Table of Contents
Foreword, Jacques Attali
Introduction: Thinking Music, Thinking Marx, Regula Burckhardt Quershi
I. Commodification
1. Music Scholarship, Music Practice, and the Act of Listening, David Gramit
2. Commodity-Structure, Disavowal, and Practices of Music Theory, Henry Klumpenhouwer
II. Capitalism and Musical Poetics
3. Modernity and Musical Structure: Neo-Marxist Perspectives on Song Form and Its Successors, Peter Manuel
4. The Hip-Hop Sublime as a Form of Commodification, Adam Krims
III. Relations of Production
5. Mode of Production and Musical Production: Is Hindustani Music Feudal? Regula Burckhardt Quershi
6. The Capitalization of Musical Production: The Conceptual and Spatial Development of London's Public, 1660-1750, Anthony Olmsted
7. Marx, Music, and Money, Martin Stokes
IV. State and Revolutionary Marxism
8. Musicological Memoirs on Marxism, Izaly Zemtsovsky
9. Making Marxist-Leninist Music in Uzbekistan, Theodore Levin
10. Central American Revolutionary Music, Fred Jackson
Afterward, Stephen Blum