Markers of Allusion in Archaic Greek Poetry
Challenging many established narratives of literary history, this book investigates how the earliest known Greek poets (seventh to fifth centuries BCE) signposted their debts to their predecessors and prior traditions - placing markers in their works for audiences to recognise (much like the 'Easter eggs' of modern cinema). Within antiquity, such signposting has often been considered the preserve of later literary cultures, closely linked with the development of libraries, literacy and writing. In this wide-ranging new study, Thomas Nelson shows that these devices were already deeply ingrained in oral archaic Greek poetry, deconstructing the artificial boundary between a supposedly 'primal' archaic literature and a supposedly 'sophisticated' book culture of Hellenistic Alexandria and Rome. In three interlocking case studies, he highlights how poets from Homer to Pindar employed the language of hearsay, memory and time to index their allusive relationships, as they variously embraced, reworked and challenged their inherited tradition.
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Markers of Allusion in Archaic Greek Poetry
Challenging many established narratives of literary history, this book investigates how the earliest known Greek poets (seventh to fifth centuries BCE) signposted their debts to their predecessors and prior traditions - placing markers in their works for audiences to recognise (much like the 'Easter eggs' of modern cinema). Within antiquity, such signposting has often been considered the preserve of later literary cultures, closely linked with the development of libraries, literacy and writing. In this wide-ranging new study, Thomas Nelson shows that these devices were already deeply ingrained in oral archaic Greek poetry, deconstructing the artificial boundary between a supposedly 'primal' archaic literature and a supposedly 'sophisticated' book culture of Hellenistic Alexandria and Rome. In three interlocking case studies, he highlights how poets from Homer to Pindar employed the language of hearsay, memory and time to index their allusive relationships, as they variously embraced, reworked and challenged their inherited tradition.
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Markers of Allusion in Archaic Greek Poetry

Markers of Allusion in Archaic Greek Poetry

by Thomas J. Nelson
Markers of Allusion in Archaic Greek Poetry

Markers of Allusion in Archaic Greek Poetry

by Thomas J. Nelson

Paperback

$49.99 
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Overview

Challenging many established narratives of literary history, this book investigates how the earliest known Greek poets (seventh to fifth centuries BCE) signposted their debts to their predecessors and prior traditions - placing markers in their works for audiences to recognise (much like the 'Easter eggs' of modern cinema). Within antiquity, such signposting has often been considered the preserve of later literary cultures, closely linked with the development of libraries, literacy and writing. In this wide-ranging new study, Thomas Nelson shows that these devices were already deeply ingrained in oral archaic Greek poetry, deconstructing the artificial boundary between a supposedly 'primal' archaic literature and a supposedly 'sophisticated' book culture of Hellenistic Alexandria and Rome. In three interlocking case studies, he highlights how poets from Homer to Pindar employed the language of hearsay, memory and time to index their allusive relationships, as they variously embraced, reworked and challenged their inherited tradition.

Product Details

ISBN-13: 9781009078191
Publisher: Cambridge University Press
Publication date: 05/25/2023
Series: Cambridge Classical Studies
Pages: 480
Product dimensions: 5.51(w) x 8.46(h) x 0.94(d)

About the Author

THOMAS J. NELSON is a British Academy Postdoctoral Fellow in the Faculty of Classics, University of Oxford and Junior Research Fellow in Classics at Wolfson College, Oxford. He has published widely on archaic, classical and Hellenistic Greek literature.

Table of Contents

I. Introduction; II. The Pre-Alexandrian footnote; III. Poetic Memory; IV. Time for allusion; V. Epilogue.
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