Material Game Studies: A Philosophy of Analogue Play

Material Game Studies: A Philosophy of Analogue Play

Material Game Studies: A Philosophy of Analogue Play

Material Game Studies: A Philosophy of Analogue Play

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Overview

This is the first volume to apply insights from the material turban in philosophy to the study of play and games. At a time of renewed interest in analogue gaming, as scholars are looking beyond the digital and virtual for the first time since the inception of game studies in the 1990s, Material Game Studies not only supports the importance of the (re)turban to the analogue, but proposes a materiality of play more broadly.

Recognizing the entanglement of physical materiality with cultural meaning, the authors in this volume apply a range of theoretical approaches, from material eco-criticism to animal studies, to examine games and play as existing within worlds of matter. Different chapters focus on the material properties of board, card and role-playing games, how they are designed and made, how they are touched and played with, and how they connect with other human and nonhuman things.

Bringing together international scholars, Material Game Studies defines a new field of material game studies and demonstrates how it is a valuable addition to wider debates about the material turban and the place of embodied humans in a material world.


Product Details

ISBN-13: 9781350202726
Publisher: Bloomsbury Academic
Publication date: 06/27/2024
Pages: 264
Product dimensions: 6.14(w) x 9.21(h) x 0.55(d)

About the Author

Chloé Germaine is a Senior Lecturer in English Literature and Film at Manchester Metropolitan University, UK and a co-director of the Manchester Game Studies Network.

Paul Wake is Reader in English Literature at Manchester Metropolitan University, UK and a co-director of the Manchester Game Studies Network.

Table of Contents

List of Illustrations
Acknowledgements
About the Contributors

Introduction: Material Game Studies, Chloé Germaine Buckley (Manchester Metropolitan University, UK) and Paul Wake (Manchester Metropolitan University, UK)

Section 1: Provocations
1. Thinking the Things We Play With, Miguel Sicart (IT University of Copenhagen, Denmark)
2. Analog Games as Infrastructure, Aaron Trammel (University of South California, USA)

Section 2: Materials
3. Component parts: Board games as architecture and performance, Paul Wake (Manchester Metropolitan University, UK)
4. A Queer Touch of Fantasy Role-Play, Jack Warren (Manchester Metropolitan University, UK)
5. Lead Fantasies: The making, meaning and materiality of miniatures, Mikko Meriläinen, Katriina Heljakka, Jaakko Stenros (Tampere University, Finland)

Section 3: Ideologies
6. 'Men Should Try Playing the Woman's Part to See What it Feels Like. Remember ~ It's Only a Game…': The Representation of Gendered Experience in Chance-based Board Games, Holly Nielsen (Royal Holloway University, UK)
7. Deterritorializing Game Boards: Mapping Imperialism in RISK and Modern Board Games, Jonathan Ray Lee (University of Washington, USA)
8. Nature' Games in a time of Climate Crisis, Chloé Germaine Buckley (Manchester Metropolitan University, UK)

Section 4: Cultures
9. Contested Spaces, Velvet Ropes, Exclusion Zones: The Pleasures and Dangers of Face-to-Face Play in Analogue Gaming Spaces, Tanya Pobuda (Ryerson and York University, Canada)
10. 'Hands, Face, Space' - The Material Turban and COVID -19, Esther McCallum Stewart (University of Staffordshire, UK)

Section 5: Hybridity
11. The Cult of New (Stuff): Kickstarter's Digital/Material Tensions, Paul Booth (DePaul University, Chicago, USA)
12. The Logic of Analogue Adaptation, Nathan Altice (University of California Santa Cruz, USA)

Index

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