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Product Details
| ISBN-13: | 9781782797876 |
|---|---|
| Publisher: | Hunt, John Publishing |
| Publication date: | 10/27/2017 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 280 |
| File size: | 2 MB |
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CHAPTER 1
Bournemouth, 1886
No sign yet. He peered through the window down the quiet road, the hushed houses standing to attention behind their prim hedges. He sighed as he felt a hankering for Edinburgh's humming gray stone tenements.
Ah, was that him approaching? A young man stalked along the leafy road. Pernickety as a wading bird probing stones he stopped at each entrance, cocking his head before pottering on. He reached the right gate and screwed up his eyes at the ivy-draped walls. Starting as he noticed the model of the lighthouse by the gate post, he nodded at the name Skerryvore on the wall and scurried up to the front door. The bell clanged. It sounded through the house, but he seemed too agitated to wait for an answer. He darted past the French windows toward the side of the house where the lawn sloped down into a steep gully, glossy with rhododendrons. His steps faltered.
Louis decided it was time to rescue the poor fellow and strolled out of the side door. The man jumped as he heard the hinges creak.
"Ah, Mr. Ferguson? Do come in this way. You found my retreat without too much difficulty?" The man stood dumbstruck until Louis walked up to him, holding out his hand.
"Er ... yes indeed, sir. Thank you for agreeing to see me." He lunged at Louis's hand as if it were a flailing rope on a storm-battered ship.
"What do you think of my home-away-from-home? My miniature Scottish glen, my wife calls it." He grinned. "Though what does she know as a mere American? Still she's done miracles. Planting trees and making paths with seats where I can recline and think deep thoughts. Do come inside."
He led Ferguson into a large airy room fitted out as a study, with a glowing fire in the grate. Apart from a desk and a hard chair the only furniture was a well-worn armchair and a daybed. The russet oriental rug in the center of the room had nearly disappeared under heaps of books, craning toward each other like half-timbered houses across a narrow lane. Landscapes were displayed on the walls — mountains, waterfalls, and sea cliffs. Among them was a portrait of Louis. It showed him walking toward the corner of a drawing room. On the opposite side of the picture was the suggestion of another figure, indicated by a swirl of fabric and a pointing bare foot. Louis smiled as he noticed his visitor staring at it.
"Your accent sounds American, Mr. Ferguson, although your name suggests Scottish forebears."
"Well, I do believe so, although I have Irish and German ancestry, too."
Louis gestured for his guest to take the armchair while he lowered himself into a seat behind a desk laden with books and papers. He shrugged a blood-red shawl over his shoulders. "I apologize for looking like an ancient crone with this decrepit old thing. It's called a poncho, I believe. But I find the summer wind a little chill, even this far south. Fire away with your questions." He folded his arms and ran his fingers over the nap of his black velvet jacket. Tilting back on his chair he perched his feet on the edge of the desk.
He watched as Samuel Ferguson shifted in his seat. Drawing out a notebook and pencil from his jacket pocket, he stroked his sparse moustache, "Well, our readers are eager to know what inspired you to write Kidnapped. It's a very different work from Dr. Jekyll and Mr. Hyde, if I may say so. Are you perhaps returning to adventure stories like Treasure Island?"
"Back to the boys' yarns, you mean?" Louis replied sharply.
Ferguson flushed. "I didn't mean to suggest that Kidnapped and Treasure Island were merely children's books. The action appeals to young minds, of course, but there is also a subtle portrayal of character."
Louis shrugged, "Forgive me for being peremptory but I'm a little sensitive on the subject. Some critics dismissed Treasure Island as only a boys' book. When it was successful, they changed their tune. To answer your question. I've long wanted to write a story set in my homeland but it was only after traveling abroad that I felt able to do so."
"May I ask you about your choice of title? You see, sir, as an American, I may have misunderstood the meaning of this word. I've always taken kidnapped to mean someone who's been taken prisoner so that his family has to pay a ransom to release him. What you describe is something different. David Balfour is captured in order to sell him into servitude. Now, the abomination of slavery stained our nation until recent times. A Negro could be bought and sold as if he were a beast of burden. But I hadn't realized that white men could be treated like that in Europe, or at least not in recent history."
"Mmm ... an interesting point. I don't think it happened regularly here, but there were certainly stories of poor Highlanders being bundled aboard a ship with the connivance of a landlord. It was kept secret of course, like the rest of the terrible treatment meted out after Culloden. I've always known about it, but for the life of me I couldn't tell you where I first heard of it."
