DECEMBER 2015 - AudioFile
The incomparable Cassandra Campbell shines again with an excellent audiobook performance. This fast-paced, absorbing novel follows Peggy, a winning protagonist, into and out of myriad relationships. We root for her as she navigates her staid Southern parents, challenging husband, pompous in-laws, and beloved children. Campbell, as always, creates a believable cast of characters with her acrobatic voice and accents. She captures the wry humor that is a staple of the novel’s tone, as well as the omnipresent irony of trying to be oneself in an environment that values only conformity. When Peggy’s marriage dissolves, she breaks out on her own; the listener will be glad to go along for the ride. L.B.F. Winner of AudioFIle Earphones Award © AudioFile 2015, Portland, Maine
From the Publisher
There’s nothing derivative about Nell Zink’s hip, hilarious and unexpectedly moving novel Mislaid… Zink has a genius for making the bizarre seem natural… makes for one of the most satisfying happy endings in recent fiction.” — Wall Street Journal
“The novel’s charm and intelligence run deep. It’s a provocative masquerade with heart, not just an exercise in role reversals, reminding us that the gaps and cracks between our insides and our outsides are the spaces where our spirits live.” — New York Times Book Review
“A writer of extraordinary talent and range. Her work insistently raises the possibility that the world is larger and stranger than the world you think you know. You might not want to believe this, but her sentences and stories are so strong and convincing that you’ll have no choice.” — Jonathan Franzen
“Zink’s capacity for inventions is immense… [Mislaid] zips along with a giddy, lunatic momentum. It’s perverse wackiness is irresistible; unlike just about everything engineered to make you laugh out loud, Zink’s novel actually does, over and over again… She knows how to let her freak flag fly.” — Bookforum
“Crafting a zany story with outlandish characters doing the unexpected, Zink successfully creates a comedy of errors offering a happy ending for an impossible situation.” — Library Journal
“Zink’s energy pulses in narration. [She] is original, unsentimental, erudite, and something of a naturalist. Her vocabulary is tremendous [and] her sentences are penetrating and agile.” — Harper's Magazine
“[Zink] further proves her narrative chops as she spins a darkly satirical story … Zink’s frankness on topics like gender, racial, socioeconomic, and sexual identity politics is refreshing and bold, but it is her strong writing and lucid sentences which truly reel readers in-and keep them there.” — L Magazine
The bracing disconnect between sly, low-affect prose and Gothic strangeness recalls Flannery O’Connor and Jean Stafford—mid-century women you could imagine crossing paths with Peggy and shuddering.” — Vulture
“[Zink] makes her big publishing debut with with this unconventional but ultimately brilliant novel that takes family, race, and the how decisions you make could resonate for years to come.” — Men’s Journal
“A startlingly original novel about the dissolution of an eccentric American family.” — Harper's Bazaar
“Nell Zink’s The Wallcreeper was the most impressive debut of 2014…her second novel, the hilarious and genius Mislaid, which restores a kind of Whitmania to American fiction, by which I mean that it convincingly covers race, class, gender, and sexuality in the briefest of spaces with the sharpest of minds..” — Flavorwire
“A deceptively slim epic of family life that rivals a Greek tragedy in drama and wisdom…deftly handles race, sexuality, and coming of age. Zink’s insight is beautifully braided into understated prose that never lets the tension subside… it all points to Zink’s masterly subtlety and depth.” — Publishers Weekly (starred review)
“Zink’s capacity for inventions is immense… [Mislaid] zips along with a giddy, lunatic momentum. It’s perverse wackiness is irresistible; unlike just about everything engineered to make you laugh out loud, Zink’s novel actually does, over and over again… She knows how to let her freak flag fly.” — BookForum
A high comedy of racial identity...Zink is a comic writer par excellence...Both that voice and the stories Zink tells are so startling, so seemingly without antecedent, that she would seem like an outsider artist, if she did not betray so much casual erudition.” — New Yorker
