Charlie Haden teams up once more with the young Cuban pianist
Gonzalo Rubalcaba for this melancholy, soothing album.
Ignacio Berroa, on drums and percussion, completes the core trio. Special guests include tenor saxophonists
Joe Lovano and
David Sanchez, violinist
Federico Britos Ruiz, and guitarist
Pat Metheny (one track only).
Rubalcaba contributes orchestrations on two cuts, both of which omit drums and percussion.
Haden's intention is to explore the
bolero, a distinctive
Latin dance rhythm that
Ignacio Berroa accents with a soft, subtle snare drum roll, played with brushes, beginning on the "and" of the first beat of the bar and ending on the second. This rhythm is perfect for a slow dance, and indeed, the entire album is highly romantic, with bittersweet melodies and lilting cadences. The only problem is that
Berroa's
bolero figure anchors nearly every track -- perhaps what one should expect from a
bolero album, but there's no getting around the fact that the music sounds pretty much the same throughout. (To be fair,
Berroa isn't solely to blame for the sameness.) Most of the songs, save for two originals by
Haden and one by
Rubalcaba, are Cuban and Mexican standards, and they're beauties.
Haden's reluctance to mess with them is understandable. But the unvaryingly straightforward arrangements fade too easily into the background.
Nocturne may well be the best candlelight dinner music ever, but
Haden and his guests are capable of more. ~ David R. Adler
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