Leaves the reader with a bolstering sense of having been enriched by a view of the world at once rigorously thoughtful and deeply felt.
Fox’s style is jagged, elliptical at times and even rough. In fact it has a unique expressiveness; an industrial, not a jeweler’s diamond, and used for cutting, not display.
Richard Eder - Boston Globe
The unfettered voice found in Fox’s wide-ranging personal essays [lingers] in the memory.
What makes News from the World more than the sum of its parts is Fox’s voice: astringent (but never cold), unsentimental (but never pitiless), exasperated (but never angry). David Leavitt
Fox’s style is jagged, elliptical at times and even rough. In fact it has a unique expressiveness; an industrial, not a jeweler’s diamond, and used for cutting, not display. Richard Eder
The unfettered voice found in Fox’s wide-ranging personal essays [lingers] in the memory. Megan O'Grady
What makes News From the World more than the sum of its parts is Fox's voice: astringent (but never cold), unsentimental (but never pitiless), exasperated (but never angry). The New York Times
Though the original publication dates of the work compiled for this collection span from 1965 to 2010, many of the personal narratives included cover an even wider swath of Fox's life, making for a delightful read. An insightful and sturdy writer, Fox (Desperate Characters) remains humble, curious, and thoroughly likable across decades and genres. While the story "The Broad Estates of Death," published in Harper's in 2004, will be wonderfully familiar to many readers, her essays often seem even more original and telling. Particularly poignant is "Way Down Yonder," in which Fox recalls moving to New Orleans in 1940 and the writer couple from whom she rented a room. In it, we see the city, the segregation, and the early inklings of Fox's own life of letters. Equally captivating is the remembrance of a gay friend whom Fox met while she was a single mother in Manhattan, working as a teacher. With such a rich life history from which to draw, Fox is both wholly singular in her perspective and as knowable and trustworthy as a favorite neighbor. (Apr.)
"Paula Fox is one of our greatest writers. Her prose is a model of ruthless, gorgeous efficiency and her mind is so unnervingly alert to the messy contradictions that come with being human. These essays and stories will delight and inspire anyone who cares about literature, storytelling, and truth itself."
"Paula Fox's essays and short stories all display a spare, marvelous luminosity. The author's irreducible voice—it was the same with Virginia Woolf—can always be heard, whatever the genre."