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Jesse Stone, the protagonist of Night Passage, is separated from Parker's Spenser by more than a first name. A former L.A. homicide cop with a drinking problem, a broken marriage, and some lost dreams, Stone has just been hired to be police chief of the small Massachusetts town of Paradise. The Paradise power brokers are sure surprised when Stone not only doesn't look the other way at various goings-on but also starts looking into such matters as money laundering, militia activities, and murder. Unlike Spenser, who arrived fully formed in 1974, Stone has some pieces damaged or missing, giving Parker plenty to work with in future entries.
—Nancy Pate
Newsday
Parker's sentences flow with as much wit, grace and assurance as ever, and Stone is a complex and consistently interesting new protagonist.
Publishers Weekly - Publisher's Weekly
Great series characters can wind up tyrannizing their creators, who often seek relief in secondary series heroes. But Professor Challenger didn't save Conan Doyle from Holmes, Tiger Mann never put the kibosh on Spillane's Mike Hammerand Jessie Stone, though a finely wrought protagonist, won't keep Parker's fans from clamoring for ever more Spenser stories. Parker writes of Stone, an alcoholic cop booted out of L.A. Homicide only to be offered a job as police chief of a small Massachusetts town, in the third person, and his plotting suffers from the resultant multiple viewpoints. With Parker playing nearly all his cards face-up, there's little mystery and no suspense as Jesse uncovers, then foils, a murderous conspiracy on the part of a town official and his white-power militia. Also, many of the supporting charactersthe official, his bully of a sidekick, a couple of mobsters and a burned-out teen whom Jesse befriendswill seem, though crisply carved, too familiar to Spenser devotees. And so will Jesse, for although alluringly moody and silent, he is, like Spenser, a tough man of honor who gets the job done. What's less predictable here are the complex, expertly shaded relationships, especially romantic, as Jesse flails and fails at loving both his ex-wife and his new girlfriend. The most powerful romance here, though, is between Parker and the written word. He has employed the third person before, most notably in Wilderness and the cop saga All Our Yesterdays. Still, his doing so is sufficiently rare that it is exceedingly satisfying to watch this prose master lay down his cool, clean lines from outside someone's skin. 125,000 first printing. (Sept.)
Library Journal
The creator of the famed Spenser novels introduces a new detective series.
Kirkus Reviews
After 24 Spenser titles (Small Vices, p. 90, etc.), Parker branches out with this tale of Jesse Stone, who's eased out of LAPD Homicide by his divorce-driven drinking, then hired by the sharp town fathers of Paradise, Mass., to replace Chief Tom Carson, who found out a little too much about Paradise. And there's lots to find out, because Board of Selectmen chair Hasty Hathaway—whose credentials also include heading Freedom's Horsemen, the local Aryan supremacist militia—is in bed with organized crime guys from Boston. Hasty's also in bed with Tammy Portugal (though you can hardly blame him: Mrs. Hasty is getting nasty with everybody in town but him); and when Tammy threatens to go public with their affair unless Hasty makes an honest woman of her, the stage is set for a no-holds-barred confrontation between Hasty, his crime connections (especially his fix-it man, body-builder Jo Jo Genest), his crooked cops, and Freedom's Horsemen (on one side) and taciturn loner Jesse (on the other). Longtime Spenser fans, who have been enjoying the clipped phone dialogue between Jesse and his ex, will be smacking their lips. But then, suddenly, everything's too easy. Jesse gets his drinking under control and makes key friends in Paradise. His force closes ranks behind him. The big-time mobsters get busy fighting among themselves. Jo Jo crumbles. Freedom's Horsemen implode. Don't even ask about Hasty.
You can always rely on Parker for some great talk and great scenes. But you'll have to wait for later entries in this new series for a great story.
From the Publisher
Praise for Night Passage
“Parker’s sentences flow with as much wit, grace and assurance as ever, and Stone is a complex and consistently interesting new protagonist.”—Newsday
“Parker has always been a master of razor-sharp and witty dialogue, hard-driving suspense and memorable characterization. His Jesse Stone series promises to match if not excel the Spenser novels. Night Passage is a stunning debut.”—Houston Chronicle
“Vintage Parker.”—The Denver Post
“A page-turner...the protagonist is a believable, full-blooded man of Hemingwayesque dimensions. Full of action, spiced with fast-moving introspection.”—Forbes
“A winner.”—The Boston Globe
“You can always rely on Parker for some great talk and great scenes.”—Kirkus Reviews
More Praise for Robert B. Parker
“If weight is to be given to prolific output as well as to literary excellence, it would be no stretch to claim that America’s greatest mystery writer is Robert B. Parker.”—The New York Sun
