Musicology and Sister Disciplines: Past, Present, Future: Proceedings of the 16th International Congress of the International Musicological Society, London, 1997

by David Greer (Editor), Ian Rumbold (With), Jonathan King (With)

Overview

Drawing on the work of leading experts from around the globe, Musicology and Sister Disciplines provides the definitive, authoritative statement on the scope of musicology today and its relationship to other fields of academic endeavour, including philosophy and aesthetics, literary studies, art history, mathematics, computer science, historiography, and sociology. These groundbreaking papers represent the outcome of a major musicological conference in 1997, and include contributions from the philosopher Bernard Williams and world-famous mathematician Roger Penrose.

Product Details

ISBN-13:	9780198167341
Publisher:	Oxford University Press
Publication date:	02/15/2001
Pages:	712
Product dimensions:	9.21(w) x 6.14(h) x 1.50(d)

About the Author

University of Durham

Table of Contents

Editor's ForewordIntroduction, Julian RushtonPART 1: KEYNOTE PAPERSScholarship, Authenticity, Honesty, Bernard WilliamsThe Heritage of Pythagoras: Nineteen to the Dozen, Roger PenrosePART 2: ROUND TABLESRound Table 1: Perception and CognitionBrain and Music: An Electrophysiological Approach, Mireille Besson & Pascaline RegnaultPerception of Tonal Pitch Space and Tonal Tension, Lola L. Cuddy & Nicholas A. SmithThe Timing Implications of Musical Structures, Bruno H. ReppListening to a Piece of Music: A Schematization Process Based on Abstracted Surface Cues, Irène DeliègeMusic and Affect: Empirical and Theoretical Contributions from Experimental Psychology, Carol L. KrumhanslStrong Experiences of and with Music, Alf Gabrielsson & Siv Lindström WikResponse, John SlobodaFirst Response to the Respondent, Eleanor Selfridge-FieldSecond Response to the Respondent, Christian KadenRound Table 2: Literary StudiesMusic and Narrative in Recent Theory, Christopher ButlerAll Russian Music is So Sad: Two Constructions of the Russian Soul, through Literature and Music, Marina Frolova-WalkerDrowning in Music: Ophelias Death and Feminist Hermeneutics, Heather HadlockThe Study of Medieval Music: Some Thoughts on Past, Present, and Future, Susan RankinThe Music of Rhetoric, Elaine SismanRound Table 3: Directions in MusicologyStatement, Andrew DellAntonioStatement, Stefano CastelvecchiResponse, Margaret BentResponse, Suzanne G. CusickResponse, Annegret FauserResponse, Ralph P. LockeResponse, Jürg StenzlResponse, Rose Rosengard SubotnikClosing Remarks, Andrew DellAntonioClosing Remarks, Stefano CastelvecchiRound Table 4: HistoriographyMusic Historiography, Critical Theory, and Other Tales, John DeathridgeThe Problem of the French Revolution in Music Historiography and History, Michael FendDifficoltà della storiographia dell'opera italiana, Fabrizio Della SetaCollapsing the Dialectic: The Enlightenment Tradition in Music and its Critics, Reinhard StrohmRound Table 5: SociologyMusic and Sociology: Perspectives, Horizons, Christian KadenEthnomusicology and Music Sociology, Philip V. BohlmanMusical Practices and Hidden Musicians: A Perspective from Sociology and Anthropology, Ruth FinneganMusic from an Anthropological Perspective, Volker KalischFrom Music-Makers to Virtual Singers: New Musics and Puzzled Scholars, Tullia MagriniMusic and Cultural Practices, Peter J. MartinThe Sociology of Music as Self-Critical Musicology, Mario Vieira de CarvalhoBibliographyRound Table 6: PhilosophyNew Music and Philosophy, Lewis RowellAbsolute Music and the