Modern Sculpture: Artists in Their Own Words
This tapestry of primary sources is an essential primer on sculpture and its makers.
 
Modern Sculpture presents a selection of manifestos, documents, statements, articles, and interviews from more than ninety sculptors, including a diverse selection of contemporary sculptors. With this book, editor Douglas Dreishpoon defers to artists, whose varied points of view illuminate sculpture’s transformation—from object to action, concept to phenomenon—over the course of more than a century. Chapters arranged in chronological sequences highlight dominant stylistic, philosophical, and thematic threads uniting kindred groups. The result is an artist-centric history of sculpture as a medium of consequence and character.


 
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Modern Sculpture: Artists in Their Own Words
This tapestry of primary sources is an essential primer on sculpture and its makers.
 
Modern Sculpture presents a selection of manifestos, documents, statements, articles, and interviews from more than ninety sculptors, including a diverse selection of contemporary sculptors. With this book, editor Douglas Dreishpoon defers to artists, whose varied points of view illuminate sculpture’s transformation—from object to action, concept to phenomenon—over the course of more than a century. Chapters arranged in chronological sequences highlight dominant stylistic, philosophical, and thematic threads uniting kindred groups. The result is an artist-centric history of sculpture as a medium of consequence and character.


 
34.95 In Stock
Modern Sculpture: Artists in Their Own Words

Modern Sculpture: Artists in Their Own Words

by Douglas Dreishpoon (Editor)
Modern Sculpture: Artists in Their Own Words

Modern Sculpture: Artists in Their Own Words

by Douglas Dreishpoon (Editor)

Paperback(First Edition)

$34.95 
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Overview

This tapestry of primary sources is an essential primer on sculpture and its makers.
 
Modern Sculpture presents a selection of manifestos, documents, statements, articles, and interviews from more than ninety sculptors, including a diverse selection of contemporary sculptors. With this book, editor Douglas Dreishpoon defers to artists, whose varied points of view illuminate sculpture’s transformation—from object to action, concept to phenomenon—over the course of more than a century. Chapters arranged in chronological sequences highlight dominant stylistic, philosophical, and thematic threads uniting kindred groups. The result is an artist-centric history of sculpture as a medium of consequence and character.


 

Product Details

ISBN-13: 9780520297494
Publisher: University of California Press
Publication date: 10/25/2022
Series: Documents of Twentieth-Century Art
Edition description: First Edition
Pages: 440
Product dimensions: 7.00(w) x 10.00(h) x 1.10(d)

About the Author

Douglas Dreishpoon, Chief Curator Emeritus at the Buffalo AKG Art Museum, New York, is currently director of the catalogue raisonné project at the Helen Frankenthaler Foundation and consulting editor at the Brooklyn Rail. He is the coauthor of Helen Frankenthaler: Late Works, 1988–2009.

Table of Contents

Preface and Acknowledgments xiii

Introduction 1

Constructions, Concretions, Readymades 27

Auguste Rodin 33

Preface to Art: Conversations with Paul Gsell (1911)

An Antique Fragment (1914)

Art and Nature (1916)

The Richness of the Antique Lies in Modeling (1917)

Constantin Brancusi 36

Propos (1926)

Artist's Statement (1926)

Artist's Statement (1927)

Umber to Boccioni 38

Technical Manifesto of Futurist Sculpture (1912)

Medardo Rosso 44

Impressionism in Sculpture (1907)

Pablo Picasso 47

Interview with Daniel-Henri Kahnweiler (1933)

Julio González on Picasso as Sculptor (1936)

Interview with Daniel-Henri Kahnweiler (1948)

Artist Statement (1951)

The Bull's Head (ca. 1957)

Conversations with Brassai (1964)

On Sculpture (1964)

Life with Picasso (1965)

Henri Matisse 51

Matisse Speaks to His Students (1908)

Interview with Pierre Courthion (1941)

Julio González 53

"Picasso sculpteur et les cathédrales" (ca. 1932)

"Notations" (ca. 1932)

Reply to a Question on Contemporary Art (1935)

Naum Gabo 55

The Constructive Idea in Art (ca. 1937)

Vladimir Tatlin 57

The Problem of the Relationship between Man and Object: Let Us Declare War on Chests of Drawers and Sideboards (1930)

László Moholy-Nagy 59

Sculpture (1936/1947)

Joaquín Torres-García 62

The Will to Construct (1930)

Alexander Calder 64

Mobiles (1937)

Jean Arp 67

Concrete Art (1944)

Henry Moore 69

Unit One (1934)

Marcel Duchamp 72

Apropos of "Readymades" (1961)

Personages, Politics. Passages 75

Jacques Lipchitz 81

Interview with James Johnson Sweeney (1945)

Alberto Giacometti 83

Letter to Pierre Matisse (1947)

Joseph Cornell 88

Diary Entry from January 24, 1947

Isamu Noguchi 90

New Stone Gardens (1964)

Theodore Roszak 93

In Pursuit of an Image (1955)

Herbert Ferber 95

Sculpture as Environment (1960)

David Smith 97

The Question-What Are Your Influences (1950)

Louise Bourgeois 100

On Cells (1991)

Jiro Yoshihara 103

Gutai Art Manifesto (1956)

Ruth Asawa 106

Two Conversations with Ruth Asawa 11995 and 1999)

Meret Oppenheim 109

Autobiographical Notes (ca. 1970)

Richard Stankiewicz 111

Contribution to "The Private Myth, A Symposium" (1961)

John Chamberlain 112

A Statement (1982)

Anthony Caro 114

My Own Work (1985)

Environments, Happenings, Combines 117

Frederick Kiesler 125

The Future: Notes on Architecture as Sculpture (1966)

