Nancy Sinatra was on an unstoppable tear in 1966, riding the success of her enormous hit single "These Boots Were Made for Walkin'" (which topped the charts in January of '66) with a series of full-length albums capitalizing on the momentum.
Nancy in London was
Sinatra's third full-length album released in 1966, again joining forces with producer, songwriter, and occasional duet partner
Lee Hazlewood for a set of AM pop tunes with subtle hippie counterculture undercurrents. While then-ubiquitous tunes like "On Broadway" or "Wishin' and Hopin'" may have come across as elevator music fare at the time, the ensuing decades have been kind to this run of
Sinatra's work, and
Nancy in London is part of an interconnected whole that links in with her first two albums as well as the truckstop dust-covered psychedelic country of the
Nancy & Lee albums that followed shortly thereafter. Tracked in three days at London's legendary Pye Studios, the record includes arrangements from
the Wrecking Crew's
Billy Strange, occasional backing from members of the
London Philharmonic, a heavy-handed duet with her father,
Frank Sinatra, on the dated ode to getting high on life "Life's a Trippy Thing," and a sultry James Bond spy anthem with "You Only Live Twice." The most engaging moments here come when
Nancy and
Lee Hazlewood tap into their unique chemistry on the eerie, foreboding country of "Summer Wine," or on the late-night drunken-blues stumble of "Friday's Child." Though in 1966
Nancy in London might have blended in with the rest of the homogenized Top 40 schmaltz of its day, getting past the radio-geared tracks reveals some far more complex, strange, and less accessible material. The combination of easy-listening '60s orchestral pop and subtly demented hipster country makes
Nancy in London, as well as the rest of her late-'60s catalog, an interesting thing for deeper music listeners to revisit. ~ Fred Thomas