For his
Blue Note debut,
Maestro, Brazilian composer
Moacir Santos assiduously avoids his homeland's familiar
bossa nova and
samba rhythms, instead reinventing lesser-known idioms like
baiao and
frevo to create his own complex yet pulsating signatures and cadences. Opening with
"Nana," easily
Santos' most familiar and oft-recorded composition,
Maestro quickly proves an uncommonly vast canvas for a who's who of Los Angeles session greats including
Joe Pass,
Clair Fischer, and
Don Menza, all of whom explore new territory throughout the LP. For all their depth and intricacy,
Santos' songs never box in their players, but allow them the space and the tools necessary to spread out. Though little-heard on its original release, many of the songs that comprise
Maestro were later re-recorded by an all-star Brazilian group for the 2001
Santos tribute effort
Ouro Negro, reaffirming their timelessness and their vitality. ~ Jason Ankeny