New Musicology, Peter KivySigns and Trancendence, Eero TarastiAuthenticity, Interpretation, and Practice: Probing Their Limits, Ruth KatzResponse: Four Philosophies of Musical Interpretation, Naomi CummingRound Table 7: Cultural PoliticsMusicology and Sexuality: The Example of Edward J. Dent, Philip BrettBeethoven's Ironies, Arthur NestrovskiEthnography, Ethnomusicology, and Post-White Theory, Deborah WongPART 3: REPORTS ON STUDY SESSIONSMusic in Tuscany: Past Research and Future Projects, Carolyn GianturcoThe Circulation of Music in Europe 1700-1850, Rudolf RaschMusic and/as Ethics, —The Dating and Chronology of the Works of Josquin des Prez, Eric JasMusicology, Popuar Music Studies, and Political Economy; Musicology, Popular Music Studies, and Cultural Geography; Musicology, Popular Music Studies, and the Interpretative Sciences, Dai GriffithsBerlioz et autour de Berlioz: Un artiste en son temps, Peter BloomPortuguese Musical Outreach: Five Centuries, Robert StevensonResearch in Music Performance: New Methods and Tools, José BowenFeminist Epistemologies in Ethnomusicology, Elizabeth TolbertMusicology and Biography, Philip OllesonOpera Orchestras in Eighteenth- and Nineteenth-Century Europe, Franco PipernoThe Early Violin, Peter WallsAuditory Scene Analysis: Future Directions for Musicological Research, Maria Anna HarleyChant and Liturgy: Compositional Planning in Liturgical Chant, Roman HankelnMusic Iconography: Transmission and Transformation of Symbolic Images, Ann BuckleyRepertory and Canon: The Dynamics of Canon Formation, 1700-1870, William WeberPerspectives on Instrumental Music of the Late Fifteenth and Early Sixteenth Centuries, John Kmetz & Keith PolkTheatrical Dance and Music, 1650-1850, Sarah McCleaveBritish Music Since Britten, Alastair BorthwickSemiotics, Structural Semantics, Rhetoric: Musical Language Sciences in Contemporary Musicology, Márta GrabóczInterpreting Performance: Chopin-Playing in Perspective, John RinkTheorizing the Transnational, Ingrid MonsonSense and Sonority in Aquitainian Polyphony and the Conductus, —The Evolution of Musical Instruments, Laurence LibinDer Mensuralcodex St Emmeram (Clm 14274): Eine zentrale Quelle für die Musik Mitteleuropas im 15. Jahrhundert und musikalischen, liturgischen, und theologischen Voraussetzungen, Bernard SchmidOpéra et mélodrame en France, 1800-30: Une enquête sur les genres, David CharltonMusic, Politics, and Patronage in Spanish and Portuguese Dominions in the Early Modern Period, Michael NooneChant and Analysis: Where Are We, and Where Do We Go?, Barbara HagghMusicology, Popular Music Studies, and the Interpretative Sciences, —Musical Data and Computer Applications, John B. HowardKeyboard Organology: Past, Present, and Future, John KosterKulturelle Traditionen in Mitteleuropa: Musikleben zwischen Zentralismus und regionaler Spezifik am Beispiel der Rolle von Vereinen, Cornelia Szabó-KnotikImplications for Mainstream Musicology of Recent Research in Music Cognition, Richard ParncuttLa vie musicale sous Vichy, 1940-1944, Myriam ChimènesChant and Palaeography, Charles T. DowneyMusic between East and West: The Work of Lutoslawski, Penderecki, and Górecki in the context of Culture and History, Mieczyslaw TomaszewskiMusicology and Art History, Timan SeebassTheorizing Mixed Media, Nicholas CookTo the Ends of the Earth: Refugee Musicians in East Asia and Latin America, 1933-1945, Horst WeberThe History of the Papal Chapel, Richard SherrRapporti tra testo, musica e scena nello spettacolo a Napoli nel Settecento, Franco Carmelo GrecoThe Early Sixteenth-Century Organ in England: Its Form, Music, and Place in the Liturgy, John HarperContexts for Brass: History, Performance, Culture, Jeffrey NussbaumRace and Culture in the Aesthetics of William Grant Still (1895-1978), Catherine Parsons SmithRedefining the Low Countries, Karl KügleRecent Mozart Research and Der neue Köchel, Neal ZaslawMusic, Healing, and Culture: Towards a Comparative Perspective, Penelope GoukFacism and Music, Karen PainterNew Methods, New Visions: Computational Initiatives for a New Millennium, John B. HowardPART 4: ABSTRACTS OF FREE PAPERSSession 1: Liturgy and HomileticsThe Emerging Chant Repertory in Early Roman Sermons and Commentaries (Fifth-Seventh Centuries), Peter JefferyThe Influence of Homiletic and Exegetical Literature on the Fleury Lament of Rachel, Susan BoyntonLe vocabulaire de la psalmodie dans Règle de St Benoît, à la lumière des données musicales traditionnelles, Olivier CullinHow to Build an Alleluia, Mitchell P. BraunerHistory and Liturgy: The Historia of Thomas Becket, Kay Brainerd SlocumSession 2: The Historiography of Early MusicTowards a Theory of Musical Patronage in the Rennaisance and Baroque Eras: A Proposal between Anthropology and Semiotics, Claudio AnnibaldiInaudible Efforts, Labeur des doigts, and the Monumentalizing Impulse: Towards a Sociology of Musical Auctoritas in Francophone Europe, 1200-1600, Sebastan KlotzMusic in Seventeenth-Century Emblem Books: Mass Manipulation of Cultural Values, Linda Phyllis AusternArtusi's Rage: Fear and Loathing in the Prima prattica, Vivian S. RamalingamEnemies of Love: Staging Female Excess in Monteverdi's Il ballo delle ingrate, Bonnie GordonA Jungian Perspective on Monteverdi's Late Madrigals, Jeffrey KurtzmanStudy Session 3: Eighteenth-Century OperaThe Rhetoric of the Enlightened Hero: Gender and Operatic Reforms in Early Eighteenth-Century Italy, Wendy HellerLes éditions parisiennes de livrets d'opéras et leur contrefaçon bruxelloise dans le seconde moitié du XVIIIe siècle, Marie CornazTrembley's Polyp and the Natural History of Opera buffa, Wye J. AllanbrookAlfieri and the Transformation of Opera Seria, Marita P. McClymondsThe London Opera of Joseph Haydn: Loss, Lament, and Lieto fine, Caryl L. ClarkSession 4: Broadcasting and the MediaOpera Studies, Film Studies: Gounod's Faust and the History of Early French Cinema, Rose M. TheresaA Spectre-World Cuts Through Our Space: Early German Radio Criticism and the Listening Subject, Nathan E. MacBrienUnión Radio: Música, communicación e ideología, Julio Arce BuenoLa zarzuela como material ideológico en el cine y la televisión 1940-70, Juan P. ArreguiNew Music on the New Third: Exploring BBC Music Policies and Practices in the Post-War Decade, Jenny DoctorWhen Teaching Ten Thousand was Not Enough: E. Azali Hackley and African-American Music Journalism, Juanita KarpfSession 5: Early PolyphonyIs it Polyphony?, Manuel Pedro FerreiraThe Medieval Motet in Occitania and the Occitanian Motet, Elizabeth AubreyThe Study of Pigments in Medieval Manuscripts, Mary E. WolinskiSecular-Song Tenors and the Fourteenth-Century Motet, Alice V. ClarkAdded Contratenors in the Ballades of Gullaume de Machaut, Elizabeth LeachSession 6: The Sixteenth-Century TraditionSacred Music at the Court of Fernando de Aragón, Duke of Calabria: The Context of Barcelona M. 1166/1967 and a Parody Mass on Josquin's Inviolata, Bernadette NelsonLaura, Laura, Laurels: Strategies of Multiplication in Petrarch and Marenzio, Luminita AluasCarnival and Carne vale: Orlando di Lasso and Roman Courtesans, Donna Cardamone JacksonMusic in the Tragedia spirituale, Laura MacyThe