Making Movies Black: The Hollywood Message Movie from World War II to the Civil Rights Era / Edition 1

by Thomas Cripps

Overview

This is the second volume of Thomas Cripps's definitive history of African-Americans in Hollywood. It covers the period from World War II through the civil rights movement of the 1960s, examining this period through the prism of popular culture. Making Movies Black shows how movies anticipated and helped form America's changing ideas about race. Cripps contends that from the liberal rhetoric of the war years—marked as it was by the propaganda catchwords brotherhood and tolerance—came movies that defined a new African-American presence both in film and in American society at large. He argues that the war years, more than any previous era, gave African-American activists access to centers of cultural influence and power in both Washington and Hollywood.
Among the results were an expanded black imagery on the screen during the war—in combat movies such as Bataan, Crash Dive, and Sahara; musicals such as Stormy Weather and Cabin in the Sky; and government propaganda films such as The Negro Soldier and Wings for this Man (narrated by Ronald Reagan!). After the war, the ideologies of both black activism and integrationism persisted, resulting in the 'message movie' era of Pinky, Home of the Brave, and No Way Out, a form of racial politics that anticipated the goals of the Civil Rights Movement.
Delving into previously inaccessible records of major Hollywood studios, among them Warner Bros., RKO, and 20th Century-Fox, as well as records of the Office of War Information in the National Archives, and records of the NAACP, and interviews with survivors of the era, Cripps reveals the struggle of both lesser known black filmmakers like Carlton Moss and major figures such as Sidney Poitier.
More than a narrative history, Making Movies Black reaches beyond the screen itself with sixty photographs, many never before published, which illustrate the mood of the time. Revealing the social impact of the classical Hollywood film, Making Movies Black is the perfect book for those interested in the changing racial climate in post-World War II American life.

Product Details

ISBN-13:	9780195076691
Publisher:	Oxford University Press
Publication date:	05/20/1993
Edition description:	New Edition
Pages:	400
Product dimensions:	6.13(w) x 9.25(h) x 0.96(d)

About the Author

Morgan State University

Table of Contents

1.	Antebellum Hollywood	3
2.	Wendell and Walter Go to Hollywood	35
3.	The Making of a Genre: The Integration of Colin Kelly, Meyer Levin, and Dorie Miller	64
4.	The Making of The Negro Soldier	102
5.	Hollywood Wins: The End of "Race Movies,"	126
6.	Documentary Film Culture and Postwar Liberal Momentum	151
7.	Thermidor	174
8.	"A Pot of Message"	215
9.	Settling In, Settling For	250
	Abbreviations	295
	Notes	299
	Index	370

Editorial Reviews

"Making Movies Black is thick description of the best kind, a multilayered cultural and intellectual history of both postwar American film and racial justice."—Journal of Communication, Summer 1995

"Cripp's genius lies as much as in what he shows us about what is not seen on the screen as what is. For that reason alone, every student of twentieth-century American culture would learn much from reading this important, vital book."—American Historical Review

"Packed with social perspective, Hollywood studio's production records, personal interviews and government documents, Thomas Cripps leaves no stone unturned or race related B-movie unnoticed in his excellent examination of racial politics in Hollywood....Compelling and enlightening...simply a must for any serious study of filmmaking."—Public News

"In a worthy successor to his 'Slow Fade to Black', Cripps presents a very detailed history of African Americans in Hollywood from WW II through the civil rights movement of the 1950s. Impressively researched."—Choice - December 1993

From the Publisher