Mouth to Mouth: A Novel
ONE OF BARACK OBAMA'S FAVORITE BOOKS OF 2022 * An NPR and Time Best Book of the Year * Longlisted for the 2022 Scotiabank Giller Prize (Canada) * Finalist for CALIBA's 2022 Golden Poppy Awards

A successful art dealer confesses the story of his meteoric rise in this “powerful, intoxicating, and shocking” (The New York Times) novel that's a “slow burn à la Patricia Highsmith” (Oprah Daily). “You'll struggle not to rip through in one sitting” (Vogue).


In a first-class lounge at JFK airport, our narrator listens as Jeff Cook, a former classmate he only vaguely remembers, shares the uncanny story of his adult life-a life that changed course years before, the moment he resuscitated a drowning man.

Jeff reveals that after that traumatic, galvanizing morning on the beach, he was compelled to learn more about the man whose life he had saved, convinced that their fates were now entwined. But are we agents of our fate-or are we its pawns? Upon discovering that the man is renowned art dealer Francis Arsenault, Jeff begins to surreptitiously visit his Beverly Hills gallery. Although Francis does not seem to recognize him as the man who saved his life, he nevertheless casts his legendary eye on Jeff and sees something worthy. He takes the younger man under his wing, initiating him into his world, where knowledge, taste, and access are currency; a world where value is constantly shifting and calling into question what is real, and what matters. The paths of the two men come together and diverge in dizzying ways until the novel's staggering ending.

Sly, suspenseful, and “gloriously addicting” (BuzzFeed), Mouth to Mouth masterfully blurs the line between opportunity and exploitation, self-respect and self-delusion, fact and fiction-exposing the myriad ways we deceive each other, and ourselves.
1139747228
Mouth to Mouth: A Novel
ONE OF BARACK OBAMA'S FAVORITE BOOKS OF 2022 * An NPR and Time Best Book of the Year * Longlisted for the 2022 Scotiabank Giller Prize (Canada) * Finalist for CALIBA's 2022 Golden Poppy Awards

A successful art dealer confesses the story of his meteoric rise in this “powerful, intoxicating, and shocking” (The New York Times) novel that's a “slow burn à la Patricia Highsmith” (Oprah Daily). “You'll struggle not to rip through in one sitting” (Vogue).


In a first-class lounge at JFK airport, our narrator listens as Jeff Cook, a former classmate he only vaguely remembers, shares the uncanny story of his adult life-a life that changed course years before, the moment he resuscitated a drowning man.

Jeff reveals that after that traumatic, galvanizing morning on the beach, he was compelled to learn more about the man whose life he had saved, convinced that their fates were now entwined. But are we agents of our fate-or are we its pawns? Upon discovering that the man is renowned art dealer Francis Arsenault, Jeff begins to surreptitiously visit his Beverly Hills gallery. Although Francis does not seem to recognize him as the man who saved his life, he nevertheless casts his legendary eye on Jeff and sees something worthy. He takes the younger man under his wing, initiating him into his world, where knowledge, taste, and access are currency; a world where value is constantly shifting and calling into question what is real, and what matters. The paths of the two men come together and diverge in dizzying ways until the novel's staggering ending.

Sly, suspenseful, and “gloriously addicting” (BuzzFeed), Mouth to Mouth masterfully blurs the line between opportunity and exploitation, self-respect and self-delusion, fact and fiction-exposing the myriad ways we deceive each other, and ourselves.
16.91 In Stock
Mouth to Mouth: A Novel

Mouth to Mouth: A Novel

by Antoine Wilson

Narrated by Edoardo Ballerini

Unabridged — 4 hours, 53 minutes

Mouth to Mouth: A Novel

Mouth to Mouth: A Novel

by Antoine Wilson

Narrated by Edoardo Ballerini

Unabridged — 4 hours, 53 minutes

Audiobook (Digital)

$16.91
FREE With a B&N Audiobooks Subscription | Cancel Anytime
$0.00

Free with a B&N Audiobooks Subscription | Cancel Anytime

$17.99 Save 6% Current price is $16.91, Original price is $17.99. You Save 6%.
START FREE TRIAL

Already Subscribed? 

