Molefi Kete Asante: A Critical Afrocentric Reader
Molefi Kete Asante: A Critical Afrocentric Reader offers a foundation of Asante's philosophy providing readers, directly or indirectly, an optomistic start in formatting the outliers of breakdown and breakthroughs for victorious thought of an Afrocentric perspective.
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Molefi Kete Asante: A Critical Afrocentric Reader
Molefi Kete Asante: A Critical Afrocentric Reader offers a foundation of Asante's philosophy providing readers, directly or indirectly, an optomistic start in formatting the outliers of breakdown and breakthroughs for victorious thought of an Afrocentric perspective.
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Molefi Kete Asante: A Critical Afrocentric Reader

Molefi Kete Asante: A Critical Afrocentric Reader

Molefi Kete Asante: A Critical Afrocentric Reader

Molefi Kete Asante: A Critical Afrocentric Reader

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Overview

Molefi Kete Asante: A Critical Afrocentric Reader offers a foundation of Asante's philosophy providing readers, directly or indirectly, an optomistic start in formatting the outliers of breakdown and breakthroughs for victorious thought of an Afrocentric perspective.

Product Details

ISBN-13: 9781433112461
Publisher: Peter Lang Inc., International Academic Publishers
Publication date: 08/21/2017
Series: Black Studies and Critical Thinking , #15
Edition description: New
Pages: 238
Product dimensions: 5.91(w) x 8.86(h) x (d)

About the Author

James L. Conyers, Jr., is Director of the African American Studies Program, Director of the Center for African American Culture, and University Professor of African American Studies at the University of Houston. He is the author or editor of thirty-five books and currently serves on the editorial boards of the Journal of Black Studies and the International Journal of Africana Studies. He is the founding editor of the serial Africana Studies: A Review of Social Science Research and editor of the book series Africana Studies. His most current publication is the edited volume Qualitative Methods in Africana Studies. His educational background includes a B.A. in communications from Ramapo College of New Jersey, a M.A. in Africana studies from the State University of New York at Albany, a Ph.D. in African American studies from Temple University, and graduate training in oral history at Columbia University.

Table of Contents

Acknowledgements – Introduction – History – Mythology – Motif – Ethos – Reflection Essays – Conclusion – Index.

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