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With his nineteen-year-old daughter, a collection of maps and the help of an opinionated GPS, Peter Midgley sets out across Namibia. Visiting small-town museums and gravesites, crossing border checkpoints and changing tires, they travel its length and breadth. Stories about Portuguese explorers and the first genocide of the twentieth century collect on the back seat of their car alongside the author's earliest childhood memories of growing up in the country. By the end of the journey, the stories piece together into an understanding of Namibia's present and make it possible for Midgley to share his love for this complicated, vibrant place with his daughter.

"1120007598"
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With his nineteen-year-old daughter, a collection of maps and the help of an opinionated GPS, Peter Midgley sets out across Namibia. Visiting small-town museums and gravesites, crossing border checkpoints and changing tires, they travel its length and breadth. Stories about Portuguese explorers and the first genocide of the twentieth century collect on the back seat of their car alongside the author's earliest childhood memories of growing up in the country. By the end of the journey, the stories piece together into an understanding of Namibia's present and make it possible for Midgley to share his love for this complicated, vibrant place with his daughter.

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Overview

With his nineteen-year-old daughter, a collection of maps and the help of an opinionated GPS, Peter Midgley sets out across Namibia. Visiting small-town museums and gravesites, crossing border checkpoints and changing tires, they travel its length and breadth. Stories about Portuguese explorers and the first genocide of the twentieth century collect on the back seat of their car alongside the author's earliest childhood memories of growing up in the country. By the end of the journey, the stories piece together into an understanding of Namibia's present and make it possible for Midgley to share his love for this complicated, vibrant place with his daughter.


Product Details

ISBN-13: 9781928088035
Publisher: Wolsak & Wynn Publishers, Limited
Publication date: 09/23/2014
Sold by: PUBLISHDRIVE KFT
Format: eBook
Pages: 272
File size: 2 MB

About the Author

Peter Midgley is a poet and storyteller. He has performed in several countries around the world and has published three children’s books, one of which, Thuli’s Mattress, won the International Board on Books for Young People Award for Literacy Promotion and has been translated into twenty-seven languages. He is also the author of two plays and a bilingual volume of poems, perhaps i should / miskien moet ek, which appeared with Kalamalka Press in 2010. A second collection of poetry, Unquiet Bones, will be published by Wolsak & Wynn in 2015.

Read an Excerpt

CHAPTER 1

August 2011

From the minute I step out of the plane and walk onto the tarmac toward the customs building with my daughter, I know I love this place. We cross the tarmac and enter the shade of the terminal building. The woman at customs examines my papers carefully. "Why do you have this passport?"

"Because I am a South African citizen?"

"Yes, but it says you were born in Okahandja. Why don't you have a Namibian passport?"

There are people queueing up behind us and I try to keep my response simple. "It was stolen."

It's the truth. Shortly after Julie, Andreya and I had returned to South Africa, someone broke into our car and stole my briefcase, which had my passport in it. I tried to get a replacement right away, but the Namibian officials were adamant that I had to apply in person in Windhoek. With each passing year, the chances of getting a new passport seemed more remote. By the time we moved to Canada, I had given up on my Namibian passport, but Namibia followed me across the ocean, just as it had followed me on road trips throughout my childhood. The road to Port St. Johns was filled with stories of the time we travelled to Swakopmund; the trip down to East London was about the time we drove through the Namib Desert. Any dirt road on the way to a farm would remind Ma and Dad of something Namibian. And yet, although these stories filled my life, I knew many of them only as words that accompanied photographs and from a collective family memory, for at the time I was still too young to recall more than fragments on my own and I longed for my own Namibian experiences and for something tangible to tie me to the country I'd always considered home.