Sign in to Your BN.com Account


Listen on the free Barnes & Noble NOOK app


Related collections and offers

FREE

with a B&N Audiobooks Subscription

Or Pay $16.91 $17.99

Overview

ONE OF BARACK OBAMA'S FAVORITE BOOKS OF 2022 * An NPR and Time Best Book of the Year * Longlisted for the 2022 Scotiabank Giller Prize (Canada) * Finalist for CALIBA's 2022 Golden Poppy Awards

A successful art dealer confesses the story of his meteoric rise in this “powerful, intoxicating, and shocking” (The New York Times) novel that's a “slow burn à la Patricia Highsmith” (Oprah Daily). “You'll struggle not to rip through in one sitting” (Vogue).


In a first-class lounge at JFK airport, our narrator listens as Jeff Cook, a former classmate he only vaguely remembers, shares the uncanny story of his adult life-a life that changed course years before, the moment he resuscitated a drowning man.

Jeff reveals that after that traumatic, galvanizing morning on the beach, he was compelled to learn more about the man whose life he had saved, convinced that their fates were now entwined. But are we agents of our fate-or are we its pawns? Upon discovering that the man is renowned art dealer Francis Arsenault, Jeff begins to surreptitiously visit his Beverly Hills gallery. Although Francis does not seem to recognize him as the man who saved his life, he nevertheless casts his legendary eye on Jeff and sees something worthy. He takes the younger man under his wing, initiating him into his world, where knowledge, taste, and access are currency; a world where value is constantly shifting and calling into question what is real, and what matters. The paths of the two men come together and diverge in dizzying ways until the novel's staggering ending.

Sly, suspenseful, and “gloriously addicting” (BuzzFeed), Mouth to Mouth masterfully blurs the line between opportunity and exploitation, self-respect and self-delusion, fact and fiction-exposing the myriad ways we deceive each other, and ourselves.

Editorial Reviews

FEBRUARY 2022 - AudioFile

How do we tell our stories? Are there moments that irrevocably change our lives? Are we honest in the retelling of these events? These questions are addressed in this captivating audiobook. Narrator Edoardo Ballerini perfectly matches the tone and pacing of an unnamed narrator who runs into an old acquaintance while delayed at JFK airport. They haven't seen each other in more than 20 years. As they wait in the first-class lounge, the acquaintance tells the narrator a story about the time he saved a man from drowning. Ballerini does an excellent job of navigating the shifts between the past and present, and of portraying the narrator as relatable. K.S.M. © AudioFile 2022, Portland, Maine

Publishers Weekly

10/18/2021

Wilson (Panorama City) explores the intertwined fates of two inscrutable men in the Los Angeles art world of the early 2000s in this shifty work of psychological suspense. The unnamed narrator, a novelist delayed at the airport on his way to Berlin, runs into an old college acquaintance, Jeff Cook. Jeff invites the narrator to the first class lounge, where he tells him a long story. Twenty years earlier, while strolling along the beach, Jeff resuscitated a drowning stranger, Francis Arsenault, a successful art dealer who showed no interest in his savior. Jeff, by contrast, attempted to learn everything about Francis, and ingratiated his way into Francis’s gilded life—insisting to the narrator that his motives, though obscure even to himself, were not necessarily mercenary. Francis is a prickly figure, a “master manipulator” whose bullying and shady business practices caused the upright Jeff to belatedly question whether Francis was worth saving. Though the frame narrative can feel contrived, and Francis might not be as memorably monstrous as, say, Graham Greene’s Harry Lime, the extended scenes of self-fashioning and occluded vision make good use of Patricia Highsmith’s influence. There’s plenty of satisfaction in watching the characters navigate the blurred line between plausibility and truth. (Jan.)