Masses Salve regina and O magnum misterium: New Light on Victoria's Parody Technique, Eugene Casjen CramerSession 7: Analysis of Nineteenth-Century MusicRegistral Direction and Melodic Implication, Zohar EitanAn Exegisis of the Kyrie from Beethoven's Mass in C, Op. 86, Jeremiah W. McGrannNineteenth-Century Hallmark, Theoretical Problem: Third Relations in Schubert's Unfinished and Beethoven's Waldstein, Suzannah ClarkRossini as Master of Instrumental Composition: Bonifazio Asioli's Analysis of the Sinfonia from Le cenerentola, Peter A. HoytBrahms the Autumnal: Cyclical and Progressive Structures and Meanings in Im Herbst, Op. 104, No. 5, Frank SamarottoSession 8: MethodologiesEthnomusicologies of the West: Questions of Perspective and Scope, Jonathan StockAmerican Musicology and the Archives of Eden, Harry WhiteProblems in the Application of Linguistic/Semiotic Priciples to Music, Suk Won YiMusic in Action: The View from Sociology, Tia DeNoraQueen Elisabeth of Belgium, The A-Bomb, and Einstein's Violin: About Pacificism, Patheism, and the Passion for Music, Willem ErauwSession 9: The Fifteenth-Century TraditionThe Wedding of Pious and Profane: A Cultural Context for the Chanson Mass, M. Jennifer BloxhamMusical Life at the Collegiate Church of Saint-Omer, Northern France, c.1460-1504, Andrew KirkmanThe Meaning of Okeghem's Intemerata dei mater, Jeffrey DeanObrecht's Anchises: Virgilian Allusion in Mille quingentis, Sean GallagherThe Controversial Indentity of an Iberian Poet-Musician of the Renaissance: Badajoz el musico, Emilio Ros-FábregasSession 10: Baroque Sacred MusicMusic in the Cathedral of Manila: Evidence for the First Two Centuries from the Archdiocesan Archive, William SummersModelos de financiación de música en las catedrales españolas: Formas e implicaciones, Javier Suárez-PajaresMusic, Ritual, and the Writings of Teodosio Herrera y Bonilla (1652-1734), Greta J. OlsonThe Sounding City: Urban History and Music in Baroque Jaén, Miguel-A. MarínIcongrafia musical en la tarasca barroca madrileña: Algunos ejemplos representativos, Alicia González de Buitrago GarcíaThe Interior-Exterior Duality in the Performances of the Musical Ensembles of Granada: Non-Salaried Posts and Extravagantes Performances, Juan Ruiz JiménezSession 11: Music and Society in the Nineteenth CenturySalon, Gender, and Musical Culture in Sweden around 1800, Eva ÖhrströmChladni as Musician Manqué, Kathryn L. ReichardByron and the Poetics of Berlioz's Harold Symphony, Janet JohnsonMúsica sabia: The Reception of Classical Music in Madrid (c.1830-1870), Judith EtzionFour-Hand Transcription: Changing Performing Spaces and Genres, Thomas ChristensenEarly Nineteenth-Century Virtuosity and its Public: Power, Gender, and Class in the Concert Hall, James A. DeavilleSession 12: New MusicThe Visual Language of American Experimental Music, Nancy PerloffRoland Barthes's Text and Aleatory Music: Is The Birth of the Reader the Birth of the Listener?, Jeongwon JoeImploding the System: Kagel and the Deconstruction of Modernism, Paul AttinelloCan Literary Criticism Contribute to the Study of Musical Borrowing? The Case of Twentieth-Century Italian Music, Susanna PasticciAn Object-Orientated Analysis of Twentieth-Century Piano Music, Didier GuigueMusical-Historical Conceptions in the Light of the Systematic Approach, Elena Markova & Vladimir MironovSession 13: Early Theory and MusicLaw as a Sister Discipline of Music in the Middle Ages and Renaissance, C. Matthew BalensuelaTime out of Time: Eternity as a Thirteenth-Century Philisophical Issue Exemplified in Music, Nancy van