Try as I might, I cannot recall Ma and Dad ever looking at a map because the names of places were so ingrained in their minds. Somehow, they just seemed to know which road to take. And they remembered where they'd been. They knew each place and in each town, behind every Karoo bush and every camelthorn tree, they had a connection. And always, Ma had a story to tell. Every tale she told meandered until it returned, safe and complete, to where we had started: in Namibia. Ma could make a story loop out across the veld like an ox whip before she tugged at the handle and let the tale double back and crack to a conclusion. But until then, her stories would bend and twist and prod us toward our destination until we fell asleep, exhausted, and dreamed of Namibia.

After we had returned home from holidays at the beach, we would unpack the driftwood of our days at the florist shop, where Ma could give these gifts of the sea new life in her arrangements. Then we would manoeuvre the caravan into a corner in the backyard, where it rested until it was called to duty again. When the memory of the trip had receded somewhat, I would take the key, the one with the cloverleaf head and the faded woven leather tassel attached to it, and walk to the caravan to pry open those memories once more and give them a new life too. Opening that door to the caravan was to find solace in the imagined roads and stories of past journeys as they retold themselves over and over on the lines of the map that covered the fold-out table. In a world still without television, all we had to divert our attention on rainy holidays were books, board games and maps.

The table map stretched as far north as Zimbabwe and the lower half of Zambia, showing me the location of places with magical names like Kitwe and Kariba and Cahora Bassa. From Mozambique, the map stretched west until it hit the Atlantic Ocean somewhere north of Luanda and Moçâmedes. At the end of 1975, after Angolan independence, Moçâmedes became Namibe, and the thud of land mines and soldiers' footsteps would ring in the ears of a generation of children as they were maimed into adulthood. But in the caravan in the backyard, I was unaware of such changes. The names on that map were simply places beyond my back garden, places I knew from reciting them over and over again as the storm clouds passed, places I knew I wanted to visit one day. And squashed in the middle between these faroff places and the dot that marked our hometown with the caravan in our backyard, off along the west coast of Africa, lay Namibia.

Even in Canada, Namibia kept inserting itself into my life, reminding me of that year I spent there in 1990, the year of independence. One evening during dinner, I mentioned that I would love to go back.

Between mouthfuls of food, our youngest daughter, Sinead, planned the trip.

"There's an awful lot of 'we' in your plans for me," I said to the head of red hair that was stretching across the table for more roasted potatoes. "And don't stretch across the table."

"By the time you leave, I'll be done high school. I'm coming with you." It was more a point of information than a request or a suggestion. She stuffed another roast potato into her mouth.

And so here we were, Sinead and I, waiting to get our passports stamped.

"Well, you're back now, so you have to apply for one, ?" The customs official's voice startles me out of my reverie. "And who's this?" She looks at Sinead's passport. "You were not born here, I see. That's okay. Your dad's Namibian. You're one of us. Welcome home." She stamps our passports and waves us through.

We wait almost forty minutes for our luggage. Sinead gets bored and wanders off to find a bank machine where she can draw some money. Eventually, our luggage arrives and Sinead leads us toward the car rental desk she'd discovered during her forty-minute walkabout.

As we walk out of the building, two men squatting on the ground look up from their game. Owela, a favoured pastime of many Namibians, is one of the oldest forms of mancala and the two men move the stones about with enthralling dexterity. I watch them play as I soak in the dusty green of the camelthorns and the glorious abundance of black skin that surrounds me. The pulsating heat of stone and sand melts into my head alongside long-forgotten memories. I am breathing home after two decades away. The dust of the Khomas Hochland covers my sandals. One of the owela players catches my eye and smiles as he leaps up to offer me a copy of The Namibian. By the time he has pocketed my change, I am forgotten and his mind is already focused on the important matter of winning his game.

We leave the two men to continue their battle of wits and begin the search for the pickup truck we've rented. We pack our bags in the back and get in. Before I start the bakkie, I do the unimaginable: I put a map in my daughter's hands and instruct her to navigate.

Sinead grunts. "You're kidding me, right?" The map remains unopened in her lap.