From the Publisher

A slow burn à la Patricia Highsmith that keeps us terminally off balance.” Oprah Daily

“Psychologically complex and suspenseful until the literal last sentence, it uses every word of its 200 or so pages to the fullest.” NPR's Pop Culture Happy Hour

“[An] enthralling literary puzzle... Wilson is a gorgeous writer, pulling you in and compelling you to keep reading. The story, and the story-within-the-story — the twists and turns, the attention lavished on motivation and emotion, the efforts to rationalize or at least explain strange or unsavory behavior — recall the cool prose of Paul Auster... This powerful, intoxicating book’s greatest tension is that we have no idea where it is heading, right up to the shocking final sentence.” —Sarah Lyall, The New York Times

“[A] taut, compulsive chamber piece of a novel, which you’ll struggle not to rip through in one sitting... Mouth to Mouth is an elegantly told and supremely gripping tale of serendipity and deception—and delivers a brilliant ending that will leave you guessing about everything that came before.” Vogue

“Wilson is a first-rate yarn spinner... [a] sly and energetic novel.”The Washington Post

“Incredibly taut, with funny and brilliantly described scenes of the Los Angeles art world... [Mouth to Mouth is] powered by a kind of ominous propulsive forward momentum right up until the very end, which is unexpected and inevitable, as all the best endings are.” Vanity Fair

"Oh, to have an afternoon free and to have not yet read Mouth to Mouth! ... [A] sleek train crash of a novel." —Maris Kreizman, Vulture

“A gloriously addicting tale of decisions and deception... Despite the story being a short once, it doesn’t lack suspense — and Wilson’s ending delivers.” —Buzzfeed

“Antoine Wilson’s Mouth To Mouth is the best book I’ve read in ages. Narratively ingenious, delicately written, intriguingly plotted, it is literature of the highest quality. I see you now, dear Reader, with this novel in your hand and already losing track of time....” —Andrew Sean Greer, Pulitzer Prize-winning author of Less

Mouth to Mouth is that rarity, a perfect narrative machine, working by its own laws. The cool nervous clarity of the prose enmeshes the reader in a trap of complicity, one snapping shut on narrator and reader at the same instant. Bravo.” —Jonathan Lethem, author of The Fortress of Solitude

"Antoine Wilson's Mouth to Mouth is sleek, swift, and graceful, an agile novel of ideas with unexpectedly sharp teeth." —Lauren Groff, author of Fates and Furies and Florida

"The writing is superb, the pace pitch-perfect, the slim story so gripping I read it within 24 hours... It starts with a near-drowning and unfolds naturally, with turns so shocking that I had no idea where the tale was going." —Lauren Daley, The Boston Globe

“[A] propulsive... page-turner... A deliciously nasty morality play in the guise of a thriller.” Kirkus Reviews

“[A] shifty work of psychological suspense...There’s plenty of satisfaction in watching the characters navigate the blurred line between plausibility and truth.” Publishers Weekly

"By the end of the slim volume Antoine Wilson has made sure to wallop the reader with the realization that the story has been eerier than they ever realized." Entertainment Weekly

“Reminiscent of the cult classic film My Dinner with Andre... Antoine Wilson's slyly disturbing and shrewd novel presents two college acquaintances who unexpectedly cross paths at an airport almost 20 years later... Stopping isn't an option: that final sentence rewards readers with a didn't-see-that-coming gut punch.” Shelf Awareness

"The sinewy and mesmerizing narrative of Antoine Wilson’s masterful novel aims straight at the heart of the mythologized self, which, like the world of art and commerce that provides the story’s backdrop, trades in all forms of performance and deception. Not unlike the novel itself, which asks us to believe and doubt and then believe again within the space of a single sentence. Wilson’s on a high wire and he never makes a wrong move." —Marisa Silver, author of Little Nothing and The Mysteries

"Antoine Wilson has written a spellbinding novel of laserlike insight and exquisite technique that reveals how stories can function to conceal other stories. I read this book in one rapturous sitting, jotting down line after line, riveted until the final shocking, clarifying sentence." —Sarah Manguso, author of Ongoingness

"Compulsively readable. This austere and addictive novel interrogates the very nature of identity, destiny and storytelling." —Adam Johnson, Pulitzer Prize-winning author of The Orphan Master's Son

“Antoine Wilson has written a stunner of a novel. Mouth to Mouth shook and thrilled me from the first page to the last.” — Daniel Alarcón, author of The King is Always Above the People and At Night We Walk in Circles

"Riveting and sharp, Mouth to Mouth is an engrossing look at the opportunities and events that change and shift lives in drastic fashion." —Off the Shelf