DeusenOrdo naturalis in Eleventh-Century Theoretical Systems, Gabriella IlnitchiGlosses on Music and Grammar and the Advent of Music-Writing in the West, Charles M. AtkinsonSession 14: Music and Society Around 1700Carnival, Commedia dell'arte and the Paris Opéra in the Late Years of the Sun King, 1697-1710, Georgia CowartMusicians, Amateurs, and Collectors: Early French Auction Catalogues as Musical Sources, Albert CohenQueen Marie Leczinska as Patron of Music: Opera and Chamber Music at the Court of Louis XV, M. Elizabeth C. BartletThe Personal Network: A Sociological Approach to Imported Villancico Texts and Music Supply at Segovia Cathedral (1650-1700), Pablo-L. RodríguezCollecting and Enlightenment: Musical Instruments in the Natural History Cabinet of Charles III of Spain (1759-88), Cristina BordasSession 15: Nineteenth-Century TopicsVirtue, Reform, and Pure Music in Second Empire Paris, Michael StrasserFelix Mendelssohn Bartholdys geistliche Vokalmusik: Eine Versuch ihrer chronologischen und stilistischen Einordnung, Hiromi HoshinoThe Stornello and its Popularity in Ottocento Italy, Roberta Montemorra MarvinApocalypse (Now?): Politics in the Sacred Music of Johann Brahms, Daniel Beller-McKennaOrientalism in Borodin's Prince Igor, Firoozeh KhazraiCanonizing the Dutchman: Wagnerism and Der fliegende Holländer, Stephen McClatchieSession 16: Technology and Systematic MusicologyMusic and Technology, Frank PecquetDid Greco-Roman Hydraules have Keyboards?, Eugene L. SzonntaghThe Applicability of Psychological Methods in the Study of Musical Rhythm, Youn KimAcoustique musicale et musicologie: L'apport de l'outil acoustique dans l'analyse perceptive, Marie-Cécile BarrasStochastic Analysis and Music Predictability, Mario H.A. KoppersCognitive-Perceptual Effects in Music: Shepard Tones and the Canon Per tonos from J.S. Bach's Musical Offering, Denis Collins and Andrew SchlossSession 17: Gluck and Eighteenth-Century AestheticsRetorica e tragedia per musica: L'Iphigénie en Aulide di Gluck (1774), Alessandra MartinaGluck's L'Iphigénie en Aulide (1774-5): Reception and Revision, Daniel Heartz, Les rêveries renouvelées des Grecs: Facture, Function, and Performance Practice in a Vaudeville Parody of Gluck's Iphigénie en Tauride (1779)Gluck in the Age of Living Reproduction: Fin-de-siècle Critics Speak on Antiquarian Opera, Sheryl ZukowskiRomantic Music Aesthetics and its Literary Origins in the Writings of Karl Philipp Moritz, Monika HennemannGothic Architecture and Baroque Polyphony: A Romantic Blend, James HaarSession 18: The Eighteenth-Century TraditionRediscovered East-European Sources of Hasse's Sacred Music, Ernest Harriss IIReading the Metre: Verse Forms in Oratorio Libretti written for Handel by Charles Jennens and Thomas Morell, Donald BurrowsMusicology, Politics, and Heraldy: The Te deum: A State Motet at the Time of Louis XIV and Louis XV, Jean-Paul MontagnierRiepel, Leibniz, and the Ars combinatoria in Seventeenth- and Eighteenth-Century Musical Thought, Stefan EckertSession 19: Early Twentieth CenturyMusical Symbolism in the Operas of Debussy and Bartók, Elliott AntokoletzLoneliness and Love: The Literary Context of Béla Bartók's Bluebeard's Castle, Judit FrigyesiDavid: Stravinsky's Music-Hall Ballet, Thomas P. GordonSchönberg ist Theosoph: Anmerkungen zu einer wenig beachteten Beziehung, Beat A. FöllmiSchönbergs Vortagsideal rekonstruiert anhand einer Quelle zu op. 10, Hermann DanuserObjectifs et méthodes d'une herméneutique de la création et de la réception musicales, Christan HauerSession 20: EthnologyInterrogating Musicological