Ferguson nodded and scribbled some notes down. "Again, if I could ask you about the historical background which will not be familiar to American readers? In the States there was, and is, a gulf between Yankees and Southerners. It seems to me that your heroes, David Balfour and Alan Breck Stewart, represent a similar divide between Lowlanders and Highlanders."
"Aye, you're right. They have opposing virtues — Highland courage versus Lowland caution."
"You're from the Lowlands yourself, I believe, and yet your portrayal of Alan is very sympathetic. How did you achieve that?"
Louis leaned forward and flicked a hank of hair behind his ear while he considered the question.
"I congratulate you, Mr. Ferguson. You've identified something I can't explain. My family are Lowland Scots through and through. Practical, no-nonsense sort of people who built lighthouses. Even my old nurse, Cummy, was from Fife and fiercely proud of it. So where did the Highland influence come from?" He cleared his throat. "Yet coiled deep within me in bone and blood is this knowledge of the Highlands. Imagination can't be tied down. As a writer I have an idea. I warp the loom but the weave of the cloth comes from dreams beyond my control. I was often ill as a child and when I was delirious my visions would melt into reality so that the two couldn't be distinguished. If I were being fanciful, I would say that my inspiration comes from hidden creatures, colored brown-gray like sealskin."
He looked sideways at Ferguson who was sitting motionless, creasing his brow and sucking his pencil. Louis's shoulders heaved but his laughter turned into a fit of coughing. He slammed his feet back on the floor and groped in his jacket pocket. Hauling out a handkerchief, he turned away to spit out blood-speckled phlegm.
Ferguson leaped to his feet, looking alarmed, "May I help in any way? A glass of water perhaps?"
Louis shook his head, "It'll pass. Just give me a minute," he gasped, wiping his mouth. He could see Ferguson peering at the portrait again, especially at the partial figure at the edge of the canvas. As the coughing subsided, he said, "It's Fanny. She told John Singer Sargent that she was only a cipher and a shadow. He took her at her word and put only part of her in the picture." Ferguson looked sheepish.
"You must think me a queer fish altogether, with these strange ramblings," Louis said.
"Not at all. I'm honored that you should share your thoughts with me."
"It's a strange sensation. There's a presence there, images just out of reach. A wild sea, a galloping horseman, a fire in the darkness. The stuff of nightmares dissolved by daylight." He sighed. "It's beyond my ken but I tried to show the pride of the Highlander and the canniness of the Lowland mind."
"Will you write a sequel? There is surely more to be told about the two men."
"I hope so although maybe not —"
He started coughing again and the inside door juddered open. "What's going on? I heard you spluttering for breath. I only agreed to that reviewer coming if you didn't get overexcited," a woman scolded.
She glowered at Ferguson. "Have you been exhausting my husband? You know he has delicate health?"
Ferguson jumped up, his notebook dropping to the floor.
"Fanny, my dear, this is Mr. Samuel Ferguson, a compatriot of yours. He's innocent of all charges of upsetting me. It was my laughing that brought on the wretched cough."
"Pleased to meet you, Mrs. Stevenson," Ferguson stuttered. The woman continued to frown.
"Mr. Ferguson has been admiring your beautiful garden, Fanny."
She made no reply but moved to stand beside her husband, chafing his arm.
"Your husband told me how you have turned the garden into a miniature Scotland."
A clock on the mantelpiece chimed the half-hour before she replied, "I wanted it to be somewhere where he could feel inspiration." Her ruffled feathers seemed to be settling. "I've planted fruit trees and tiger lilies, too."
"And there's a dovecote, kennels and stables, too. A veritable Noah's Ark." Louis squeezed his wife's hand. He smiled to himself, thinking how the three of them formed an ill-assorted menagerie. Fanny with her dumpy figure was a bustling hen. Samuel Ferguson in his ill-advised tweeds with their startling scarlet and emerald check was an exotic but timid wader. What about himself? With his spiky limbs and bony head he feared that he resembled a pterodactyl, or more generously, a hunched gray heron.
Ferguson bent to retrieve his notebook. He scanned Fanny and Louis anxiously. Fanny's expression was disapproving but Louis winked at him. Ferguson opened his mouth to speak but his nose twitched and he let out a trumpeting sneeze. As he scrabbled in his pocket for his handkerchief, Fanny screamed, "You've brought a cold with you. How could you? Louis must be kept away from germs."
She lunged at him, dragging him toward the door. Louis huddled his shoulders deeper into his shawl, shaking his head as the reporter was hustled outside. Ferguson tripped over the step as she crashed the door behind him.
