After celebrated author Jasper Gwyn suddenly and publicly announces that he will never write another book, he embarks on a strange new career path as a “copyist,” holding thirty-day sittings in a meticulously appointed room and producing, at the end, brief but profoundly rich portraits in prose. The surprising, beautiful, and even frightening results are received with rapture by their subjectsamong them Gwyn’s devoted assistant, Rebecca; a beautiful fabric importer; a landscape painter; Gwyn’s own literary agent; two wealthy newlyweds; a tailor to the Queen; and a very dangerous nineteen-year-old.
Then Gwyn disappears, leaving behind only a short note to his assistantand the portraits. As Rebecca studies his words, she realizes that the mystery is larger than the simple fact of Gwyn’s whereabouts, and she begins to unravel a lifetime’s worth of clues left by a man who saw so much but said so little, a man whose solitude masked a heart as hungry as hers.
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About the Author
Alessandro Baricco is an Italian writer, director, and performer. He has won the Prix Médicis Étranger in France and the Selezione Campiello, Viareggio, and Palazzo al Bosco prizes in Italy.
Ann Goldstein is an editor at The New Yorker. She has translated three novels by Elena FerranteThe Days of Abandonment, Troubling Love, The Lost DaughterClash of Civilizations Over an Elevator in Piazza Vittorio, The Chill by Romano Bilenchi, The Father and the Stranger by Giancarlo de Cataldo, and The Worst Intentions by Alessandro Piperno. Her translation of Linda Ferri's Cecilia is forthcoming in May 2010. She received a PEN Renato Poggioli Translation Award and was a visiting scholar at the American Academy in Rome. She is currently editing the complete works of Primo Levi, for which she received a Guggenheim Translation fellowship. She lives in New York.