The Barnes & Noble Review
January 1998
Mukiwa: A White Boy in Africa is the story of Peter Godwin's experiences growing up in Rhodesia. He recounts the story of that country's violent transformation into Zimbabwe, as well as his own personal metamorphoses from privileged boy to reluctant soldier to investigative journalist.
Godwin's story begins, "I think I first realized something was wrong when our next door neighbor, Oom Piet Oberholzer, was murdered. I must have been about five then. It was still five years before the real war would start." The Godwins enjoyed a typical genteel existence in 1960 rural Rhodesia, their household including a "garden boy," a "cook boy," and a nanny. Peter's father managed a wood- and sugarcane-processing plant. His mother, a rural government doctor, was often called to pronounce deaths or conduct autopsies, for which she brought along her "assistant," five-year-old Peter, who was responsible for shooing away the flies.
Godwin's plans for attending college were squashed when he was drafted into the Rhodesian army and assigned to the "Anti-Terrorist Unit," which proved to be an important experience in his life. When he later looked at himself, he saw a man "coursed through with anger and despair. It was the face of someone who would kill an unarmed civilian for withholding information." Disturbed by what he had become, Godwin left Rhodesia after he got out of the army, only to return in 1981 as a journalist. Rhodesia was now Zimbabwe, and the "terrorists" he had reluctantly fought against were now the country's rulers.
Godwin reported on theutterbrutalities in Zimbabwe and the fate of Matabeleland, a black minority region in Zimbabwe. He described the army style of interrogation, in which "before they even began to question you, they would break one wrist," and wrote about the old mines where bodies of the dead were buried. When Godwin's writings received worldwide attention, the Zimbabwean government tried to discredit him, and he received numerous death threats, escaping the country just hours before the police came looking for him.
Mukiwa is not only a memoir but also a compelling adventure story that tells a personal saga that needs to be heard.
Washington Post
From time to time a book comes out of Africa that is so good it grips American readers by their hearts. This should be one of those. Peter Godwin's memoir, Mukiwa, is a book drawing on a vast canvas: the sunset of white rule in Africa..."The Washington Post
Publishers Weekly - Publisher's Weekly
With humor, portent and melancholy, Godwin (Rhodesians Never Die) recreates his 1960s youth in white Rhodesia. The son of relatively liberal whites, Godwin, through family servants, gained a sense of black African culture, language and religion. His mother, a doctor, helped African women with contraception; Godwin, in one of his wistful flash-forwards, observes that after the country became Zimbabwe, the government saw family planning as racist-but women in this still patriarchal society mutinied. He describes his strange private school-"racial enlightenment within a system of extreme conservatism"-and how he learned, in a job at his father's mine, that he fit in neither with racially unquestioning whites nor with restive blacks. As a policeman sworn to defend his renegade homeland against black guerrillas seeking independence, Godwin found himself pained by guerrilla cruelties to civilians, but shamed by his own role in arresting local leaders. Godwin soon concluded that a black victory was inevitable, and escaped the deepening war for studies in England, trailed by bad dreams. When he returned three years later as a lawyer and journalist, he experienced some peace-a black soldier he met absolved him offhandedly. However, his efforts to uncover the new government's human rights abuses led him to be declared an enemy of the state. (May)
Kirkus Reviews
The insanity of war, the beauty and mystery of Africa, the chaotic death pangs of colonialism, an extraordinary coming-of-age: All swirl hauntingly together in this compelling account of the end of Rhodesia.
A fervid blend of My Traitor's Heart, Dispatches, and Heart of Darkness, Godwin's account ranks with some of the finest war reportage of this century. It is also a ceaselessly honest and evocative memoir. The author, a former war correspondent for the London Sunday Times, was born in the twilight of white rule in Rhodesia. When he was only five, the sporadic guerrilla war spiraled into an incessant orgy of atrocities and atrocious reprisals. Casualties on both sides were horrific. As soon as he graduated from high school, Godwin was rushed off to fight for a state and a cause he no longer believed in. Eventually, he got away to the comparative sanity of England; when peace was finally negotiated, he returned as a journalist, full of high-minded idealism and hope, to what was now called Zimbabwe. He soon found that the new regime was little better than what it had replaced. Majority rule withered as the ruling party viciously turned on the opposition, employing many of the despotic laws enacted by its white predecessors to jail, censor, and intimidate. Then, in the province of Matabeleland, Godwin discovered that government- sanctioned massacres were underway: men, women, children, whole villages exterminated for no other reason than that they belonged to the wrong tribe. A warrant for Godwin's arrest was soon issued, and once again he fled the country. Although a makeshift kind of peace was eventually restored to Zimbabwe, it was more a cause for wariness than celebration.
A remarkable national and personal saga that, even in the darkest of its many dark moments, remains sensitive, insightful, and humane.