Still riven by internal disputes that would even scupper the band's second coming 20 years later,
Stackridge were at least boosted in 1976 by the return to the ranks of flutist and vocalist
Mutter Slater and bassist
Crun Walter -- though the talents of
James Warren were still sorely missed. In fact it was
Slater who dominated
Mr. Mick, which took
Stackridge away from the
Zappa-ish tendencies of
Extravaganza and back toward their
Beatlesque roots. Unfortunately, 1976 was no time to be releasing a concept album, even one that had been chopped up and rendered meaningless by the record company, and
Mr. Mick represented the point at which
Stackridge finally succumbed to the allied forces of public indifference and
punk. It's far from being their best album, but
Mr. Mick still has considerable charm, once you get past the somewhat pointless cod-
reggae version of
the Beatles'
"Hold Me Tight." This was ditched, however, when the band issued a revised edition of the album in 2000, complete with all the tracks that were excised first time around at the expense of
Slater's story. Since several of these include long stretches of narration that quickly pall on repeated listening, this is one of those rare occasions when you feel a degree of sympathy for the record company. As for the story itself -- a "modern fairytale" about an old codger who visits a magic rubbish dump where all the discarded articles have a tale to tell -- as career advancement went, it was up there with
Brian Wilson's
Mount Vernon and Fairway. Nevertheless,
"Fish in a Glass," "Steam Radio Song," and
"The Slater's Waltz" all boast the kind of sumptuous
pop melodies that first convinced
George Martin to helm
The Man in the Bowler Hat. ~ Christopher Evans
![The The Gestures [Bonus Tracks]](http://prodimage.images-bn.com/pimages/0090771563224_p0_v2_s90x140.jpg "The The Gestures [Bonus Tracks]")