“Mislaid is a sprawling multi-generational saga of a Southern family that is as absurd and hilarious as it is tragic and seeing.” — VanityFair.com
“The title of Nell Zink’s new novel is just the first wry, indecorous joke in this zany-brainy story...Zink writes with such faux innocence that her cracks about sexuality and race detonate only after she has riffed off to the next unlikely incident.” — Washington Post
“Delightfully odd…Mislaid’s pathos is charmingly funny, and a sentimental streak softens the sarcasm…Zink’s novel captivates from the very first page... Comic, sympathetic, heartbreaking and outrageous, Mislaid is a wonderful, raucous book with everything of life in it.”- Shelf Awareness — Shelf Awareness
“A comedic finale worthy of Shakespeare.” — Paste
“Her fiction presents characters who act just ludicrously enough to be human.” — San Francisco Chronicle
“Perhaps most impressive about ... Mislaid is the author’s seemingly endless capacity for wit…Zink peppers her story with clever one-liners and quick exchanges….It’s smart, sharp prose that invests the reader in the story. — Electric Literature
“Ms. Zink is a wonderfully talented writer….The thrilling early sections of Mislaid find Ms. Zink writing on a higher plane. Her prose is richer, earthier, more emotionally complex.” — Dwight Garner, the New York Times
“Zink’s deadpan wit is matched by an ethical deadpan… [She] isn’t a moralist. She creates fictional worlds beyond the bounds of the going taboos, then pushes those bounds to the logical extremes. … Mislaid uses southern racism as fuel for devious comic flights.” — New York magazine
“Zink’s life story and her fairy-tale path to publication have nothing on the antic sparks of her prose, her freewheeling extra-canonical allusiveness, her swings from the register of love to a mode of contempt… ” — New York magazine
“Zink writes with energetic, ecstatic abandon… delves fearlessly and credibly into race and gender issues, onloading on old Virginia in just-right didactic bursts. Zink develops peculiar and wonderful characters, and she writes situational humor… with a deftness and ease it took John Irving twice as many books to master.” — Paste
“Looking for a brainy yet breezy novel that addresses gender, race, and class issues with levity and has a happy ending? Try Nell Zink’s Mislaid… a funny, entertaining, lightweight highbrow novel perhaps best read in a single afternoon under a beach umbrella.” — New York Journal of Books
“Neither a young careerist nor a long-suffering aspirant, Nell Zink has found her way to the literary middle by a path as refreshingly eccentric as her fiction.” — Minneapolis Star Tribune
“Profoundly irreverent and proudly cerebral, Zink... keeps the pace ticking as the plot zips through small-time drug dealing, cross-cultural relationships and highly refreshing commentary on lesbian sexuality... Zink’s gleeful obscenities are also entertaining…Mislaid shows a uniquely zany worldview.” — Los Angeles Times
“Zink’s light touch and wry manner keep you laughing more than cringing...It’s Zink’s world, and it bears strong but not total resemblance to the United States. I was happy to spend 242 pages in it.” — Buzzfeed
Bizarre as its plot is, Mislaid is more damning than any straight-faced, shame-inducing diatribe could be. Changing our attitudes about race is slow and unsteady… But evolution in hearts and minds, Zink seems to say, can and does take place. — Washingtonian
“Rich in literary allusion, irony and humor. The novel is an entertaining romp that manages to make poets Gregory Corso and Allen Ginsberg distant minor characters, and is ultimately about reconciliation.” — Durham-Herald Sun
“Nell Zink’s second novel, Mislaid, announces her as one of a handful of the best novelists on the American scene.” — Flavorwire
“Zink’s got guts.” — Huffington Post
A lesbian in the conservative South during the mid-1960s, Peggy falls under the spell of Lee, a gay aristocratic poet, in Zink’s zany farce. The comedy of errors cunningly exposes our deep-seated prejudices about race and desire.” — O, the Oprah Magazine
“Mislaid’s pathos is charmingly funny, and a sentimental streak softens the sarcasm... captivates from the very first page... Comic, sympathetic, heartbreaking and outrageous, Mislaid is a wonderful, raucous book.” — Shelf Awareness