“This book might be sold as a psychological thriller, but it’s really—and, if allusions can be spoilers, then this might be a big one—a Gen-X Greek revenge fantasy. Gnarly, dude.” Washington Independent Review of Books

"[A] roller-coaster ride of a novel." —Alta

"This psychological novel, which takes a page from American crime writer Dorothy B. Hughes, is an exciting, seamy pleasure to read." —Everything Zoomer

"Wilson chronicles the aftermath of a lifesaving rescue of an art dealer — and the twisting corridors of power and identity that this novel’s protagonist ends up hurtling down in its wake." —Vol. 1 Brooklyn

“A memorable novel that keeps the reader enthralled right up to the final line... masterfully written [and] undeniably compelling... Mouth to Mouth is a story within a story and it is a perfect January read to curl up with on a cold day.” The Suburban

“Wilson writes a compulsively readable narrative up to the very end.”The Los Angeles Daily News

“Propulsive, slim, and inventive... Mouth to Mouth [is a] Russian doll of a novel.” —Sloane Crosley, Departures

“Written in smooth, elegant prose that vibrates with a malevolent undercurrent, this psychological thriller brings to mind Patricia Highsmith’s Strangers on a Train... a multi-level cat and mouse affair...” Passport Magazine

Library Journal - Audio

03/01/2022

An unnamed journalist has a chance encounter at JFK Airport with Jeff Cook, an elegant man who had been in his class at UCLA. They scarcely knew each other in college, and 20 years have passed since they last saw each other, but when their flight is delayed Jeff invites the journalist to join him in the first-class lounge. As Jeff drinks cocktails and the journalist drinks nonalcoholic beer, Jeff relates the story of his complicated and serendipitous adult life, emphatically stating that he has never told anyone his story. After graduation Jeff was traumatized by a single event that changed the trajectory of his life. As he walked aimlessly on the beach, he saw a man vigorously swimming. Suddenly, the man was lying face down and being pushed by the waves. Jeff pulled him out of the water and gave him mouth-to-mouth resuscitation, saving his life. The listener does not know where this story is going until the surprise ending. Edoardo Ballerini's smooth reading of this puzzling and suspenseful novel will completely engage listeners. VERDICT Patrons who enjoy suspense and psychological dilemmas will appreciate.—Ilka Gordon

FEBRUARY 2022 - AudioFile

How do we tell our stories? Are there moments that irrevocably change our lives? Are we honest in the retelling of these events? These questions are addressed in this captivating audiobook. Narrator Edoardo Ballerini perfectly matches the tone and pacing of an unnamed narrator who runs into an old acquaintance while delayed at JFK airport. They haven't seen each other in more than 20 years. As they wait in the first-class lounge, the acquaintance tells the narrator a story about the time he saved a man from drowning. Ballerini does an excellent job of navigating the shifts between the past and present, and of portraying the narrator as relatable. K.S.M. © AudioFile 2022, Portland, Maine

Kirkus Reviews

2021-09-29
A story within a story about chance encounters and the ways that they can alter lives forever.

At John F. Kennedy Airport in New York, having just arrived from Los Angeles and waiting for a connection to Berlin, the unnamed narrator of Wilson’s third novel recognizes a former classmate from UCLA standing at the ticket counter. The classmate, a man called Jeff Cook, invites the narrator to the first-class lounge to wait for their delayed connection. Over drinks, Jeff decides to tell the narrator a strange tale, beginning just after the two graduated from college years earlier. One morning, overlooking a beach in Santa Monica, Jeff catches sight of a drowning figure and rushes in to save the older male swimmer, giving him the titular rescue maneuver until the swimmer sputters back to life. Afterward, Jeff is haunted by the incident: Did the man live? Would he recognize Jeff if they met again? Jeff discovers the man’s identity: He is Francis Arsenault, a wealthy art dealer, and he has, indeed, survived. But Jeff’s questions multiply and turn to obsession. He begins taking steps to find out even more about Francis and, eventually, to worm his way ever deeper into Francis’ life, to unsettling effect. Wilson’s use of the frame here means the story barrels along on parallel tracks, creating a propulsive interest in the answer to two questions: What will happen as Jeff’s life increasingly revolves around Francis? And why does Jeff seem equally obsessed with telling this story for the first time to an acquaintance he barely knows? Wilson wraps some big questions in this page-turner: Is destiny something that merely happens to us? Or can we manipulate it to great—or devious—ends?

