My Own Best Enemy

My Own Best Enemy

by Richard Marx
My Own Best Enemy

My Own Best Enemy

by Richard Marx

CD

$14.49 
  • SHIP THIS ITEM
    Qualifies for Free Shipping
  • PICK UP IN STORE
    Check Availability at Nearby Stores

Related collections and offers


Overview

My Own Best Enemy arrives in the midst of Richard Marx's thriving career as a producer and songwriter, and in particular his Song of the Year Grammy with Luther Vandross for "Dance With My Father." You'd think these successes would sour him on another solo outing, especially since 1997's Flesh & Bone and the 2000 self-released LP Days in Avalon didn't exactly ignite soft rock radio. The opposite, however, seems to be true. Working comfortably within the adult pop realm (instead of grudgingly accepting the genre as his fate), Marx puts forth a solid effort tinged not only with engagingly modern production and arrangements, but subtle personal reflections and just a little bit of that "Don't Mean Nothin'" grit. "When You're Gone" is the single, reintroducing Marx's grainy smooth voice over a slick yet rousing backing track helped along by the guitar and supporting vocals of pal Keith Urban. The Nashville connection continues with "Love Goes On" -- Jessica Andrews contributes chorus harmonies, and the nicely appointed cut's a steel guitar overdub away from contemporary country hit status. Later, "Someone Special" acts on that Music City pacing and steel guitar urge; it's essentially a Lonestar song sung by Marx. My Own Best Enemy does stick a little too closely to its slick formula, and the lush production smooths its edges. But Marx keeps reaching deep into his vocal chords and pulling out that legitimizing scratchiness he's always relied on. The midtempo sameness of Enemy also highlights Marx's slower material and his talent for deftly altering the mood. The quiet, simply romantic "Again" features some really nice flourishes of watery, echoing guitar, while slight electronic percussion patters in the background of "The Other Side"'s bruised-heart urgency. The two songs are emotional opposites, yet they never stray from an easily digestible adult pop sound. It takes true talent to sound genuine over what could've been maudlin. ~ Johnny Loftus

Product Details

Release Date: 08/10/2004
Label: Emi-Manhattan / Manhattan Records
UPC: 0724359171920
Rank: 51451

Tracks

  1. Nothing Left to Say
  2. When You're Gone
  3. One Thing Left
  4. Love Goes On
  5. Ready to Fly
  6. Again
  7. Colder
  8. Everything Good
  9. The Other Side
  10. Someone Special
  11. Suspicion
  12. Falling

Album Credits

Performance Credits

Richard Marx   Primary Artist,Vocals,Guitar,Piano,Keyboards,Synthesizer Bass,Guitar (Acoustic),Guitar (Electric),Vocals (Background)
Stephen Balderston   Guitar,Cello
Eric Darken   Guest Artist,Percussion
Bruce Gaitsch   Guest Artist,Guitar (Acoustic)
Michael Thompson   Guest Artist,Guitar,Guitar (Acoustic),Guitar (Electric)
Glenn Worf   Guitar (Bass),Bass
Michael Landau   Guest Artist,Guitar (Electric),Guitar,Soloist
David Cole   Guest Artist,Keyboards,Synthesizer
Keith Urban   Guest Artist,Guitar,Soloist,Vocals (Background)
Gerald Greer   Violin
David Davison   Violin
Paul Franklin   Guitar (Steel)
Connie Ellisor   Violin
Steve Brewster   Drums
Pamela Sixfin   Violin
Shane Fontayne   Guitar,Guitar (Electric)
J.T. Corenflos   Guitar,Guitar (Electric)
Lance Morrison   Bass
Jim Grosjean   Viola
Mark Browne   Bass
Mary Kathryn Van Osdale   Violin
Kris Wilkinson   Viola
Jessica Andrews   Vocals (Background)
Matt Walker   Drums
Catherine Umstead   Violin
Matt Laug   Drums
David Angell   Violin
Anthony LaMarchina   Cello
Gregg Bissonette   Drums
Gary VanOsdale   Viola
Sari Reist   Cello
Chris Teal   Violin
Connie Heard   Violin
Carl Rabinowitz   Cello
Gary W. Smith   Keyboards,Organ (Hammond)

Technical Credits

David Cole   Audio Production,Mixing,Engineer,Producer,String Arrangements
Richard Marx   Audio Production,Composer,Producer,String Arrangements
Cill Colnot   Cello Arrangement,Orchestration
Gordon H. Jee   Creative Director
Fee Waybill   Composer
John Blasucci   Drum Programming
Kris Wilkinson   Contractor
Arif Mardin   String Arrangements
Matt Prock   Engineer
Clay Patrick McBridge   Photography
Paul Elledge   Cover Photo
Beth Middleworth   Design,Art Direction
From the B&N Reads Blog

Customer Reviews