Maimo Kumolintang Universal Harmony

People often say they can't play music because they have difficulty playing notes or chords.

But with kolintang, people can play music instantly, so with kolintang everyone can play music.

Because kolintang players are only asked to:

1. Can count in a simple repeat

2. Know the direction left, right, up, and down (tones and chords with directions are more accessible to follow than a letter or number notation, even animals know to follow directions).

3. Can clap (moves rhythmically according to the tempo).

These three easy conditions become the same as the conditions for learning to dance. Moreover, kolintang can also be understood without using an instrument but only with finger movements.

The basic teachings of Kolintang are taken from the Minahasa culture, a balance of motion.

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Maimo Kumolintang Universal Harmony

People often say they can't play music because they have difficulty playing notes or chords.

But with kolintang, people can play music instantly, so with kolintang everyone can play music.

Because kolintang players are only asked to:

1. Can count in a simple repeat

2. Know the direction left, right, up, and down (tones and chords with directions are more accessible to follow than a letter or number notation, even animals know to follow directions).

3. Can clap (moves rhythmically according to the tempo).

These three easy conditions become the same as the conditions for learning to dance. Moreover, kolintang can also be understood without using an instrument but only with finger movements.

The basic teachings of Kolintang are taken from the Minahasa culture, a balance of motion.

9.99 In Stock
Maimo Kumolintang Universal Harmony

Maimo Kumolintang Universal Harmony

by Petrus Kaseke, Markus S
Maimo Kumolintang Universal Harmony

Maimo Kumolintang Universal Harmony

by Petrus Kaseke, Markus S

eBook

$9.99 

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Overview

People often say they can't play music because they have difficulty playing notes or chords.

But with kolintang, people can play music instantly, so with kolintang everyone can play music.

Because kolintang players are only asked to:

1. Can count in a simple repeat

2. Know the direction left, right, up, and down (tones and chords with directions are more accessible to follow than a letter or number notation, even animals know to follow directions).

3. Can clap (moves rhythmically according to the tempo).

These three easy conditions become the same as the conditions for learning to dance. Moreover, kolintang can also be understood without using an instrument but only with finger movements.

The basic teachings of Kolintang are taken from the Minahasa culture, a balance of motion.


Product Details

BN ID: 2940166694942
Publisher: markus
Publication date: 11/28/2022
Sold by: Draft2Digital
Format: eBook
File size: 8 MB

About the Author

Petrus Kaseke

Pendidikan akhir, Teknik Mesin (tidak tamat), Universitas Gajah Mada Yogyakarta. Perintis dan pelestari Kolintang di Pulau Jawa. Perajin Kolintang untuk komersial sejak tahun 1965 sampai saat ini. Pelatih dan pemimpin paduan suara Kolintang Angklung dan membawa grupnya touring keliling dunia. Singapura 1970, Australia 1971, Amerika Serikat 1972, Eropa 1973. Pengajar musik di Sekolah Alkitab Gereja Pantekosta di Indonesia.

Markus Soegiarto

Pendidikan akhir, S1 Teknik Sipil, Universitas Trisakti Jakarta. Pemain Kolintang, Indonesia National Orchestra (INO) di bawah pimpinan Franki Raden. Pemain Kolintang, Sanggar Angklung Kolintang Zaini Gara. Pemain perkusi, anggota Percussive Arts Society (pas.org), USA. Pelatih Perkusi, anggota South East Asian Directors of Music (seadom.org), Thailand. Pelatih Kolintang, anggota Ikatan Pelatih Musik Kolintang Jakarta (IPMKJ). Pelatih Kolintang, anggota Ikatan Pelatih Kolintang Indonesia (IPKOLINDO). Pengurus Pusat Bidang Pendidikan dan Pelatihan, Persatuan Insan Kolintang Nasional (Pinkan) Indonesia di bawah Ketua Umum Ibu Penny Marsetio.

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