Laura Amy Schlitz is the author of the Newbery Medal-winning Good Masters! Sweet Ladies! Voices from a Medieval Village, illustrated by Robert Byrd. She is also the author of A Drowned Maiden’s Hair: A Melodrama; The Hero Schliemann: The Dreamer Who Dug for Troy; and The Bearskinner: A Story of the Brothers Grimm, a retelling illustrated by Max Grafe. She lives in Baltimore, where she is a librarian at the Park School.
Angela Barrett studied at the Royal College of Art in England with Quentin Blake and is one of Britain’s most highly acclaimed illustrators. She has won the Smarties Book Prize and the W. H. Smith Illustration Award for her work and has illustrated more than twenty-five books for children, including classic tales, fairy tales, biographies, story collections, and picture books. She lives in London.
Laura Amy Schlitz is the author of the Newbery Medal–winning Good Masters! Sweet Ladies! Voices from a Medieval Village, the Newbery Honor book and New York Times bestseller Splendors&Glooms, and several other books for young readers. A teacher as well as a writer, Laura Amy Schlitz lives in Maryland.
Laura Amy Schlitz says that as a child, she was very lucky. “My parents gave me plenty of time to play and dream. Often, I pretended to be someone else; a ballerina, a horse, a mermaid, a spy. My brother and I ruled over a kingdom of stuffed animals—I was ‘The Great Laurie’, and the national anthem was the ‘Grand March’ from Aida.” She adored fairies and fairy tales. “I gathered bread crusts and hid them under the dining-room table—people in fairy tales were often described as ‘not having a crust to eat,’ and I was determined to save my family from this fate.” She also taught herself to sleep in the flying-leap pose, favored by Peter Pan on the cover of her fairy tale book so that if Peter dropped by when she was asleep, he would know, from her body position, that she was willing to join him in Neverland. “He has yet to turn up, but I still sleep in that position, though I wake with a stiff back.”
Laura Amy has made her living as a librarian, although she took a couple of years off to tour with a children’s theater: “It was a gloriously free and disorganized life, but eventually, I had no money at all.” She still loves the theater, and wrote her first stage play for a friend who needed a last-minute script for Beauty and the Beast. It turned out better than anyone expected, and Laura Amy Schlitz became a playwright whose plays have been produced in professional theaters all over the country. She loves to make things: bread, marionettes, quilts, watercolors, origami animals. She says, “My hands get restless if I can’t make things.” For the past thirteen years, she has worked as a school librarian, about which she says, “I am so grateful that I work with children—they make me laugh, and their energy reminds me to enjoy life.”
About her writing, she notes, “I do a lot of complaining. People often ask why I write, when I hate it so much. I answer that I write because I am under a curse. I keep meaning to give up writing, but I haven’t gotten around to it yet. I dread sitting down to write, and I have to resort to tricks to get myself to the paper. ‘One half hour, or one page,’ I promise myself, ‘then you can get up and do something you like.’ I go to the bathroom, take the telephone off the hook, fill my fountain pen, get myself a glass of water, and sit down. Once I sit, my rear end has to stay in place until I’ve written. I often say that I write with my rear end—it’s the ballast that holds me steady while I fight for words.”
“Work is fantastic,” says Angela Barrett, illustrator of Through the Tempests Dark and Wild: A Story of Mary Shelley, Creator of Frankenstein. “If there’s one thing I’d like readers to take away from this book, it’s an awareness of the pleasure that work can bring, and the realization that women of Mary Shelley’s time period were frowned on if they tried to pursue it.”
Certainly Angela Barrett, whose classic, elegant illustrations grace numerous children’s books, finds great pleasure in her work as an artist. She says she especially enjoyed painting the “high dramatic parts” of Mary Shelley’s story, such as the haunting image of Mary and friends sitting around a fire telling ghost tales (notice the eerie faces peering from dark folds in the curtains) and the final tableaux of scenes from Frankenstein. Known for her work’s exquisite detail and symbolic imagery, Angela Barrett admits that some illustrations for Through the Tempests Dark and Wild proved “a bit of a chore”—painting every last book in a book-lined study, for example—but notes that her painstaking work is always “worth it in the end.” Critics agree: Angela Barrett’s “stunning watercolor illustrations,” says School Library Journal, “glowing with soft color and period detail . . . draw readers into a melancholy and emotional world.”
Angela Barrett’s interests include dressmaking and stage design, but her main love is books—“the sight, the smell, and the feel of them as well as reading them.” She lives in London.