Louise Nevelson 128

Dawns and Dusks: Taped Conversations with Diana MacKown (1976)

Yayoi Kusama 132

Create, Then Obliterate (2011)

Marisa Merz 134

Lo Specchio Ardente (The Burning Mirror) (1975)

Joseph Beuys 137

What Is Art? (1979)

Paul Thek 140

Interview with Harald Szeemann (1973)

Edward Kienholz 145

Documentation Book for Five Car Stud Tableau and the Sawdy Edition (1972)

Paul McCarthy 147

Substance Substitute (2010)

Mike Kelley 149

In the Image of Man (1992)

Ilya and Emilia Kabakov 152

Introduction to Public Projects or The Spirit of a Place (2001)

Allan Kaprow 156

Notes on the Creation of a Total Art (1958)

Claes Oldenburg 159

A Statement (1966)

Ken Price 161

Memo to M.F.A. Students Who Use Clay (1997-1998)

From a Maker's Standpoint (1997-1998)

Lygia Clark 164

The Empty Full (1960)

The Bichos (1960)

Hélio Oiticica 168

Eden (1969)

Gilbert and George 170

Two Text Pages Describing Our Position (1970)

Robert Rauschenberg 171

Artist's Statement (1959)

Interview with Barbara Rose (1987)

Jasper Johns 174

A Conversation with Terry Winters (2011)

Marisol 179

Interview with Cindy Nemser (1973)

Nam June Paik 183

Interview with Jud Yalkut (1968)

Polemics, Paragraphs, Propositions 189

Tony Smith 199

Pattern of Organic Life in America (1943)

Talking with Tony Smith (1966)

Donald Judd 201

Specific Objects (1964)

Robert Morris 208

Notes on Sculpture (1966)

Robert Irwin 213

"Conditional," in "Being and Circumstance" (1985)

Hans Haacke 219

Untitled Statement (1980)

Hans Haacke Responds to Questions from Texte zur Kunst (2010)

Mierle Laderman Ukeles 222

Manifesto for Maintenance Art 19691 / Proposal for an Exhibition "Care" (1969) Why Sanitation can be Used as a Model for Public Art (1984)

Sol LeWitt 229

Paragraphs an Conceptual Art (1967)

Lee Bontecou 233

Statement (1960)

Artist's Statement (2003)

Anne Truitt 235

Daybook: The Journal of an Artist (1974)

Carl Andre 238

Essayonsculpture1964

Dan Flavin 239

Journal Entry (1963)

"… in daylight or cool white.": An autobiographical sketch (1964-1969)

The Artists Say (1965)

Letter to Betsy Baker (1967)

Reply to Jan van der Marck (1967)

Reply to Dan Graham (1967)

Richard Artschwager 243

4 Sentences for Art in America (1965)

Art and Reason (1990)

Ronald Bladen 245

Statement (1965)

Eva Hesse 246

Conversation with Cindy Nemser (1970)

Richard Serra 251

Extended Notes from Sight Point Road (1984)

Richard Tuttle 256

Statement (1968)

Work Is Justification for the Excuse (1972)

Interview with Judith Olch Richards (1998)

Bruce Nauman 258

A Thousand Words: Bruce Nauman Talks about Mapping the Studio (2002)

Fred Sandback 263

Remarks on My Sculpture, 1966-1986 (1986)

Ana Mendieta 266

"La Maja de Yerba," Proposal for Bard College (1984)

Earth, Sky, Water 267

Christo and Jeanne-Claude 273

Christo in Conversation with Hans Ulrich Obrist (2017)

Robert Smithson 280

A Provisional Theory of Non-Sites (1968)

Cultural Confinement (1972)

Nancy Holt 283

Statement (1993)

Walter De Maria 287

The Lightning Field: Some Facts, Notes, Data, Information, Statistics, and Statements (1980)

Michael Heizer 291

Conversation with Kara Vander Weg (2014-2015)

James Turrell 296

Interview with Christine Y. Kim (2012)

Giuseppe Penone 301

Statement (1968)

Statement (1970)

Statement (1977)

Statement (1984)

Statement (1991)

Statement (1991)

Richard Long 304

Words after the Fact (1982)

Andy Goldsworthy 306

Hanging Stones (2018)

Maya Lin 309

About the Work (2000)

Sculpture in the Present 313

Ai Weiwei 315

Ai Weiwei with Phong H. Bui (2016)

Janine Antoni 323

Conversation with Douglas Dreishpoon (2009)

Petah Coyne 326

Conversation with Mary Sabbatino (2019)

Olafur Eliasson 329

Becoming Co-sculptural (2019)

Theaster Gates 333

Every Square Needs a Circle: Conversation between Zachary Cahill, Theaster Gates, and Michelle Grabner (2019)

Felix Gonzalez-Torres 342

Interview with Bruce Ferguson (1990)

Practices: The Problem of Divisions of Cultural Labor (1992)

Conversation between Felix Gonzalez-Torres and Joseph Kosuth (1993)

Interview with Hans Ulrich Obrist (1994)

Artist Lecture (1995)

Ann Hamilton 346

Weight (2016)

Pierre Huyghe 349

Interviewwith Robert Storr (2013)

Martin Puryear 354

Conversation with David Levi Strauss (2007)

Ursula von Rydingsvard 364

Why Do I Make Art? (2014)

Alison Saar 366

Statement (2019)

Tom Sachs 369

Thoughts about Prada Death Camp (2013)

Jeanne Silverthorne 372

As of Now (2019)

Kiki Smith 375

Conversation with Douglas Dreishpoon (2018)

Selected Bibliography 379

List of Illustration Credits 395

Index 401

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