Otherness in India: Madan-ul-Mausiqi as a Mine of Music History, Regula Burckhardt QureshiWhite Facts about Blacks: Interculturalism, Music Education, and Identity in South Africa, Eduardo CorreiaDer Tonartbegriff in der traditionellen türkischen Musik, M. Erturul BayraktarkatalOral Traditions and Performance Practices in the Encyclopedia Jiu gong da chen nan bei ci gong pu, Collections of Southern and Northern Chinese Songs, Lulu Huang ChangObjectification of Music and the Domination of Nature (Naturbeherrschung): T. W. Adorno's Theory in the Light of Comparative Music Aesthetics, Ayako TatsumuraThe Body in Music, Ramón PelinskiSession 21: Renaissance Source StudiesIdentifying Composer Autographs in Pre-1600 Manuscripts, Jessie Ann OwensIn the Workshop of a Late-Medieval Editor: Johannes Martini and the Manuscript I-MOe α.M.1.13, Murray SteibThe Structure of the Chigi Codex: An Enigma Resolved, Fabrice FitchWho is Katherine? The Women of the Berg & Neuber-Gerlach-Kauffmann Printing Dynasty, Susan JacksonThe Printing of the Novum et insigne opus musicum (RISM 1537/1 and RISM 1538/3), Royston GustavsonParthenia: A Paradigmatic Epithalamion, Janet PollackSession 22: Opera Around 1700Comisión nobiliaria en la circulación de la ópera italiana en Iberoamérica en los primeros años des siglo XVIII, Annibale CetrangoloA New Source of Seventeenth-Century Spanish Theatre Music from Mexico City, John KoegelBetween the Market and the Public Institution: The First Spanish Opera Company in the Commercial Theatres in Madrid during the Eighteenth Century, Jose-Máximo LezaItalian Opera and/in Spanish Theatres: Francesco Corradini in Valencia (1727-31), Andrea BombiSacrilege, Power Politics, and Lèse-majesté: The Political Uses of Opera in Eighteenth-Century Gustavian Sweden, Bertil H. van Boer, JrSession 23: Twentieth-Century Topics(Musical) Jugendstil Revisited: Interspecific Conceptual Modelling and the Turn-of-the-Century Peripheral Artsong, Zoltan RomanThe Piano in Gustav Mahler's Um Mitternacht: Invention or Error?, Sue Plumlee TaylorTo the Jew a Foreign Tongue: Mahler's Orchestrations as a Sign of Difference, K. M. KnittelMachine Music, Hugh MacdonaldRose R. and Emilia Marty: The Representation of the Human Experience of Time in Janácêk's The Makropoulos Affair, Francis MaesMagic, Ritual, and Mystery in the Poetic Conception of Manuel de Falla's Music, Michael ChristoforidisSession 24: Jazz and PopWhat is Jazz, and How Might Scholars Write About It?, Barry KernfeldAs Fats Waller Tells It: It's a Sin to Tell a Lie, Paul S. MachlinWe are Not Hurdy-Gurdies: Musicians in a Changing Music World, Philomeen LelieveldtOperatic Intersections with Rock Music: Popularizing Opera, Ken McLeodPunk, Funk, Dub, and Disco: British Post-Funk and the Avant-Garde Groove, Theo CateforisSession 25: Seventeenth-Century TopicsMusic and Military Virtue in Early Modern France: The Equestrian Ballet, Kate van OrdenGuido Casoni (d. 1642) on Love as Music, a Theme for All Seasons, Don HarránMusic of Devotion in Counter-Reformation Rome: Borboni's Musicali concenti, Kimberlyn MontfordBehind the Dragon's Mask: Hidden Political Music of the Restoration, JoAnn TaricaniBaroque, musique, littérature: La nouvelle espagnole du XVII siècle, genre littéraire et source musicologique, Maria Sanhuesa FonsecaSession 26: Eighteenth-Century Instrumental MusicThe String Quartets of Franz Asplmayr and their Relationship to the Development of Haydn's String-Quartet Style, Dennis C. MonkTrumpets, Feldmusik, Continuity, and Hierarchy: Music and the Imperial Procession during the Reign of Maria