A deliciously nasty morality play in the guise of a thriller.

Product Details

BN ID: 2940173289834
Publisher: Simon & Schuster
Publication date: 01/11/2022
Edition description: Unabridged

Read an Excerpt

Chapter 1 1
I sat at the gate at JFK, having red-eyed my way from Los Angeles, exhausted, minding my own business, reflecting on what I’d seen the night before, shortly after takeoff, shortly before sleep, something I’d never seen before from an airplane.

I’d been on the left side of the plane, and we’d gone south over the ocean, accident of fate, affording me a panoramic view of the city at night: amber streetlights dotting neighborhoods; red-stripe, white-stripe garlands of freeway traffic; mysterious black gaps of waterways and parkland. Then a small burst of light, not at ground level but above it. Another burst of light, streaks opening like a flower in time lapse. A fireworks show. I watched the little explosions until we penetrated the cloud layer.

It wasn’t a holiday.

I was thinking about how a sight that might consume our attention completely on the ground could, from another perspective, barely register as a blip on an enormous field, when I heard a name over the PA.

“Jeff Cook,” the agent said. “Please check in at the counter for Gate Eleven.”

A common enough name, but it piqued my attention. I had known a Jeff Cook once, at UCLA, almost twenty years earlier. Looking up, I saw a handsome man in his forties striding toward the counter. He was dressed in a sharp blue suit, no tie, glasses with transparent Lucite frames. Expensive leather loafers. He said his name to the gate agent and slid his boarding pass and identification across the counter. While she clicked away at the noisy keyboard, he leaned slightly on the handle of his fancy hard-shelled roll-aboard suitcase.

From where I sat near the gate, I could examine this Jeff Cook closely, in profile. I had all but determined that he wasn’t the Jeff Cook I’d known and was going to turn my attention elsewhere, when he looked in my direction. I knew those high, broad cheekbones and that penetrating gaze.

It was he. But Jeff had had famously long, dark flowing hair, not this cropped salt-and-pepper business. Plus he’d put on weight, become more solid in the way so many of us did after college, continuing to grow into manhood long after we thought we’d arrived.

We hadn’t been friends, exactly, barely acquaintances, but Jeff was one of those minor players from the past who claimed for himself an outsize role in my memories.

During my freshman year I experienced a series of encounters, if they could even be called that, in various locations on and off campus, with a fellow student who had, for some reason or another, caught my attention. With his cascading hair and distinctive features, he was hard to miss, a sort of thrift-store Adonis, and he carried himself with the quiet confidence of an upperclassman. We didn’t cross paths so much as he would just pop up from time to time, at a table in the corner of a coffee shop, wandering around a protest for the first Gulf War, or—most randomly—lit up by my car’s reverse lights as I backed out of a friend’s driveway one night. Every sighting of this mystery man yielded a frisson, as if he were my guardian angel keeping tabs on me, followed by a pang of anxiety at the thought that I might never see him again.

Near the end of that year, I went with a friend to buy weed from an acquaintance of his, a fellow stoner who had picked up a little extra to hook up his buddies and make a few bucks in the process. We swung by an apartment building on Gayley, an ugly multiunit box. The shabby security vestibule opened on an elevator that stank of rancid hydraulic fluid. Upstairs, the hallway was anonymous and bland, but the apartment had a distinctive grotto-like atmosphere, the windows covered over with bedsheets and the walls festooned with posters, all of them for the same band, a band I had never heard of: Marillion. We stood awkwardly in the middle of the living room while a line of stoned residents deliquesced into the couch in front of us, eyes more wary than friendly. At the end of the couch, as stoned as the rest of them, sat my long-haired guardian angel. My friend got the pot, and, perhaps to make the visit seem less transactional, his friend made introductions around the room. I learned the name of the mystery man, a name not nearly as mysterious as he was: Jeff.