"Well, my dear, you defend me as well as the geese that warned the Ancient Romans of invaders," he said as Fanny returned. "I have only one concern. I heard a clatter as Mr. Ferguson beat his retreat. Naturally I hope he didn't hurt himself, but I would be even more worried if he knocked over the model of the Skerryvore Lighthouse. Papa would never forgive me if that monstrosity was damaged."
CHAPTER 2
Thirty-Two Years Earlier ... HMS Comet, October 1854
The oil lamp swayed from its hook on the ceiling, casting a flickering light over a row of glinting instruments. Henry Otter raised a hand to steady it until it glowed, an Arctic sun above the white expanse of the charts. He bent down to peer more closely. How he loved the swell of the Hebridean names on his tongue: Tianavaig Bay, Suisnish, Flodigarry. What was in a name? These ones were an incantation to the wild places on the edge of the world. A prayer to the Hesperides, the daughters of the Evening Star. Names to some men meant fame. The explorers tramping over unknown continents gained immortality by christening newly discovered rivers and mountains. To others names on a map gave power. After sending surveyors to map the Highlands, King James IV learned enough of the topography to dispatch an army to tame the people there.
But it wasn't immortality or power that mattered to Henry. What inspired him was creating accurate charts that enabled seafarers to sail their way safely. Over the centuries, anonymous sailors had named coastal features so that those following them would recognize the landmarks. Henry's eye landed on the settlement of Staffin, north of Portree. It was named by the Vikings and meant "Place of Pillars." He imagined the Viking captain standing at the prow of his longboat as it lunged through spray-spitting seas. What relief he would feel when he recognized the strange contorted mounds and stacks of the Quirang near Staffin and knew that he was heading northward. Henry saw himself and his crew as heirs to that tradition of naming and mapping. They recorded those ancient names and added details about the configuration of the coast, the nature of the seabed, and the depth of the channels. As he ran his finger along the black line of the Skye coastline, he thought about how charts, as well as being useful, had a modest beauty with their neat rows of figures guiding the helmsman along his way. How much labor those soundings represented. Sailors in small boats, often huddled against the lashing of wind and rain had endlessly cast a lead weight on the end of a marked line to record them.
He straightened up with a grunt of satisfaction. The surveys of North Skye were complete. They had made good use of the light summer nights. Tomorrow HMS Comet would leave Portree to begin work on charting the herds of smaller islands. A quick stretch of the legs, he decided, and then to bed. As he plodded along the deck he breathed in the night air.
What was that? Something flashed out to sea. A dim star? No, it was much too low in the sky and there was too much cloud for stars. But something was shining, making a tear in the darkness. As he reached into his pocket for his spyglass, he realized that he wasn't alone on deck. "Ah, Lieutenant Masters, you've younger eyes than me. Where's that light coming from?"
"It looks as if it's from Raasay, sir."
"No. It's too far north. It must be on Rona."
"You're right. Is it coming from a building? Well, there's a mystery to uncover. Go and find out tomorrow."
Later as he lay in his bunk, Henry visualized the two smaller islands that stretched along the flank of Skye. Skye reached out over five peninsulas, like the outstretched wing of a sea eagle. Raasay was a thin sliver to the east. It crumbled away northward into scattered skerries, steppingstones to its smaller neighbor. Rona was a rocky outpost with two deep bays on its western side, chewed out by the sea. So the light must come from one of those harbors, but which one and why? Surely there were only a few poor fishermen living there?
Well, he would have to see what Tom Masters could find out. The fellow's fair curls and boyish smile made him very successful in getting information from local people, especially ladies, even when they knew little English.
Tom reported on his mission the next day, "Sir, the light comes from a house on the beach at Big Harbour. A widow called Janet MacKenzie lives there. I don't know why she keeps a lamp lighted in the window. My interpreting skills ran out, I'm afraid."
"Never mind. We'll pay a visit to this widow before we embark on the next stage of the survey."
So an hour later, at the top of the tide, they steamed across to Rona on a strong swell, nosing the Comet into the outer rim of Big Harbour. Tom had hired a local fisherman as a pilot, a spare man, his cheeks reddened and his blue eyes watery after years of scouring by the elements.
"Treacherous rocks there," Henry said, "They must have wrecked a few boats in their time."
"Aye," the pilot replied. "But I know their ways." He seemed disinclined to say more. Henry didn't know whether it was because he had little English or if he was taciturn by nature. So he left the man in peace to gesture to the helmsman what line the ship should take. Henry always felt tense when he wasn't in command. He only breathed more easily once the ship was anchored well clear of the rocks that stoppered the inner entrance. A boat was lowered over the side and coxswain Richard Williams rowed the captain and the lieutenant to the beach.
