Marshall Plan Modernism: Italian Postwar Abstraction and the Beginnings of Autonomia

by Jaleh Mansoor

Overview

Focusing on the work of Italian artists Lucio Fontana, Alberto Burri, and Piero Manzoni, Jaleh Mansoor demonstrates and reveals how abstract painting in post-WWII Italy critiqued the economic violence of the Marshall Plan and American hegemony, broke with fascist-associated futurism, and anticipated Italian social unrest in the 1960 and 1970s.

Product Details

ISBN-13:	9780822362456
Publisher:	Duke University Press
Publication date:	09/30/2016
Series:	Art History Publication Initiative
Pages:	288
Product dimensions:	6.10(w) x 9.20(h) x 0.90(d)

About the Author

Jaleh Mansoor is Assistant Professor of Art History at the University of British Columbia and coeditor of Communities of Sense: Rethinking Aesthetics and Politics, also published by Duke University Press.

Table of Contents

Acknowledgments  vii

Introduction. Labor, (Workers') Autonomy, (Art) Work  1

1. The Monochrome in the Neocapitalist Laboratory  39

2. Lucio Fontana and the Politics of the Gesture  69

3. Alberto Burri's Plastics and the Political Aesthetics of Opacity  93

4. "We Want to Organicize Disintegration"  119

Conclusion. "Ready-Made Artist and Human Strike" or From Autonomy to Strike  167

Notes  207

Bibliography  249

Index  265

What People are Saying About This

Art History, After Sherrie Levine - Howard Singerman

"Jaleh Mansoor’s Marshall Plan Modernism is a strong, tendentious, and convincing argument for the works of Alberto Burri, Lucio Fontana, and Piero Manzoni as symptomatic responses to the global ascension of postwar American painting, in one register, and to the economic and social displacements of Bretton Woods and the miracolo Italiano, in another. Written with intensity and critical commitment, Mansoor’s book presents their works as acts of resistance and antagonism—and political theory—that parallel and even prefigure the actions of Operaio and Autonomia against the assembly line and the new productivity, in sabotage and strike."

The Absence of Work: Marcel Broodthaers, 1964–1976 - Rachel Haidu

"Possessing the great gift of being able to bring art to life through language, Jaleh Mansoor offers new and illuminating readings of artworks that are among the most compelling objects from the last seventy-five years. She infuses the complex frameworks of recent Marxist thought with her own voice, thinking through the possibilities open to painting while deepening our understanding of postwar Italian culture and its contradictions. This book makes a powerful contribution to the discourses of art history and cultural criticism."

Editorial Reviews

"An ambitious book: it is literally brimming with questions and the invitation to further exploration. . . . It takes up the challenge to think differently about accepted narratives of the neo-avant-garde and of artistic practices in Europe after the Second World War."

Art History - Teresa Kittler

"Brilliantly highlighting the difference between Italian autonomy/autonomia and the far more general and metaphorical evocations of factory work in American-style pop art and minimalism, Mansoor is one among a small group of authors whose work consistently undercut the historicizing and pacifying ism in the concept of modernism. What we gain is an art historical account on par with the multiple upheavals of modernity and their various contingencies."
 

Critical Inquiry - Ina Blom

"Mansoor’s book is an inspiring investigation of Italian art in the post-war years, and an unprecedented attempt, at least in terms of a book-length study, to apply to artworks analytical tools derived from autonomous Marxism."

Oxford Art Journal - Jacopo Galimberti

"An ambitious book: it is literally brimming with questions and the invitation to further exploration. . . . It takes up the challenge to think differently about accepted narratives of the neo-avant-garde and of artistic practices in Europe after the Second World War."--Teresa Kittler "Art History" (2/1/2018 12:00:00 AM)

"Brilliantly highlighting the difference between Italian autonomy/autonomia and the far more general and metaphorical evocations of factory work in American-style pop art and minimalism, Mansoor is one among a small group of authors whose work consistently undercut the historicizing and pacifying ism in the concept of modernism. What we gain is an art historical account on par with the multiple upheavals of modernity and their various contingencies."
--Ina Blom "Critical Inquiry" (3/17/2017 12:00:00 AM)

"Mansoor's book is an inspiring investigation of Italian art in the post-war years, and an unprecedented attempt, at least in terms of a book-length study, to apply to artworks analytical tools derived from autonomous Marxism."--Jacopo Galimberti "Oxford Art Journal" (8/1/2017 12:00:00 AM)

From the Publisher

"Jaleh Mansoor’s Marshall Plan Modernism is a strong, tendentious, and convincing argument for the works of Alberto Burri, Lucio Fontana, and Piero Manzoni as symptomatic responses to the global ascension of postwar American painting, in one register, and to the economic and social displacements of Bretton Woods and the miracolo Italiano, in another. Written with intensity and critical commitment, Mansoor’s book presents their works as acts of resistance and antagonism—and political theory—that parallel and even prefigure the actions of Operaio and Autonomia against the assembly line and the new productivity, in sabotage and strike."

Art History, After Sherrie Levine - Howard Singerman

"Possessing the great gift of being able to bring art to life through language, Jaleh Mansoor offers new and illuminating readings of artworks that are among the most compelling objects from the last seventy-five years. She infuses the complex frameworks of recent Marxist thought with her own voice, thinking through the possibilities open to painting while deepening our understanding of postwar Italian culture and its contradictions. This book makes a powerful contribution to the discourses of art history and cultural criticism."

The Absence of Work: Marcel Broodthaers, 1964–1976 - Rachel Haidu