Theresia, Janet PageEmpress Maria Therese of Austria as Musician and Musical Patron, John A. RiceThe Hofkapelle under Joseph II and Mozart's Appointment, Dorothea LinkTitle, Function, and the Concept of Genre: The Earliest True Symphonies, Eugene K. WolfSession 27: Nineteenth-Century OperaBellini and his Music as Political Symbol, Denise P. GalloMimesis and Hysteria in La muette de Portici, Mary Ann SmartIssues in the Reception of Meyerbeer's Les Huguenots, Kerry MurphyMusic-Literature-Theatre-History: A New Approach to Nineteenth-Century Czech Opera, Jarmila GabrielováChe bella cosa scrivere a tre voci: Verdi's Use of the Trio Form (Musical, Dramatic, and Aesthetic Conception), Ursula KramerBeyond Exoticism: Cio-Cio-Sans Screen and the Uses of Convention, Helen GreenwaldSession 28: TransnationalismMusicology and Missiology, Ann L. SilverbergChinese Politics and Western Musicians in China: A Reflection on Contemporary Exchanges versus Experiences of the Eighteenth-Century Musician-Priests, Joyce Z. LindorffThe Iwakura Missions Encounters with Western Music and their Consequence, Tatsuhiko ItohRussian Roots, American Branches: Music in Cognate Cultures, Margarita MazoThe History of German-Russian Musical Contact: German Musical Families in St Petersburg from the Second Half of the Nineteenth-Century to the Beginning of the Twentieth, Janna KniazevaSession 29: Hildegard of BingenInterdisciplinary Objects: the Case of Hildegard Bingen, Honey MeconiRhetorical Chant? The Relationship between Music and Text in the Repertory of Hildegard of Bingen, Catherine JeffreysHildegard's Ordo virtutum: Musical Rhetoric and Monastic Education, Margot FasslerSession 30: Early DanceWould You Like to Dance this Frottola? Choreographic Concordances in Two Early Sixteenth-Century (Tuscan?) Sources, Barbara SpartiThe Travelling Dance-Band: Patterns of Transmission of Dance and Music in Fifeteenth-Century Europe, Jennifer NevileThe Myth of Stylized Dance, G.Yvonne KendallSession 31: Early Twentieth-Century USARevising Ives, Philip LambertDuBose Heyward's Drafts for the Porgy Story as Cultural Politics, John Andrew JohnsonRuth Crawford Seeger and John Cage: New Connections between Two American Originals, Teresa DavidianSession 32: Early Twentieth-Century FranceThe Symphony as Political Tool in Early Twentieth-Century France, Brian J. HartFrench Political Ideology as Performative Context: The Concert by World War I, Jane F. FulcherPoulenc and the Painters: The Influence of Art and Artists on his Life and Music, Carl B. SchmidtSession 33: Renaissance TheoryOn the One and the Many: Conflicting Ontologies of Sound in Late Fifteenth-Century Music Theory, Leonora SaavedraMusica theorica and Musica practica im Lichte der Studia humanitatis: Astronomie und Medizin als Grundlage und Rechtfertigung für Franchino Gaffurios Porportionendenken, Walter Kurt KreyzigCompositio levis et utilis: Simple Formulas as Substitutes for Counterpoint Studies in the Teaching of Composition around 1500, Dietrich HelmsZwischen der Musiktheorie und Poetik der Renaissance: Decorum, Ryszard J. WieczorekGlareanus and Vasari: Two Competing Views of Historical Progress from Late Renaissance Europe, Stefano MengozziTheories, Proof, and Dissent in Spanish Music Theory, 1508-77, Wolfgang FreisSession 34: Schubert and SongSchubert Iconography: New and Problematic Issues, Eva Badura-SkodaFranz Schubert and the Liederspiel: From the Kosegarten Cycle to Die schöne Müllerin, Morten SolvikSchubert's Activities in the Unsinnsgesellschaft (1817-18): New Literary and Iconographical Documents, Rita