Complete with anthemic choruses,
spoken word story lines, and plenty of bombastic
power metal punctuating every dramatic turn,
Nightfall in Middle-Earth is perhaps
Blind Guardian's most triumphant effort. After spending ten years and numerous releases building a large following in Europe and Japan,
Blind Guardian took on the task of creating this
progressive concept record based on
J.R.R. Tolkien's fantasy novel
The Silmarillion. The story recounts events from the first age of Middle-Earth,
Tolkien's parallel world that serves as the mythological backdrop for his classic
Lord of the Rings trilogy. The
Blind Guardian interpretation features bassist/vocalist
Hansi Kuersch's first-person character portrayals and narrations of the
medieval quest for truth and glory. It's really quite grandiose. Except for a couple of quick-paced numbers,
Blind Guardian favors an
operatic prog rock approach on
Nightfall in Middle-Earth, suggesting comparisons to
Queen, with dense choir-like vocal harmonies set against swirling multi-part guitar lines.
Kuersch lacks the technical abilities of
metal's most theatrical frontmen, but his conviction and craftiness make up for these limitations as the vocalist stretches and twists his voice to create that rarest of
metal attributes, a genuine sonic signature. Plainly, this music is not for everyone. Listeners who can't take the theatricality of
Manowar,
Hammerfall, or
Helloween probably won't be able to stomach
Nightfall in Middle-Earth either. However,
power metal aficionados and
prog fans with a taste for
Celtic minstrel counterpoint, shredding guitar solos, thousand-voice marching choruses, and just about everything in between should have more than a passing interest is this hyper-ambitious release. ~ Vincent Jeffries