Mormons, Musical Theater, and Belonging in America

by Jake Johnson

Overview

The Church of Jesus Christ of Latter-day Saints adopted the vocal and theatrical traditions of American musical theater as important theological tenets. As Church membership grew, leaders saw how the genre could help define the faith and wove musical theater into many aspects of Mormon life. Jake Johnson merges the study of belonging in America with scholarship on voice and popular music to explore the surprising yet profound link between two quintessentially American institutions. Throughout the twentieth and twenty-first centuries, Mormons gravitated toward musicals as a common platform for transmitting political and theological ideas. Johnson sees Mormons using musical theater as a medium for theology of voice—a religious practice that suggests how vicariously voicing another person can bring one closer to godliness. This sounding, Johnson suggests, created new opportunities for living. Voice and the musical theater tradition provided a site for Mormons to negotiate their way into middle-class respectability. At the same time, musical theater became a unique expressive tool of Mormon culture.

Product Details

ISBN-13:	9780252084331
Publisher:	University of Illinois Press
Publication date:	06/30/2019
Series:	Music in American Life
Edition description:	First Edition
Pages:	222
Product dimensions:	5.90(w) x 8.90(h) x 0.60(d)

About the Author

Jake Johnson is an assistant professor of musicology in the Wanda L. Bass School of Music at Oklahoma City University.

Table of Contents

Acknowledgments ix

Prologue 1

Introduction: Vicarious Voices 9

1 "Come, Listen to a Prophets Voice, and Hear the Word of God": The Voice and Mormon Theatricality 32

2 Promised Valley, Integration, and the Singing Voice 55

3 Exoticized Voices, Racialized Bodies: Lineage and Whiteness on Stage 83

4 "I've Heard That Voice Before": Reprising the Voice in Sacred Time 113

5 Voice Interrupted: Book of Mormon and the Failed Message of Correlated Mormonism 142

Epilogue 169

Notes 171

Bibliography 187

Index 195

Editorial Reviews

Finalist: Best Book of Criticism, Association of Mormon Letters, 2019-2020

"Johnson's examination of Mormonism and its exploitation of musicals for a theology of voice is fascinating and richly informative, and his second volume about the network of truth, falsehood, and belief in non-coastal musical theatre productions is an especially impressive accomplishment." —Studies in Musical Theatre

"Johnson's book provides a look at a community with a very distinct and resilient common identity, at the ways in which that common identity emerged musically from the nineteenth century, and at the ways in which the special embodiment of theatrical and musical performance has shaped individuals into concert with that identity. . . . For late nineteenth and twentieth-century history of musical theatre, Johnson offers a valuable text." —Theatre Journal

"Constructing a formidable thesis drawing on history, theology, anthropology, musicology, theatre, performance, and cultural theory, Johnson has produced a captivating read with a skillfully crafted set of arguments to elucidate this inimitably American religion. . . . This is a captivating and scholarly read that helps unravel this complex religion for specialist and non-academic audiences alike." —Journal of Religion and Popular Culture

"In this book about voice and religion, Johnson successfully carves out a place for his own powerful and well-researched voice." —Mormon Studies Review

"Johnson's work is truly interdisciplinary. . . . on almost every page, the reader is introduced to something surprising and provocative. Mormons, Musical Theater, and Belonging in America is a welcome addition to the growing field of American religious performance studies." —BYU Studies Quarterly

​"Through careful historiography and close attention to sound, Johnson expertly maps the intersections of voice studies, Mormon doctrine, race and religion, and the worlds of American musical theater. Mormons, Musical Theater, and Belonging in America convinces us that theology, theatricality, nationality, and vocality are entwined in Mormonism and extend in fascinating ways into American popular culture."—Jeffers Engelhardt, author of Singing the Right Way: Orthodox Christians and Secular Enchantment in Estonia

"This book adds to our understanding of the broad question that so many Mormon scholars have grappled with: the relationship between the faith and the nation. It extends the study of the faith into the critical arena of popular expression, and it helps us think more thoroughly about the place of Mormonism in modern American life." —Juvenile Instructor

"Mormon theatre has been studied before, whether as Victorian vignette or parochial propaganda. But here Jake Johnson illuminates theatricality in religion itself, with Mormonism as his focus. I encountered surprises throughout, the kind that stay with you like corrective lenses."—Michael Hicks, author of The Mormon Tabernacle Choir: A Biography

"Recommended." —Choice

"Jake Johnson meaningfully explores many of the big issues and events in Mormonism. . . .Moreover, he does so with a novel approach few blog posts and podcasts do. If you think you can benefit from a fresh look at the history of Mormonism, and I submit most of us would, Mormons, Musical Theater, and Belonging in American is a great opportunity." —Wheat Tares

From the Publisher