“Shakespearean in shape, relentlessly antic, and utterly free of the pieties that afflict a lot of U.S. fiction, Mislaid is the hilarious comedy of race and gender we didn’t know we needed.” — New York magazine / Vulture's 10 Best Books of 2015
“Everything from gender theory and academic politics to racial issues is delightfully skewered and upended... Nell Zink has written an antic novel about sex and race that’s not quite like anything else this year.” — Wall Street Journal, Best Books of 2015
“Ms. Zink has an interesting mind, and, at its best, “Mislaid” reads like a Donna Tartt novel if Ms. Tartt had taken a night course in sweet brevity.” — New York Times, Dwight Garner's Ten Best Books of 2015
“In Zink’s second novel, a baroque kind-of-comedy of errors, she presents characters who act just ludicrously enough to be human.” — San Francisco Chronicle, 100 Best Books of 2015
Vulture
The bracing disconnect between sly, low-affect prose and Gothic strangeness recalls Flannery O’Connor and Jean Stafford—mid-century women you could imagine crossing paths with Peggy and shuddering.
Men’s Journal
[Zink] makes her big publishing debut with with this unconventional but ultimately brilliant novel that takes family, race, and the how decisions you make could resonate for years to come.
Wall Street Journal
There’s nothing derivative about Nell Zink’s hip, hilarious and unexpectedly moving novel Mislaid… Zink has a genius for making the bizarre seem natural… makes for one of the most satisfying happy endings in recent fiction.
Bookforum
Zink’s capacity for inventions is immense… [Mislaid] zips along with a giddy, lunatic momentum. It’s perverse wackiness is irresistible; unlike just about everything engineered to make you laugh out loud, Zink’s novel actually does, over and over again… She knows how to let her freak flag fly.
Harper's Bazaar
A startlingly original novel about the dissolution of an eccentric American family.
New York Times Book Review
The novel’s charm and intelligence run deep. It’s a provocative masquerade with heart, not just an exercise in role reversals, reminding us that the gaps and cracks between our insides and our outsides are the spaces where our spirits live.
L Magazine
[Zink] further proves her narrative chops as she spins a darkly satirical story … Zink’s frankness on topics like gender, racial, socioeconomic, and sexual identity politics is refreshing and bold, but it is her strong writing and lucid sentences which truly reel readers in-and keep them there.
Harper's Magazine
Zink’s energy pulses in narration. [She] is original, unsentimental, erudite, and something of a naturalist. Her vocabulary is tremendous [and] her sentences are penetrating and agile.
Jonathan Franzen
A writer of extraordinary talent and range. Her work insistently raises the possibility that the world is larger and stranger than the world you think you know. You might not want to believe this, but her sentences and stories are so strong and convincing that you’ll have no choice.
Flavorwire
Nell Zink’s The Wallcreeper was the most impressive debut of 2014…her second novel, the hilarious and genius Mislaid, which restores a kind of Whitmania to American fiction, by which I mean that it convincingly covers race, class, gender, and sexuality in the briefest of spaces with the sharpest of minds..
Minneapolis Star Tribune
Neither a young careerist nor a long-suffering aspirant, Nell Zink has found her way to the literary middle by a path as refreshingly eccentric as her fiction.
New Yorker
A high comedy of racial identity...Zink is a comic writer par excellence...Both that voice and the stories Zink tells are so startling, so seemingly without antecedent, that she would seem like an outsider artist, if she did not betray so much casual erudition.
Electric Literature
Perhaps most impressive about ... Mislaid is the author’s seemingly endless capacity for wit…Zink peppers her story with clever one-liners and quick exchanges….It’s smart, sharp prose that invests the reader in the story.
Dwight Garner
Ms. Zink is a wonderfully talented writer….The thrilling early sections of Mislaid find Ms. Zink writing on a higher plane. Her prose is richer, earthier, more emotionally complex.
