Table of Contents
PART I
Chapter 1: Neurological Aspects of Musical Experience
Chapter 2: The Inheritance of Musicality
Chapter 3: Psychological and Physiological Aspects of Hearing
Chapter 4: Brains and Hands
Chapter 5: Anatomy and Physiology of Voice Production: The Phenomenal Voice
Chapter 6: Some Neural and Mechanical Aspects of Singing
Chapter 7: Memory and Attention in Music
Chapter 8: The Timing and Time of Musicians
Chapter 9: Musical Faculty and Cerebral Dominance
Chapter 10: Musical Ability: a Neuropsychological Interpretation
Chapter 11: The Development of Early Musical Talent in Famous Composers: a Biographical Review
Chapter 12: Music, Emotion and Autonomic Function
Chapter 13: Ecstatic and Synaesthetic Experiences during Musical Perception
Chapter 14: The Language of Music
Chapter 15: The Search for a Morphological Substrate in the Brains of Eminent Persons including Musicians: a Historical Review
Chapter 16: Is there an Anatomical Localisation for Musical Faculties?
PART II
Chapter 17: Neurological Disorders in Performing Musicians
Chapter 18: Deafness and Musical Appreciation
Chapter 19: Musicogenic Epilepsy
Chapter 20: Musicogenic Epilepsy
Chapter 21: Occupational Palsies in Musical Performers
Chapter 22: The Amusias
Chapter 23: Music and Mental Disorder
Chapter 24: Musical Therapy in the Field of Psychiatry and Neurology
Index