Martyrdom and Literature in Early Modern England

Martyrdom and Literature in Early Modern England

by Susannah Brietz Monta
Martyrdom and Literature in Early Modern England

Martyrdom and Literature in Early Modern England

by Susannah Brietz Monta

Paperback(Reissue)

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Overview

Martyrdom and Literature in Early Modern England provides a comprehensive comparison of how Protestant and Catholic martyrs were represented during the Reformation, the most intense period of religious persecution in English history. Through its focus on martyrs, it argues that Catholic and Protestant texts are produced by dialogue, even competition, with texts across the religious divide, rather than simply as part of a stable and discrete doctrinal system. The first section of the book clearly traces the development of competing discourses of martyrdom; the second section considers the deployment of these discourses through a range of Protestant and Catholic literary texts in the sixteenth and seventeenth centuries. Monta pays extended attention to many texts popular in their own day but now considered unliterary or insignificant. This study is an important contribution to scholarship on early modern literature, drama, and religious history.

Product Details

ISBN-13: 9780521120234
Publisher: Cambridge University Press
Publication date: 09/24/2009
Edition description: Reissue
Pages: 256
Product dimensions: 5.98(w) x 9.02(h) x 0.59(d)

About the Author

Bè ´rice Longuenesse is Professor of Philosophy at New York University. She is author of Kant on the Human Standpoint (2005).

Table of Contents

Introduction; Part I. Non poena sed causa: Martyrdom and the Hermeneutics of Controversy: 1. Controverting consciences; 2. Too many brides: the interpretive community and ecclesiological controversy; 3. Material witnesses; Part II. Conflicting Testimonies in the English Literary Imagination; 4. En route to the New Jerusalem: martyrdom and religious allegory; 5. When the truth hurts: suffering and religious confidence in Robert Southwell and John Donne; 6. The polemics of conscience in the history play; 7. Martyrdom, nostalgia, and political engagement; Conclusion: admiration and fear.
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