Millennial Cervantes: New Currents in Cervantes Studies

Millennial Cervantes explores some of the most important recent trends in Cervantes scholarship in the twenty-first century. It brings together leading Cervantes scholars of the United States in order to showcase their cutting-edge work within a cultural studies frame that encompasses everything from ekphrasis to philosophy, from sexuality to Cold War political satire, and from the culinary arts to the digital humanities.

Millennial Cervantes is divided into three sets of essays--conceptually organized around thematic and methodological lines that move outward in a series of concentric circles. The first group, focused on the concept of "Cervantes in his original contexts," features essays that bring new insights to these texts within the primary context of early modern Iberian culture. The second group, focused on the concept of "Cervantes in comparative contexts," features essays that examine Cervantes's works in conjunction with those of the English-speaking world, both seventeenth- and twentieth-century. The third group, focused on the concept of "Cervantes in wider cultural contexts," examines Cervantes's works--principally Don Quixote--as points of departure for other cultural products and wider intellectual debates.

This collection articulates the state of Cervantes studies in the first two decades of the new millennium as we move further into a century that promises both unimagined technological advances and the concomitant cultural changes that will naturally adhere to this new technology, whatever it may be.

Bruce R. Burningham is a professor of Hispanic studies and theater at Illinois State University. He is the author of Radical Theatricality: Jongleuresque Performance on the Early Spanish Stage and Tilting Cervantes: Baroque Reflections on Postmodern Culture.

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Millennial Cervantes: New Currents in Cervantes Studies

Millennial Cervantes explores some of the most important recent trends in Cervantes scholarship in the twenty-first century. It brings together leading Cervantes scholars of the United States in order to showcase their cutting-edge work within a cultural studies frame that encompasses everything from ekphrasis to philosophy, from sexuality to Cold War political satire, and from the culinary arts to the digital humanities.

Millennial Cervantes is divided into three sets of essays--conceptually organized around thematic and methodological lines that move outward in a series of concentric circles. The first group, focused on the concept of "Cervantes in his original contexts," features essays that bring new insights to these texts within the primary context of early modern Iberian culture. The second group, focused on the concept of "Cervantes in comparative contexts," features essays that examine Cervantes's works in conjunction with those of the English-speaking world, both seventeenth- and twentieth-century. The third group, focused on the concept of "Cervantes in wider cultural contexts," examines Cervantes's works--principally Don Quixote--as points of departure for other cultural products and wider intellectual debates.

This collection articulates the state of Cervantes studies in the first two decades of the new millennium as we move further into a century that promises both unimagined technological advances and the concomitant cultural changes that will naturally adhere to this new technology, whatever it may be.

Bruce R. Burningham is a professor of Hispanic studies and theater at Illinois State University. He is the author of Radical Theatricality: Jongleuresque Performance on the Early Spanish Stage and Tilting Cervantes: Baroque Reflections on Postmodern Culture.

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Millennial Cervantes: New Currents in Cervantes Studies

Millennial Cervantes: New Currents in Cervantes Studies

by Bruce R. Burningham (Editor)
Millennial Cervantes: New Currents in Cervantes Studies

Millennial Cervantes: New Currents in Cervantes Studies

by Bruce R. Burningham (Editor)

Hardcover

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Overview

Millennial Cervantes explores some of the most important recent trends in Cervantes scholarship in the twenty-first century. It brings together leading Cervantes scholars of the United States in order to showcase their cutting-edge work within a cultural studies frame that encompasses everything from ekphrasis to philosophy, from sexuality to Cold War political satire, and from the culinary arts to the digital humanities.

Millennial Cervantes is divided into three sets of essays--conceptually organized around thematic and methodological lines that move outward in a series of concentric circles. The first group, focused on the concept of "Cervantes in his original contexts," features essays that bring new insights to these texts within the primary context of early modern Iberian culture. The second group, focused on the concept of "Cervantes in comparative contexts," features essays that examine Cervantes's works in conjunction with those of the English-speaking world, both seventeenth- and twentieth-century. The third group, focused on the concept of "Cervantes in wider cultural contexts," examines Cervantes's works--principally Don Quixote--as points of departure for other cultural products and wider intellectual debates.

This collection articulates the state of Cervantes studies in the first two decades of the new millennium as we move further into a century that promises both unimagined technological advances and the concomitant cultural changes that will naturally adhere to this new technology, whatever it may be.

Bruce R. Burningham is a professor of Hispanic studies and theater at Illinois State University. He is the author of Radical Theatricality: Jongleuresque Performance on the Early Spanish Stage and Tilting Cervantes: Baroque Reflections on Postmodern Culture.


Product Details

ISBN-13: 9781496217622
Publisher: Nebraska
Publication date: 06/01/2020
Series: New Hispanisms
Pages: 306
Product dimensions: 6.00(w) x 9.00(h) x 0.81(d)

About the Author

Bruce R. Burningham is a professor of Hispanic studies and theater at Illinois State University. He is the author of Radical Theatricality: Jongleuresque Performance on the Early Spanish Stage and Tilting Cervantes: Baroque Reflections on Postmodern Culture.
 

Table of Contents


List of Illustrations
Acknowledgments
Introduction
Bruce R. Burningham
Part 1. Cervantes in His Original Contexts
1. From Literary Painting to Marian Iconography: The Cult of Auristela in Cervantes’s Persiles y Sigismunda
Mercedes Alcalá Galán
2. “Dios Me Entiende y No Digo Más”: Nominalism, Humanism, and Modernity in Don Quixote
Rosilie Hernández
3. Obscene Onomastics and the Sheep-Army Episode of Don Quixote
Sherry Velasco
Part 2. Cervantes in Comparative Contexts
4. Befriending and Being Friends in Cervantes’s La Galatea (1585) and Sidney’s Arcadia (1593)
Marsha S. Collins
5. Cervantine Curiosity and the English Stage
Marina S. Brownlee
6. QuixoNation: Unfinished Adaptations of Don Quixote in Cold War U.S. Cinema
William P. Childers
Part 3. Cervantes in Wider Cultural Contexts
7. Don Quixote and the American Culinary Arts
Carolyn A. Nadeau
8. Cervantes, Reality Literacy, and Fundamentalism
David Castillo and William Egginton
9. Don Quixote and the Rise of Cyberorality
Bruce R. Burningham
Contributors
Index
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