Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself: A Norton Critical Edition / Edition 2

Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself: A Norton Critical Edition / Edition 2

ISBN-10:
0393265447
ISBN-13:
9780393265446
Pub. Date:
08/31/2016
Publisher:
Norton, W. W. & Company, Inc.
ISBN-10:
0393265447
ISBN-13:
9780393265446
Pub. Date:
08/31/2016
Publisher:
Norton, W. W. & Company, Inc.
Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself: A Norton Critical Edition / Edition 2

Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself: A Norton Critical Edition / Edition 2

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Overview

Upon its publication in 1845, Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself became an immediate best-seller. In addition to its far-reaching impact on the antislavery movement in the United States and abroad, Douglass's fugitive slave narrative won recognition for its literary excellence, which has since earned it a place among the classics of nineteenth-century American autobiography This Norton Critical Edition reprints the 1845 first edition of Douglass's compelling autobiography Explanatory annotations accompany the text. A rich selection of "Contexts" provides readers with contemporary perspective. Included are the little-known preface that Douglass wrote in 1846 expressly for the second Irish edition of his Narrative; a public exchange of letters between A. C. C. Thompson, a former slaveholder, and Douglass; three autobiographical portraits of Douglass's parents; Douglass's account of his escape from slavery which he chose not to include in the 1845 Narrative; samples of Douglass's use of his slave experience in two of his most influential antislavery speeches; and reminiscences of Douglass as both orator and friend by James Monroe Gregory and Elizabeth Cady Stanton. "Criticism" collects six essential assessments of the Narrative's historical and literary significance by William S. McFeely Peter Ripley Robert B. Stepto, William L. Andrews, Houston A. Baker, Jr., and Deborah E. McDowell. A Chronology and Selected Bibliography are also included.

About the Series--Each Norton Critical Edition includes an authoritative text, contextual and source materials, and a wide range of interpretations from contemporary perspectives to the most current critical theory--as well as a bibliography and, in many cases, a chronology of the author's life and work.

Product Details

ISBN-13: 9780393265446
Publisher: Norton, W. W. & Company, Inc.
Publication date: 08/31/2016
Series: Norton Critical Editions Series
Edition description: Second Edition
Pages: 208
Product dimensions: 5.10(w) x 8.40(h) x 0.50(d)

About the Author

About The Author
William L. Andrews is E. Maynard Adams Professor of English at the University of North Carolina at Chapel Hill. He is general editor of Wisconsin Studies in Autobiography and The Literature of the American South: A Norton Anthology, and co-editor of The Oxford Companion to African American Literature and The Norton Anthology of African American Literature. Other works include the Norton Critical Edition of Up From Slavery; The Literary Career of Charles W. Chesnutt; To Tell a Free Story: The First Century of Afro- American Autobiography, 1760–1865; Sisters of the Spirit; The Curse of Caste by Julia C. Collins; Life of William Grimes, the Runaway Slave; and Slave Narratives after Slavery.

William S. McFeely is Abraham Baldwin Professor of the Humanities, Emeritus, at the University of Georgia. He is the author of Yankee Stepfather: General O. O. Howard and the Freedmen; Grant: A Biography, for which he was awarded the Pulitzer Prize and the Parkman Prize; Frederick Douglass, which received the Lincoln Prize; Sapelo’s People: A Long Walk into Freedom; and Proximity to Death.

Hometown:

Tuckahoe, Maryland

Date of Birth:

1818

Date of Death:

February 20, 1895

Place of Death:

Washington, D.C.

Read an Excerpt

I have often been utterly astonished, since I came north, to find persons who could speak of the singing, among slaves, as evidence of their contentment and happiness. It is impossible to conceive of a greater mistake. Slaves sing most when they are most unhappy….Crying for joy, and singing for joy, were alike uncommon to me while in the jaws of slavery. The singing of a man cast away upon a desolate island might be as appropriately considered as evidence of contentment and happiness, as the singing of a slave; the songs of the one and of the other are prompted by the same emotion. -- from Narrative of the Life of Frederick Douglass

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