Praise for Medusa of the Roses
“Navid Sinaki’s writing is really, really something. Reading Medusa of the Roses not only pleasures through its chaseable story and meticulously tuned characters, it offers the non-stop bedazzlement of some of the most intoxicating and yet exacting prose I’ve read in ages. It’s a rush of a novel, and honestly kind of perfect.”—Dennis Cooper, author of I Wished
“Very rarely does a book come along that you feel might save lives, including your own. In giving voice to the ultimate voiceless in Iran, Sinaki has written a witty and wild tale truly for the best of our beloved angels and devils. He has taken our shared cultures and done something none of us Iranian writers have managed: he gets to the heart of the damaged and damaging politics of our homeland by turning despair into art that’s so invigorating and thrilling, we quite nearly have a new genre. Medusa of the Roses is the most dynamic literary debut, certainly of the Iranian queer canon, I have ever read!”—Porochista Khakpour, author Sons & Other Flammable Objects and Tehrangeles
“Navid Sinaki flips noir on its head in this propulsive, twisting novel about creating identity against formative love in an oppressive society. Sexy, raw, and perfectly paced, Medusa of the Roses will get under your skin.”—Julia Fine, author of Maddalena and the Dark
“Medusa of the Roses is a beautiful, fast-paced melodrama, a campy, queer reimagining of mid-century noir set in Iran, bloody and poetic in equal measure.”—Kyle Dillon Hertz, author of The Lookback Window
“Feverish and atmospheric, Sinaki’s writing captures with great precision the visceral torment of love and all the havoc it wrecks. Anjir is a brooding, rueful narrator-cum-protagonist whose haunting, and at times knowingly camp, plight bursts forth from the page with cinematic bite.”—Andrés N. Ordorica, author of How We Named the Stars