New Paths to Raymond Carver: Critical Essays on His Life, Fiction, and Poetry
A balanced assessment of the acclaimed writer's poetry and fiction

Brevity and intensity characterized the life and literary creations of Raymond Carver, but too often his prose and poetry have been viewed in isolation rather than as interconnected parts of an artistic whole. New Paths to Raymond Carver brings together a distinguished chorus of voices to assess fully Carver's life, stories, and verse, proffering new inroads for critical investigations into the impressive corpus of work wrought during the celebrated writer's tragically brief career.

Edited by Sandra Lee Kleppe and Robert Miltner, the anthology features pieces by noted Carver scholars Randolph Paul Runyon and Kirk Nesset, a chapter by Carver's longtime friend and fellow writer William Kittredge, and the first publication in English of the introduction to the Japanese edition of Ultramarine by Carver's widow, Tess Gallagher. International in scope, this collection includes essays by a number of emerging Carver scholars representing France, Norway, Canada, and the United States.

The first half of the collection offers six insightful essays on Carver's poems, spanning his career and grappling with such topics as the musical quality and dreamlike nature of his verse, treatments of death and gender in his late work, themes of voyeurism, and his vocabulary of affection. The second grouping of essays focuses on current interpretations of Carver's fiction and covers topics as widely variant as McCarthyism, Alcoholics Anonymous, television, humor, voyeuristic empathy, and the crucial role of the banal in Carver's diction. The volume closes with Kittredge's moving reflections on Carver's life and premature death.

1115063986
New Paths to Raymond Carver: Critical Essays on His Life, Fiction, and Poetry
A balanced assessment of the acclaimed writer's poetry and fiction

Brevity and intensity characterized the life and literary creations of Raymond Carver, but too often his prose and poetry have been viewed in isolation rather than as interconnected parts of an artistic whole. New Paths to Raymond Carver brings together a distinguished chorus of voices to assess fully Carver's life, stories, and verse, proffering new inroads for critical investigations into the impressive corpus of work wrought during the celebrated writer's tragically brief career.

Edited by Sandra Lee Kleppe and Robert Miltner, the anthology features pieces by noted Carver scholars Randolph Paul Runyon and Kirk Nesset, a chapter by Carver's longtime friend and fellow writer William Kittredge, and the first publication in English of the introduction to the Japanese edition of Ultramarine by Carver's widow, Tess Gallagher. International in scope, this collection includes essays by a number of emerging Carver scholars representing France, Norway, Canada, and the United States.

The first half of the collection offers six insightful essays on Carver's poems, spanning his career and grappling with such topics as the musical quality and dreamlike nature of his verse, treatments of death and gender in his late work, themes of voyeurism, and his vocabulary of affection. The second grouping of essays focuses on current interpretations of Carver's fiction and covers topics as widely variant as McCarthyism, Alcoholics Anonymous, television, humor, voyeuristic empathy, and the crucial role of the banal in Carver's diction. The volume closes with Kittredge's moving reflections on Carver's life and premature death.

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New Paths to Raymond Carver: Critical Essays on His Life, Fiction, and Poetry

New Paths to Raymond Carver: Critical Essays on His Life, Fiction, and Poetry

New Paths to Raymond Carver: Critical Essays on His Life, Fiction, and Poetry

New Paths to Raymond Carver: Critical Essays on His Life, Fiction, and Poetry

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Overview

A balanced assessment of the acclaimed writer's poetry and fiction

Brevity and intensity characterized the life and literary creations of Raymond Carver, but too often his prose and poetry have been viewed in isolation rather than as interconnected parts of an artistic whole. New Paths to Raymond Carver brings together a distinguished chorus of voices to assess fully Carver's life, stories, and verse, proffering new inroads for critical investigations into the impressive corpus of work wrought during the celebrated writer's tragically brief career.

Edited by Sandra Lee Kleppe and Robert Miltner, the anthology features pieces by noted Carver scholars Randolph Paul Runyon and Kirk Nesset, a chapter by Carver's longtime friend and fellow writer William Kittredge, and the first publication in English of the introduction to the Japanese edition of Ultramarine by Carver's widow, Tess Gallagher. International in scope, this collection includes essays by a number of emerging Carver scholars representing France, Norway, Canada, and the United States.

The first half of the collection offers six insightful essays on Carver's poems, spanning his career and grappling with such topics as the musical quality and dreamlike nature of his verse, treatments of death and gender in his late work, themes of voyeurism, and his vocabulary of affection. The second grouping of essays focuses on current interpretations of Carver's fiction and covers topics as widely variant as McCarthyism, Alcoholics Anonymous, television, humor, voyeuristic empathy, and the crucial role of the banal in Carver's diction. The volume closes with Kittredge's moving reflections on Carver's life and premature death.


Product Details

ISBN-13: 9781570037245
Publisher: University of South Carolina Press
Publication date: 06/07/2008
Pages: 208
Product dimensions: 6.10(w) x 8.90(h) x 1.00(d)
Age Range: 18 Years

About the Author

Sandra Lee Kleppe is the director of the International Raymond Carver Society and an assistant professor of American studies at the University of Tromsoe, Norway. Her articles on Carver have appeared in Classical and Modern Literature, Journal of Medical Humanities, and Journal of the Short Story in English.

Table of Contents


Foreword   Kirk Nesset     vii
Preface     xv
Acknowledgments     xvii
False Sky: Introduction to the Japanese Edition of Ultramarine   Tess Gallagher     1
Sleeping and Waking: Raymond Carver's Late Poetry of Loss   Jo Angela Edwins     8
"It's like, but not like, a dream": On Reading Ultramarine   Randolph Paul Runyon     20
The Vocabulary of Affection: Attitudes toward Objects, Characters, and Other Writers in the Poetry of Raymond Carver   William W. Wright     35
In a Mature Light: The "Second Life" Poems in Where Water Comes Together with Other Water and Ultramarine   Robert Miltner     46
Raymond Carver's Poet-Voyeur as Involved Spectator   Sandra Lee Kleppe     62
American Voyeurism: Why Does Raymond Carver Want Us to Watch?   William L. Magrino     75
Seeing Ourselves from the Outside: Voyeuristic Empathy in Raymond Carver's Will You Please Be Quiet, Please?   Abigail L. Bowers     92
The Voluminous Impact of Television in the Fiction of Raymond Carver   Marc Oxoby     104
McCarthy's Mailmen: The Cold War, Raymond Carver, and "What Do You Do in San Francisco?"   Tamas Dobozy     115
Raymond Carver and Alcoholics Anonymous: A Narrative under the "Surface ofThings"   Chad Wriglesworth     132
Laughter's Creature: The Humor of Raymond Carver   Paul Benedict Grant     154
The Poetics of the Banal in Elephant and Other Stories   Claire Fabre-Clark     173
Bulletproof   William Kittredge     187
Contributors     197
Index     201

What People are Saying About This

G. P. Lainsbury

"New Paths to Raymond Carver makes a major contribution to the field of Carver studies. For the first time a substantial body of work offering analysis of Carver's poetry is brought together in one place, and the articles on Carver's short fiction, by both established voices and scholars new to the field, develop important lines of inquiry into the cultural and aesthetic significance of Carver's work."--(G. P. Lainsbury, author of The Carver Chronotope: Contextualizing Raymond Carver)

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