Travel, like Africa, is in Sinead's blood. She grew up between continents on trips back to South Africa to visit family. At eighteen, she knows the best places to snooze in an airport lounge and can navigate her way through customs with her eyes closed. Yet despite her ease with international travel, my directionally challenged daughter cannot find her seat on a plane without the aid of a GPS. Fortunately for her, there is only one road to take from the airport to Windhoek. We enter the city as the sun is setting and head straight for our bed and breakfast. The map of the city unfolds itself from my memory as I round the circle at the Christuskirche, turn onto Independence Avenue and up John Meinert Street.

Sinead had spent the summer before our trip volunteering at a camp in British Columbia where she had picked up a cold. Between the effort of fighting a cold and an eternity in airplanes and transit lounges, she can barely manage to stay awake. We decide to order in. While we wait for our pizza to arrive, Sinead crosses her legs and spreads the map of Namibia out in front of her on the bed. She stares at it for a while before turning to me. "If Namibia has two deserts, where do people find water for farming?"

Namibia's rivers are not the mighty Yangtze River, nor are they the Nile or some other famous waterway about which numerous books are written. In fact, for much of the year, Namibians complain about the sheer lack of water and the majority of its riverbeds are oversized sandpits. "They use underground water where they can, or they rely on water from the dams they've built. The Kunene and the Okavango rivers flow all year round. There's enough water if people are careful."

Sinead looks at the map again. "So, that's desert and that's desert and that's dry and that's wet." Her fingers drift across the map and settle along the Caprivi Strip in the tropical north. "That's why most of the people live in the north, I suppose?" I nod, but already she's off on another tangent. She changes tack sharply, this child of mine. For someone who's suffering from a cold, jet lag and lack of sleep, she's pretty chatty. I keep being drawn from my book, Marion Wallace's A History of Namibia: From the Beginning to 1990, by a barrage of questions. And each time I've answered one of her questions, I return to the first chapter, the one that tells the many tales of migration. If there is one thing Namibians do well, it is move. Throughout its turbulent history, the people of Namibia have trekked. People came from the north, from central Africa, to settle around the Kunene and Okavango Rivers. Later, centuries later, some of these people, like the Ovaherero, packed their belongings and headed further south to the central plains, where they came into contact with the various groups of people who had steadily been moving up from the south. These southerners were moerig, a cantankerous lot. Mostly refugees from south of the Gariep River, bandits and escaped slaves who had fled the Cape Colony, they brought with them firearms and a zealous desire to retain their freedom and independence.

I'm trying to make sense of centuries' worth of convoluted migrations when Sinead pokes me in the ribs for the umpteenth time. "Okay, so we're going to be looking at graves and things. If the war took place in the north, why are we looking at graves in the south?"

"It's complicated," I reply as I go down on my knees and lean over the side of the bed to see the map up close. "It would take a book to explain that." Sinead rolls her eyes, but I am not really joking. Namibia is complicated. Besides stories of endless treks, there are numerous stories of conflict. This is a country steeped in war. For Namibians, the twentieth century is bookended by two major wars, and packed with enough tales of battle to fill up the spaces in between and spill onto the adjoining shelves. By the time the Germans laid claim to the country in 1884, the local people were already well armed and bellicose. They fought the colonists in the protracted Wars of Resistance that ended only after the first genocide of the twentieth century had wreaked havoc among them. When Germany lost its colonial possessions after the First World War, German South West Africa became a mandated territory under Britain's care. Britain, in turn, handed over that responsibility to their ex-colony in the region, South Africa. The South African government was to lead Namibia to independence, but they had other intentions. They set about recolonizing the country and incorporating it as a part of South Africa.

By the mid 1960s, Namibians had tired of sending pleas and protests and petitions to the United Nations. In desperation, they turned once more to war. This time, the war took place mostly in the north. For more than two decades, Namibian soldiers moved back and forth across the border, pursued by South African troops who left behind them yet another trail of broken and displaced communities. The Namibian War of Independence lasted until 1989, when a peace accord was signed at Mount Etjo, just north of the capital city, Windhoek. It was a delicate truce that would reveal its fault lines more than once in the lead-up to independence, but it was a truce nonetheless, and that is what mattered most.

