Table of Contents
Why American Art Music Arrived First in New England, Nicholas Tawa * Musical Life in Turn-of-the-Century Indianapolis, Suzanne Snyder * Diaries of William Steinway and New York Musical Life, 1861-1871, Edwin M. Good * Concert Singers, Prima Donnas, and Entertainers: The Changing Status of Black Women Vocalists in 19th-Century America, Thomas L. Riis * When Cairo Met Main Street: Little Egypt, Salome Dancers, and the World's Fairs of 1893 and 1904, Charles Kennedy * Promoting the Local Product: Sherman and Hyde's Review and the San Francisco Musical Press of 1874 * Inventing Tradition: Symphony and Opera in Progressive-era Los Angeles, Catherine P. Smith * Somewhere Between Beer and Wagner: The MSnnershsre Societies of New Orleans and New York City, Mary Sue Morrow * Mrs. Poliphar at the Opera: Satire, Idealism, and Cultural Authority in Post-Civil War New York, Karen Ahlquist * Jacob Guth in Montrose Band: A Town Band in Central Pennsylvania, April-August 1889, Kenneth Kreitner * Music in Lancaster, Kentucky, 1885-1910: Local Talent, Traveling Tours, and the Opera House, Ben Arnold * Operettas of Charles Hutchison Gabriel, Clyde W. Brockett * Missing Title Page: Dvorak and the American National Song, John C. Tibbetts