New York magazine / Vulture's 10 Best Books of 2015
Shakespearean in shape, relentlessly antic, and utterly free of the pieties that afflict a lot of U.S. fiction, Mislaid is the hilarious comedy of race and gender we didn’t know we needed.
New York Times
Ms. Zink has an interesting mind, and, at its best, “Mislaid” reads like a Donna Tartt novel if Ms. Tartt had taken a night course in sweet brevity.
Washingtonian
Bizarre as its plot is, Mislaid is more damning than any straight-faced, shame-inducing diatribe could be. Changing our attitudes about race is slow and unsteady… But evolution in hearts and minds, Zink seems to say, can and does take place.
Paste
A comedic finale worthy of Shakespeare.
|Los Angeles Times
Profoundly irreverent and proudly cerebral, Zink... keeps the pace ticking as the plot zips through small-time drug dealing, cross-cultural relationships and highly refreshing commentary on lesbian sexuality... Zink’s gleeful obscenities are also entertaining…Mislaid shows a uniquely zany worldview.
Buzzfeed
Zink’s light touch and wry manner keep you laughing more than cringing...It’s Zink’s world, and it bears strong but not total resemblance to the United States. I was happy to spend 242 pages in it.
Washington Post
The title of Nell Zink’s new novel is just the first wry, indecorous joke in this zany-brainy story...Zink writes with such faux innocence that her cracks about sexuality and race detonate only after she has riffed off to the next unlikely incident.
Durham-Herald Sun
Rich in literary allusion, irony and humor. The novel is an entertaining romp that manages to make poets Gregory Corso and Allen Ginsberg distant minor characters, and is ultimately about reconciliation.
VanityFair.com
Mislaid is a sprawling multi-generational saga of a Southern family that is as absurd and hilarious as it is tragic and seeing.
the Oprah Magazine O
A lesbian in the conservative South during the mid-1960s, Peggy falls under the spell of Lee, a gay aristocratic poet, in Zink’s zany farce. The comedy of errors cunningly exposes our deep-seated prejudices about race and desire.
New York Journal of Books
Looking for a brainy yet breezy novel that addresses gender, race, and class issues with levity and has a happy ending? Try Nell Zink’s Mislaid… a funny, entertaining, lightweight highbrow novel perhaps best read in a single afternoon under a beach umbrella.
New York magazine
Zink’s deadpan wit is matched by an ethical deadpan… [She] isn’t a moralist. She creates fictional worlds beyond the bounds of the going taboos, then pushes those bounds to the logical extremes. … Mislaid uses southern racism as fuel for devious comic flights.
Huffington Post
Zink’s got guts.
BookForum
Zink’s capacity for inventions is immense… [Mislaid] zips along with a giddy, lunatic momentum. It’s perverse wackiness is irresistible; unlike just about everything engineered to make you laugh out loud, Zink’s novel actually does, over and over again… She knows how to let her freak flag fly.
San Francisco Chronicle
Her fiction presents characters who act just ludicrously enough to be human.
Shelf Awareness
Delightfully odd…Mislaid’s pathos is charmingly funny, and a sentimental streak softens the sarcasm…Zink’s novel captivates from the very first page... Comic, sympathetic, heartbreaking and outrageous, Mislaid is a wonderful, raucous book with everything of life in it.”- Shelf Awareness
New Yorker
A high comedy of racial identity...Zink is a comic writer par excellence...Both that voice and the stories Zink tells are so startling, so seemingly without antecedent, that she would seem like an outsider artist, if she did not betray so much casual erudition.
Wall Street Journal
There’s nothing derivative about Nell Zink’s hip, hilarious and unexpectedly moving novel Mislaid… Zink has a genius for making the bizarre seem natural… makes for one of the most satisfying happy endings in recent fiction.
San Francisco Chronicle
Her fiction presents characters who act just ludicrously enough to be human.