SteblinSchubert's Free Verse Setting, Jürgen ThymDie Gedichte der schwäbischen Dichterin Friederike Robert in den Vertonungen von Fanny Hensel, Annegret HuberPerforming Purcell's Mad Bess in Late Eighteenth- and Early Ninettenth-Century England, Robert ToftSession 35: Music and Literature: Twentieth CenturyIndagando la musicalità della poesia di Gabriele dAnnunzio: Il Poema paradisiac, Marco della SciuccaFaustus, Mephistopheles and Gretchen? The Significance of Thomas Mann in the Music of Luigi Dallapiccola 1947-55, Raymond FearnGhost Trio: Die Musik in Samuel Becketts dramatischem Spätwerk, Michael MaierEs lebe Kulturkampf!: Polish Parody Songs from Nazi Concentration Camps, Barbara Milewski and Bret WerbAt Home and Abroad: The Critical Reception of Ethel Smyth's Operas in England and Germany, Elizabeth KerteszAlexander Mikhailov as Musicologist, Larissa KirillinaSession 36: NationalismGeneral Histories of Music and the Place of the European Periphery, Melita MilinBaltic Music-History Writing: Problems and Perspectives, Urve LippusLe révision de Boris Godounov par le compositeur Letton Melngailis (1924): Premiers éléments sur une version inconnue de l'opéra de Moussorgski, Jean-Marie Jacono and Arnolds KlotinSome Premisses for the Study of Peripheral Musical Nationalism in the Twentieth Century: Fernando Lopes-Graÿa and the Problem of Tradition in Contemporay Portuguese Music, Teresa CascudoHow Musicological and Ethnomusicological is Spanish Flamenco?, Joaquina LabajoPART 5: ABSTRACTS OF POSTER SESSIONSSession 1: Analytical ApplicationsThe Antiphons for the Consecration of Virgins and the Changing Role of Plainchant in the Middle Ages, James BordersComputer Applications to Sketch Studies: A Database with Image Access for Berg's Sketches for Wozzeck, Patricia Hall and William KoselukMultimedia Environments for the Study of Musical Structure, Daniel C. JacobsonKnowledge-Based Stimulations: Technological Tools for Music Research, Deron L. McGeeToward a Model for Background Motivic Structure, Michael SchianoComputer Applications and Visual Aids for a Historically Orientated Structural Analysis of Pitches, Rainer ZillhardtSession 2: New Computer Applications in MusicologyPOCO: Tools for Analysing, Modifying, and Generating Performance Expression in Music, Peter Desain and Henkjan HoningAn Adaptive Optical Music Recognition System, Ichiro FujinagaMusic, Memory, and Time, Petri Toivianen and Mauri KaipainenA Parallel Processing Key-Finding Model: Structure and Applications, Piet G. Vos and Erwin W. Van GeenenSession 3: DatabasesLessico italiano della didattica vocale, Sergio DuranteVillanelle alla napolitana e canzonette alla romana, Marco GiulianiRISM A/II CD-ROM, Klaus KeilHispanic Music Archive and Library Project, Paul R. LairdColleción musical: Fondo Canuto Berea (archivo y partituras) de la Biblioteca de la Diputación Provincial de La Coruña (España), Dolores Liaño PedreiraAn Antiphonal from Kranj: Analytical Approach to its Contents, Jurij SnojThe Grey Collection of the South African Library, Cape Town: Studies of Western Plainchant Sources in South Africa, Carol Steyn and Morné BezuidenhoutSession 4: MultimediaShepherd-Musicians in Catalano-Aragonese Iconography from the Fourteenth and Fifteenth Centuries, Jordi BallesterHow did Harry James Make us Love him?, Michael MecknaThe Third Symphony of Gustav Mahler: Ballet by John Neumeier, Robert Riggs and Mary RiggsMusic Criticism Today, Michael SaffleThe Duangong: A Qian Shaman, Emma Zevik and Chen ZhongAcknowledgementsIndex of Contributors

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