First quarter of sophomore year, there he was again, in Cinema and Social Change. Every Tuesday and Thursday, in Melnitz Hall, his myth disintegrated further, the slow grind of familiarity rendering him into just another undergrad, a fellow non-film major as clueless as I was about the movies we were discussing. This process struck me as curious. Over the years, it would spring to mind whenever I found myself having to deal with people whose fame summoned in me an irrational but persistent agitation.

The gate agent bent behind the counter to retrieve something from the printer. She handed Jeff his identification and boarding pass. He thanked her and turned to go. When he came past me, I said his name.

He looked at me quizzically.

“Yes?” he said.

“UCLA,” I said.

His eyebrows went up behind those Lucite frames.

“Jesus,” he said. “You look exactly the same. Plus twenty years or so, but you know what I mean.”

I wondered if he was trying to place me. I started to say my name, but he beat me to it.

“That’s me,” I said.

“Names and faces,” he said, tapping his temple. “It’s a thing.”

Oh God, I thought, he’s become a salesman.

He put out his hand to shake.

“That film class,” he said. “I remember. Only one I ever took.”

“Same.”

“Almost failed it. Couldn’t stay awake in the dark. The whole thing felt like a dream.”

“You didn’t miss much,” I said. I didn’t mean it, but I was making conversation.

He smiled and took me in for a moment. “Hey, why don’t you join me in the first-class lounge? I’ve got an extra pass.”

“What about the flight?”

He pointed at the display above the gate. We’d been delayed.

I had already spent hours in the airport, my tickets having been purchased last minute and at the cheapest possible fare—a red-eye from LA, a layover at JFK, a flight to Frankfurt, a four-hour train ride to Berlin—and the idea of a first-class lounge was so appealing I could have hugged old Jeff right there and then.

I trailed him through the terminal, his soft-leather briefcase and fresh-looking roll-aboard making me wish I’d replaced my scruffy backpack with something more adult. The terminal wasn’t packed, but it was crowded enough that we made better progress single file than two abreast. His hair was cropped cleanly in a line above his collar. Everything about him conveyed neatness and taste. In college I’d never seen him in nice clothes, only ripped-up jeans and weathered T-shirts worn inside-out to obscure whatever was written on them. Whether this was fashion or indigence was never clear to me.

The whole way from gate to lounge elevator, as I followed him and the rhythmic ticktock of his bag’s wheels across the terminal’s tiles, he didn’t once look back to make sure I was following. I wondered if he was having second thoughts about inviting me into the land of the fancy people. I hoped I hadn’t seemed too desperate when accepting his offer.

At the elevator, he was back to normal, or how he had been at the gate, delighted at the coincidence and looking forward to catching up, though as far as I knew we didn’t have much to catch up on.

I presumed that he was one of those people who hated being alone. Perhaps if I’d been paying closer attention, or if I’d known what was to come, I’d have detected a glimmer of desperation in his eyes. I don’t know. Maybe it wasn’t there, not yet.

We checked into the lounge at a marble counter, where an officious young man took my pass and waved us in, letting us know that they would be announcing when it was time for us to head down to the gate. Jeff found seats by the window, a low table between them, and gestured for me to sit, as if he were my host. The chair was real leather and the table real wood. He offered to grab a few beers. I hadn’t had a drink in eight years but said that I’d be happy to watch him drink. He made for the food area, leaving his bags. Even in the airport’s privileged inner sanctum, I couldn’t look at the unattended bags without imagining they contained contraband, or a bomb. I put it out of my mind. My mantra for air travel has always been: Stop thinking. From the moment one enters the airport, one is subject to a host of procedures and mechanisms designed to get one from point A to point B. Stop thinking and be the cargo.

Jeff strolled up, two beers in hand. He put one in front of me, announcing that he’d found a nonalcoholic brew, and that he wasn’t sure if I drank them, but he thought it might make things feel more ceremonial—that was the word he used—for us to catch up over a couple of beers, alcoholic or not, for old times’ sake. We had never drunk together that I could remember, but I let it go. We clinked bottles and sipped, our eyes turning to the plane traffic outside.

“The miracle of travel,” he said. “Fall asleep someplace, wake up halfway around the world.”

“I can’t sleep on planes,” I said.