Los Angeles Times
Profoundly irreverent and proudly cerebral, Zink... keeps the pace ticking as the plot zips through small-time drug dealing, cross-cultural relationships and highly refreshing commentary on lesbian sexuality... Zink’s gleeful obscenities are also entertaining…Mislaid shows a uniquely zany worldview.
Washington Post
The title of Nell Zink’s new novel is just the first wry, indecorous joke in this zany-brainy story...Zink writes with such faux innocence that her cracks about sexuality and race detonate only after she has riffed off to the next unlikely incident.
Men’s Journal
[Zink] makes her big publishing debut with with this unconventional but ultimately brilliant novel that takes family, race, and the how decisions you make could resonate for years to come.
O: the Oprah Magazine
A lesbian in the conservative South during the mid-1960s, Peggy falls under the spell of Lee, a gay aristocratic poet, in Zink’s zany farce. The comedy of errors cunningly exposes our deep-seated prejudices about race and desire.
Paste
Zink writes with energetic, ecstatic abandon… delves fearlessly and credibly into race and gender issues, onloading on old Virginia in just-right didactic bursts. Zink develops peculiar and wonderful characters, and she writes situational humor… with a deftness and ease it took John Irving twice as many books to master.
Harper's Magazine
Zink’s energy pulses in narration. [She] is original, unsentimental, erudite, and something of a naturalist. Her vocabulary is tremendous [and] her sentences are penetrating and agile.
Men's Journal
[Zink] makes her big publishing debut with with this unconventional but ultimately brilliant novel that takes family, race, and the how decisions you make could resonate for years to come.
Library Journal
04/01/2015
From the author of The Wallcreeper, this novel of a family zigs and zags across lines of sexuality and race. (See review on p. 86.)
DECEMBER 2015 - AudioFile
The incomparable Cassandra Campbell shines again with an excellent audiobook performance. This fast-paced, absorbing novel follows Peggy, a winning protagonist, into and out of myriad relationships. We root for her as she navigates her staid Southern parents, challenging husband, pompous in-laws, and beloved children. Campbell, as always, creates a believable cast of characters with her acrobatic voice and accents. She captures the wry humor that is a staple of the novel’s tone, as well as the omnipresent irony of trying to be oneself in an environment that values only conformity. When Peggy’s marriage dissolves, she breaks out on her own; the listener will be glad to go along for the ride. L.B.F. Winner of AudioFIle Earphones Award © AudioFile 2015, Portland, Maine
Kirkus Reviews
2015-02-17
New novel from the critically acclaimed author of The Wallcreeper (2014).It's 1965. Peggy Vaillaincourt is a first-year student at a tiny women's college in Virginia. The fact that she's a lesbian doesn't stop her from falling into an intensely physical affair with Lee Fleming, Stillwater College's most famous—and most famously gay—faculty member. Their relationship leads to a pregnancy. This pregnancy leads to marriage, and the marriage leads to another pregnancy. Eventually, Peggy leaves, taking her daughter but not her son. And, as she starts her new life, Peggy decides to pass as black. This is an ambitious premise, one that seems poised for an interrogation of race, sexuality, and social class. What Zink delivers is…not much of anything. The novel reads more like an outline for a story than the story itself. To cite just one example: "She was feeling new feelings, emotional and physical, new pains and longings, and she couldn't make notes…but she kept careful track of them, mentally." Zink offers no description of the precise nature of these "pains and longings." She merely mentions that they exist, which, given the context, could probably go without saying. It would be surprising if Peggy's discovery of sex—with a man, no less—didn't provoke "new feelings." This is typical of the novel as a whole. It's not necessary, of course, for a protagonist to be introspective and insightful, but it's a problem when the author herself seems not terribly interested in her creation. Zink's lack of curiosity about her characters and the connections between them seems especially odd because notions of identity—how we see ourselves, how others see us—are such a significant feature of her very baroque plot. A promising premise rendered in dispirited, disappointing prose.
