In the late '70s, banjo virtuoso and bandleader
J.D. Crowe was one of several forward-looking
bluegrass artists looking to expand the music's stylistic boundaries. Bands like
the Country Gentlemen and
the Seldom Scene did so by taking
rock & roll songs and giving them relatively
traditional bluegrass settings;
Crowe's approach, at least temporarily, was to bring steel guitar, electric bass, and drums to bear on
bluegrass material. The resulting sound on this 1978 recording was completely different from most of what was then being called "
progressive bluegrass," and in fact, to call this album "
progressive bluegrass" would be rather misleading. Basically, this is a
honky tonk album with a banjo and a few
bluegrass numbers thrown in. On
"(I'll Be Your) Stepping Stone," singer
Keith Whitley sounds like he's building an altar to
George Jones, and the band's version of
"Lady" sounds like a
Bellamy Brothers outtake. Even the relatively straightforward
bluegrass number
"She's Gone, Gone, Gone" and the heavily
bluegrassified arrangement of the old
Flying Burrito Brothers number
"Sin City" prominently feature pedal steel and drums. None of this is a criticism; in fact, many of these arrangements work beautifully, and the combination of
Crowe's brilliant banjo picking (listen to his backup work on
"Will You Be Lonesome Too?") and
Whitley's even more brilliant singing is pretty much unbeatable. But
bluegrass purists should consider themselves duly warned. ~ Rick Anderson