"Brush yourself down," Henry ordered Tom as they jumped on to the shingle. The captain knew that the younger officers were irked by his insistence on immaculate uniforms. But it was too easy to let discipline slide on a survey vessel in remote locations. He rubbed wet sand from his own trousers and smoothed down the lapels of his jacket before looking about him.
"That must be the house," he said, pointing at a building roosting by itself on the beach among the rocks, "Quite substantial too, two floors. Not the usual black house."
As he rapped on the heavy front door, he could hear scuffling noises from inside. It was opened by a mouselike young girl. "I'm Captain Otter of the Royal Navy. Is your mistress in?"
The girl's eyes opened wide and her nose started to twitch as if she was about to burst into tears. There was a rustling behind her and a tall, slender figure in a black gown appeared. Henry saw a face as weathered as a wooden carving and felt the gaze of her eyes, gray as wintry seas, "I'm Mistress MacKenzie. Would you gentlemen like to step inside?" Her voice was cool and deliberate.
They followed her stiff back into a parlour at the front of the house. She gestured for them to sit on a well-polished settle while she perched on a hard chair. The room was spare but snug. A woolen rug lay in front of the fireplace and a tall press stood in one corner. What drew Henry's eye though stood in front of the small window overlooking the sea. The glass was almost completely obscured by an elaborate lamp wedged onto the stone sill. It wouldn't have looked out of place in an Edinburgh drawing room. It had a wide brass base and a tall chimney topped by a glass globe that reminded him of a fortune-teller's crystal ball. He had to clench his hands together to curb his eagerness while they waited for the flustered maid. She scampered in eventually with a tray of tea things, clattering the cups as she served them. The widow remained silent and composed.
(Continues…)
Excerpted from "No Safe Anchorage"
by .
Copyright © 2016 Liz MacRae Shaw.
Excerpted by permission of John Hunt Publishing Ltd..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
Preface,
Chapter 1 Bournemouth, 1886,
Chapter 2 Thirty-Two Years Earlier ... HMS Comet, October 1854,
Chapter 3 Island of Rona, Summer 1857,
Chapter 4 Island of Rona, Summer 1857,
Chapter 5 Island of Rona, Summer 1857,
Chapter 6 Island of Rona, Summer 1857,
Chapter 7 Island of Rona, Summer 1857,
Chapter 8 Island of Rona, Summer 1857,
Chapter 9 Island of Rona, Spring 1858,
Chapter 10 Island of Rona, Spring 1858,
Chapter 11 Island of Rona, Spring 1858,
Chapter 12 Scorrybreac, Portree, Isle of Skye, 1858,
Chapter 13 Portree, Isle of Skye, February 1861,
Chapter 14 Several days later. Aboard HMS Porcupine in Portree Harbor,
Chapter 15 Aboard HMS Porcupine, the same day,
Chapter 16 Aboard HMS Porcupine, the same day,
Chapter 17 Aboard HMS Porcupine, 1861,
Chapter 18 Isle of Raasay, 1861,
Chapter 19 West Highlands, 1861,
Chapter 20 West Highlands, 1861,
Chapter 21 Oban, 1861,
Chapter 22 Stornaway, 1861,
Chapter 23 Argyll, 1861,
Chapter 24 Argyll, 1861,
Chapter 25 Liverpool, 1862,
Chapter 26 At Sea, April 1862,
Chapter 27 The Voyage Continues, 1862,
Chapter 28 Landfall, May 1862,
Chapter 29 Cape Breton Island, Summer 1862,
Chapter 30 Cape Breton Island, Winter 1862,
Chapter 31 Cape Breton Island, Spring 1863,
Chapter 32 Cape Breton Island, Spring 1863,
Chapter 33 Cape Breton Island, Summer 1863,
Chapter 34 Journey Across Cape Breton Island, Summer 1863,
Chapter 35 Journey Across Cape Breton island, Summer 1863,
Chapter 36 Newfoundland, 1864,
Chapter 37 Newfoundland, 1864,
Chapter 38 Back to Cape Breton Island, 1864,
Chapter 39 Cape Breton Island, 1865,
Chapter 40 Cape Breton Island, 1865,
Chapter 41 Nova Scotia, Summer 1865,
Chapter 42 Cape Breton Island, Winter 1866,
Chapter 43 Cape Breton Island, Summer 1866,
Chapter 44 The Prairie, Spring 1868,
Chapter 45 The Prairie, Summer 1868,
Chapter 46 The Prairie, Summer 1868,
Chapter 47 New York, 1872,
Chapter 48 New York, 1872,
Chapter 49 New York, 1872,
Chapter 50 Samoa, 1891,
Chapter 51 Samoa, 1891,
Note to Reader,
Glossary,