“I know a woman,” he said, “friend of a friend, you could say, who is terrified of flying but has to travel to various places every year for family obligations. Only flies private, by the way, this is a very wealthy person. And here’s what she does. An anesthesiologist comes to her house, knocks her out in her own bed, travels with her to the airport, to wherever she’s going, unconscious, and when they arrive at the destination, she’s loaded into whatever bed she’s staying in, whether it’s one of her other homes or a hotel, and he brings her back. She literally goes to sleep in one place and wakes up in another.”

“Someone should do that for us in economy,” I said. “You could fit a lot more people on every flight. Sardine style.”

Jeff sipped his beer.

“You have business in Frankfurt?” he asked, his eyes passing over my scuffed sneakers.

“Berlin,” I said. “My publisher is there.”

I didn’t mention that I was traveling on my own dime, hoping to capitalize on a German magazine’s labeling me a “cult author.” Or that I was also taking a much-needed break from family obligations, carving out a week from carpools and grocery shopping to live the life readers picture writers live full-time.

“I can’t imagine writing a book,” he said.

“Neither can I.”

I’d said it before and meant it every time, but people always took it as an expression of false modesty.

Jeff laughed slightly. His demeanor changed, and I expected him to ask if he should have heard of any of my books. Instead, he asked if I’d ever gone under.

“I had my tonsils out in high school.”

“Did you worry you wouldn’t wake up?”

I shook my head. “Didn’t cross my mind. Though were I to go under now, I wouldn’t be so cavalier.”

“You have kids.”

“Two.”

“Changes everything, doesn’t it?”

He had undergone surgery recently, nothing serious, or not life-threatening at least, but he had ended up terrified that he wouldn’t wake up again. It did happen to people. And though such accidents had become exceedingly rare, he couldn’t help but imagine his going to sleep and never waking up, what it would do to his children—he had two as well—and to his wife. The whole episode had disturbed him greatly.

“Sleep is the cousin of death,” I said.

Outside, a jumbo jet came in for a landing, too high and too fast and too far down the runway, at least to my eyes, and maybe to Jeff’s too, since he watched it as well, but it came down fine, slowed dramatically, and made for the taxiway like any other plane. All the activity outside—the low vehicles buzzing around, the marshalers and wing walkers guiding planes with their orange batons, the food service trucks lifting and loading, the jetways extending, the segmented luggage carts rumbling across the tarmac—all of it vibrated under the gray sky like a Boschean tableau.

While I had been watching, he had been hunting down a thought.

“Coming out of surgery,” he said, “waking up in the recovery room, foggy as hell, I didn’t feel the sense of relief I had expected to feel—that only came later when I saw my family again. I felt like I’d lost a chunk of time. Like sleep, but when you sleep you wake up where you went down. I felt that things had happened to me without my knowledge, which they had, of course, and I was left with the uncanny sense that I wasn’t the same person who had gone under. Time had passed, a part of my body was no longer in me, I had had a square shaved from my leg for some kind of circuit-completing electrode, but I was still I, obviously. Now, this may have been a side effect of the drugs, but I couldn’t shake the feeling that I’d only just arrived in the world, as a replacement for the old me. It wore off, as I said, but it wasn’t a pleasant state.”

“Like a near-death experience?” I asked.

“Funny you should say that,” Jeff said, as if he hadn’t just nudged the conversation in that direction. “I ended up in close proximity to one once. Not long after college, in fact, a year or so later. I was, through no planning or forethought on my part, responsible for saving a man’s life.”

I wondered why he emphasized “no planning or forethought” when that would have been the default.

“What happened?” I asked.

“Let me grab a few more beers first.”

“No, no,” I said. “These are on me.”

“They’re free.”

“Let me get them, then.”

He settled into his chair.

I rose and made my way past a variety of travelers, from business types to trust fund hipsters, many of them speaking foreign languages. They weren’t so different from their counterparts downstairs, other than not looking like they were undergoing an ordeal. I ordered beers from the dour bartender. It was not quite noon. When I returned to our table and handed Jeff a bottle, he raised it for another toast.

“Running into you was serendipitous,” he said. “You were there at the beginning.”

From the B&N Reads Blog

Customer Reviews