda, che da tradito si fa traditore, da eroe si fa ladro, per ritrovare infine l'immagine di sé che ha tenacemente, disperatamente voluto creare facendo della sua morte "il più grande, il più invidiabile, il più sinistro" dei suoi illusori trionfi.

Product Details

ISBN-13:	9788852054266
Publisher:	MONDADORI
Publication date:	12/16/2014
Sold by:	ARNOLDO MONDADORI - EBKS
Format:	eBook
File size:	668 KB
Language:	Italian

About the Author

Polish author Joseph Conrad is considered to be one of the greatest English-language novelists, a remarkable achievement considering English was not his first language. Conrad’s literary works often featured a nautical setting, reflecting the influences of his early career in the Merchant Navy, and his depictions of the struggles of the human spirit in a cold, indifferent world are best exemplified in such seminal works as Heart of Darkness, Lord JimM, The Secret Agent, Nostromo, and Typhoon. Regarded as a forerunner of modernist literature, Conrad’s writing style and characters have influenced such distinguished writers as F. Scott Fitzgerald, Ernest Hemingway, William S. Burroughs, Hunter S. Thompson, and George Orwell, among many others. Many of Conrad’s novels have been adapted for film, most notably Heart of Darkness, which served as the inspiration and foundation for Francis Ford Coppola’s 1979 film Apocalypse Now.

Date of Birth:

December 3, 1857

Date of Death:

August 3, 1924

Place of Birth:

Berdiczew, Podolia, Russia

Place of Death:

Bishopsbourne, Kent, England

Education:

Tutored in Switzerland. Self-taught in classical literature. Attended maritime school in Marseilles, France

Read an Excerpt

Nostromo
In the time of Spanish rule, and for many years afterwards, the town of Sulaco--the luxuriant beauty of the orange gardens bears witness to its antiquity--had never been commercially anything more important than a coasting port with a fairly large local trade in ox-hides and indigo. The clumsy deep-sea galleons of the conquerors that, needing a brisk gale to move at all, would lie becalmed, where your modern ship built on clipper lines forges ahead by the mere flapping of her sails, had been barred out of Sulaco by the prevailing calms of its vast gulf. Some harbours of the earth are made difficult of access by the treachery of sunken rocks and the tempests of their shores. Sulaco had found an inviolable sanctuary from the temptations of a trading world in the solemn hush of the deep Golfo Placido as if within an enormous semi-circular and unroofed temple open to the ocean, with its walls of lofty mountains hung with the mourning draperies of cloud.

On one side of this broad curve in the straight seaboard of the Republic of Costaguana, the last spur of the coast range forms an insignificant cape whose name is Punta Mala. From the middle of the gulf the point of the land itself is not visible at all; but the shoulder of a steep hill at the back can be made out faintly like a shadow on the sky.

On the other side, what seems to be an isolated patch of blue mist floats lightly on the glare of the horizon. This is the peninsula of Azuera, a wild chaos of sharp rocks and stony levels cut about by vertical ravines. It lies far out to sea like a rough head of stone stretched from a green-clad coast at the end of a slender neck of sand covered with thickets of thorny scrub. Utterly waterless, for the rainfall runs off at once on all sides into the sea, it has not soil enough--it is said--to grow a single blade of grass, as if it were blighted by a curse. The poor, associating by an obscure instinct of consolation the ideas of evil and wealth, will tell you that it is deadly because of its forbidden treasures. The common folk of the neighborhood, peons of the estancias, vaqueros of the seaboard plains, tame Indians coming miles to market with a bundle of sugar-cane or a basket of maize worth about three-pence, are well aware that heaps of shining gold lie in the gloom of the deep precipices cleaving the stony levels of Azuera. Tradition has it that many adventurers of olden time had perished in the search. The story goes also that within men's memory two wandering sailors--Americanos, perhaps, but gringos of some sort for certain--talked over a gambling, good-for-nothing mozo, and the three stole a donkey to carry for them a bundle of dry sticks, a water-skin, and provisions enough to last a few days. Thus accompanied, and with revolvers at their belts, they had started to chop their way with machetes through the thorny scrub on the neck of the peninsula.

On the second evening an upright spiral of smoke (it could only have been from their camp-fire) was seen for the first time within memory of man standing up faintly upon the sky above a razor-backed ridge on the stony head. The crew of a coasting schooner, lying becalmed three miles off the shore, stared at it with amazement till dark. A Negro fisherman, living in a lonely hut in a little bay near by, had seen the start and was on the lookout for some sign. He called to his wife just as the sun was about to set. They had watched the strange portent with envy, incredulity, and awe.

Editorial Reviews

"The intro and chronology help make this easy for the beginning student to try out Joseph Conrad."—Mary Morzinski, Berry College

"I had always thought that there were books you read to entertain yourself and classic books to educate you, but with Nostromo I realized a book could be both."—Billy Ivory, Nottingham Evening Post

From the Publisher