"How big is Namibia?" Sinead asks as reception finally calls to let us know that our pizza has arrived. I've been asked this question so many times that my answer is rehearsed. "It is more than double the size of Germany, or as big as Alberta and just under half of Saskatchewan put together, or larger than Texas by a quarter."

Sinead's questions dry up while she eats. Halfway through dinner, she pulls the blanket over herself and goes to sleep.

*
After stocking up on groceries at the nearest supermarket early in the morning, we head toward the industrial area to pick up our camping supplies. Sinead turns the map around in an effort to determine which way we're travelling. She tries to give me directions, but the street names change faster than she can pronounce them. As we stop at the suppliers, she extricates herself from the maps and announces, "We need a GPS."

"Why? We've got maps. Two of them. The dinky one from the car rental people and the proper one we bought."

"Didn't you see me trying to read the maps? You know I can't read maps."

"Then you're going to learn how to on this trip, aren't you?" Sinead stomps ahead. By the time I get to the counter, she's already ticked off a GPS on the rental form. I leave the details to my daughter. She may not be able to find her shoelaces to tie them, but when it comes to organizing an excursion, I know I'm in good hands. Twelve years of organizing Girl Guide camps means she's got it nailed. Sinead whips through the form and hands it over to me to sign and pay. I hand over my credit card, but the woman just shakes her head: "Cash only." Sinead and I return to the city to draw some money. We move from cash machine to cash machine, drawing the daily limit at each bank machine we can find until we have collected what we can legitimately lay our hands on at such short notice. We're still several thousand Namibian dollars short, but we've drawn all we can for the day.

"How are we going to get our things?" Sinead asks. "Where are we going to sleep? We only booked a room for one night. We've booked a campsite in the backyard of the hostel for tonight. We need a tent."

"Have some faith," I tell her as we head back to tell the owner of the camping store that we will return in the morning when we're able to draw the balance and collect our equipment.

The owner reaches across the counter for the money as I begin to tell her about our predicament. Her face wrinkles into a laugh and she throws the weight of her head back as she chuckles. "Yes, these machines never give me enough money, either. But that's because I don't have any. You can pay the balance when you get back." She sends us on our way with a flourish that sets the wattles under her arms jiggling. "Enjoy yourselves." A man with oiled black hair standing behind her turns around and shouts into the back room, "Laai die bakkie!"

Back in the city, we park the car in a lot just off John Meinert Street. It's almost noon and the throb of approaching midday heat makes me squint. A woman stops us at the corner and says, "Don't ever walk with a backpack in this city! It's Windhoek, you know! You'll be mugged!"

I wish I could turn around to tell her, "You are wrong," but I know she isn't. We could be. We could be mugged or robbed in New York or Amsterdam too. Such is the way of cities all around the world. I tighten my grip on the backpack and continue walking when the lights change. We dodge taxis as we cross the road, the softened tar squelching under our feet. Sinead's eyes dart around, trying to absorb everything.

I could describe how the streets have frayed at the edges, as they inevitably do in almost every African city. I could talk of the cracked plaster and the litter gathering in the street, or the taxis that circle the blocks in search of fares or the intricate array of hand signals that flag them down with explicit instructions on where to go. I could do these things, but that would detract from the new glass and brick monoliths that are steadily elbowing out the old German colonial buildings along the verges of Independence Avenue. Besides, I no longer speak the language of taxis. So much has changed in my absence that I am a familiar stranger in this city.

(Continues…)



Excerpted from "Counting Teeth"
by .
Copyright © 2014 Peter Midgley.
Excerpted by permission of Wolsak and Wynn Publishers.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

What People are Saying About This

Marcello di Cintio

"Impeccably researched and written with palpable affection, Peter Midgley's Counting Teeth: A Namibian Story reveals how the history of a nation can also be the narrative of a human heart."

Esi Edugyan

"A rich and fascinating tale."

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