New Directions in Theorizing Qualitative Research: Performance as Resistance

by Norman K. Denzin (Editor), James Salvo (Editor)

Overview

In what ways can performance be mobilized to resist? This is the question that the present volume explores from within the context of qualitative research. From an arts-based approach, authors suggest methods on how artistic practice resists. The volume addresses how critical performance autoethnography might retain its ethical and democratic potential without falling into dogmatism or hegemony. This vision for democracy can even be accomplished through improvised, process-centered pieces that weave together thoughts from several key scholars, all to give us a critical perspective on how performative autoethnography is paradigmatically situated. The performance texts collected here question and resist, showing how the experience of art-making can move us through political and public spaces with liberatory potential, challenging social and ideological hegemonies and to generate social movements. Imaginative arts-based practices allow us access to emotional and embodied phenomena that remain otherwise foreclosed by traditional forms of inquiry. From poetics to public performances, subversive interventions, and more, these chapters bring a radical performative discourse to the fore. In so doing, the chapters work to create a framework for just performance, showing us how we might live performance as resistance.

Product Details

ISBN-13:	9781975502829
Publisher:	Myers Education Press
Publication date:	05/13/2020
Series:	New Directions in Theorizing Qualitative Research , #4
Sold by:	Barnes & Noble
Format:	eBook
Pages:	175
File size:	4 MB

About the Author

Norman K. Denzin is Distinguished Emeritus Professor of Communications, College of Communications Scholar, and Research Professor of Communications, Sociology, and Humanities at the University of Illinois at Urbana-Champaign.

James M. Salvo’s research interests are in systems of information, communications, data ethics, podcasting as scholarly discourse, and technology as an educational context. He teaches qualitative research methods at Wayne State University.

Table of Contents

Introduction
The Generic Activism of Just Performance
James Salvo

Chapter One
The World’s Resistance in Arts-Based Research
Richard Siegsemund

Chapter Two
Failing Better: The Ethics of Critical Performance Autoethnography
Sophie Tamas

Chapter Three
Performance Autoethnography: Many Surfaces, Many Forms, Many Interpretations
Desiree Yomtoob

Chapter Four
Paradigmatic Situatedness of Performative Autoethnography: A Postcritical Perspective
William M. Sughrua

Chapter Five
Quest for Lunch and Comfort Zones: About Personal-Becoming-Political Encounters
Inge G. E. Blockmans

Chapter Six
Compositions: A Visual Essay
Jasmine B. Ulmer

Chapter Seven
Art-Making in Public—Impacting Positive Transformation
Aravindhan Natarajan

Chapter Eight
Poetics of Rage as Performative Creative Subversion: Autoethnography and Social Drama
César Antonio Cisneros Puebla

Chapter Nine
Saving Our Soul: Imagination as Activism
Nancy Gerber

Chapter Ten
Escaping into Liberatory and De/Colonial Possibilities: Juxtaposing Absurdity and Creativity
Kakali Bhattacharya

About the Authors

Index