Monuments in Miniature: Architecture on Roman Coinage
The regular representation of the built environment on coins was a purely Roman phenomenon among the ancients. In the Greek world, architectural representation on coinage was very uncommon; when it did appear it referred directly to the local identity of the issuing state. Coins of the Persian satrapies only rarely depicted fortifications in conjunction with traditional Persian emblems of royalty, power, and shrines of the chief deities in the minting city. The Roman use of the iconography of building was fundamentally different. From the first occurrence in 135 BC through the late Roman Empire, the architectural images on coins from Rome commemorated or politicized the monument in question. By the mid-first century BC and into the Imperial period, architecture had become commonplace in the repertoire of Roman coin iconography. Representation of monuments is one of the most beloved (and belabored) topics in studies of Roman coin iconography. It is also a theme in dire need of re-exploration. This comprehensive and chronological approach to architectural coin types conveys the complexity of the subject and underscores how the designs were symptomatic of, and sensitive to, the underlying social, cultural and historical trends that affected both Roman art and Roman society at large.
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Monuments in Miniature: Architecture on Roman Coinage
The regular representation of the built environment on coins was a purely Roman phenomenon among the ancients. In the Greek world, architectural representation on coinage was very uncommon; when it did appear it referred directly to the local identity of the issuing state. Coins of the Persian satrapies only rarely depicted fortifications in conjunction with traditional Persian emblems of royalty, power, and shrines of the chief deities in the minting city. The Roman use of the iconography of building was fundamentally different. From the first occurrence in 135 BC through the late Roman Empire, the architectural images on coins from Rome commemorated or politicized the monument in question. By the mid-first century BC and into the Imperial period, architecture had become commonplace in the repertoire of Roman coin iconography. Representation of monuments is one of the most beloved (and belabored) topics in studies of Roman coin iconography. It is also a theme in dire need of re-exploration. This comprehensive and chronological approach to architectural coin types conveys the complexity of the subject and underscores how the designs were symptomatic of, and sensitive to, the underlying social, cultural and historical trends that affected both Roman art and Roman society at large.
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Monuments in Miniature: Architecture on Roman Coinage

Monuments in Miniature: Architecture on Roman Coinage

by Nathan Elkins
Monuments in Miniature: Architecture on Roman Coinage

Monuments in Miniature: Architecture on Roman Coinage

by Nathan Elkins

Hardcover

$100.00 
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Overview

The regular representation of the built environment on coins was a purely Roman phenomenon among the ancients. In the Greek world, architectural representation on coinage was very uncommon; when it did appear it referred directly to the local identity of the issuing state. Coins of the Persian satrapies only rarely depicted fortifications in conjunction with traditional Persian emblems of royalty, power, and shrines of the chief deities in the minting city. The Roman use of the iconography of building was fundamentally different. From the first occurrence in 135 BC through the late Roman Empire, the architectural images on coins from Rome commemorated or politicized the monument in question. By the mid-first century BC and into the Imperial period, architecture had become commonplace in the repertoire of Roman coin iconography. Representation of monuments is one of the most beloved (and belabored) topics in studies of Roman coin iconography. It is also a theme in dire need of re-exploration. This comprehensive and chronological approach to architectural coin types conveys the complexity of the subject and underscores how the designs were symptomatic of, and sensitive to, the underlying social, cultural and historical trends that affected both Roman art and Roman society at large.

Product Details

ISBN-13: 9780897223447
Publisher: American Numismatic Society
Publication date: 10/31/2015
Series: Numismatic Studies , #29
Pages: 239
Product dimensions: 8.20(w) x 11.70(h) x 0.80(d)

About the Author

Dr. Nathan T. Elkins is Assistant Professor of Art History and a specialist in Greek and Roman Art and Archaeology.

Table of Contents

Introduction: A New Look at Architectural Representations on Roman Coinage Chapter 1. The Emergence of Architectural Designs on the Coinage of the Roman Republic Chapter 2. Architectural Coin Types in the Early Roman Empire (Augustus through Severus Alexander) Chapter 3. Late Roman Architectural Coin Types (The "Soldier Emperors" through Valentinian III) Chapter 4. Architectural Coin Types from the Roman Provinces: Characteristics, Derivation, and Influence Conclusions: Architectural Coin Types as a Reflection of Roman Society Appendix 1. Roman Architectural Coin Types (135 bc-Severus Alexander) Appendix 2. Architectural Coin Types of the "Soldier Emperors" Appendix 3. Architectural Coin Types of the Tetrarchy and its Collapse to c. AD 313 Appendix 4. Architectural Coin Types from Constantine and Licinius to Valentinian III Bibliography
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