On their third album, 1982's
Mountain Music,
Alabama hit their stride, streamlining the rough edges out of their sound and turning into a well-oiled hit machine. Here, when they stretch out it's on the nearly seven-minute
"Changes Comin' On," which doesn't jam like
Southern rock but instead has a smooth groove that veers close to
soft rock. Of course, that
soft rock quality was not only a large reason why
Alabama crossed over to the
pop charts (
"Take Me Down," one of three number one
country singles here -- the other two being the anthemic title cut and
"Close Enough to Perfect" -- crossed over into the
pop Top 20, which is no small feat), it was also instrumental in defining the group's own brand of "mountain music." If their
country music didn't sound too down-home -- it didn't twang, it didn't have mandolins, it was built on electric guitars -- it was nevertheless pure
country in its own modern way, borrowing on Western mythos (
"Words at Twenty Paces" has an implied swagger, even if it is never menacing) and early
Americana-
rock (a strong cover of
Creedence Clearwater Revival's
"Green River"), playing up both sentiment (both the slow devotional
"You Turn Me On" and the family celebration
"Never Be One") and revelry (
"Gonna Have a Party") to create the template for
contemporary country. If there's just a touch too much of the slow stuff here, it's all expertly executed and almost all the songs click, with the best (all the aforementioned tracks, minus
"Never Be One") standing among the band's best material, helping to make
Mountain Music not only one of their best albums, but a record that -- despite its big, slick production -- still sounds like modern
country even decades after its initial release. ~ Stephen Thomas Erlewine
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