Macbeth

by William Shakespeare, A. R. Braunmuller (Editor)

Overview

This book is an extensively-annotated edition of Macbeth, offering a thorough reconsideration of one of Shakespeare's most popular plays. A full and accessible updated introduction studies the immediate theatrical and political contexts of Macbeth's composition, especially the Gunpowder Plot and the contemporary account of an early performance at the Globe. It treats such issues as whether the Witches compel Macbeth to murder; whether Lady Macbeth is herself in some sense a witch; whether Banquo is Macbeth's accomplice in crime; and what criticism is levelled against Macduff. Several possible new sources are suggested, and the presence of Thomas Middleton's writing in the play is proposed. An extensive, well-illustrated account of the play in performance examines several cinematic versions, such as those by Kurosawa and Roman Polanski, and a brand new introductory section on recent performances and adaptations brings the edition completely up-to-date.

Product Details

ISBN-13:	9781139812382
Publisher:	Cambridge University Press
Publication date:	11/27/2008
Series:	The New Cambridge Shakespeare
Sold by:	Barnes & Noble
Format:	eBook
File size:	6 MB

About the Author

William Shakespeare is perhaps the world's greatest literary figure, famed for his insights into the human condition. Records show that he married Anne Hathaway at the age of 18 and had three children with her. At some point he went to London and joined the theatrical profession, as an actor, playwright, poet and, latterly, theatre manager and impresario. He died in April 1616, aged 52. The body of work left by Shakespeare included 37 plays, four poems and a collection of sonnets.

Date of Death:

2018

Place of Birth:

Stratford-upon-Avon, United Kingdom

Place of Death:

Stratford-upon-Avon, United Kingdom

Read an Excerpt

Dramatis Personae
(Continues…)

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Copyright © 2016 William Shakespeare.
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Table of Contents

Introduction: Macbeth in legend, Macbeth in history; Macbeth in the mind; Macbeth in performance; Macbeth in the mind and in performance; Recent performances and adaptations; Note on the text; List of characters; The play; Supplementary notes; Textual analysis; Appendixes: 1. Casting Macbeth; 2. Additional text and music; 3. Relineation of the Folio; Reading list.

What People are Saying About This

From the Publisher

"Macbeth is a blast...ghoulish...beguiling...sardonic...an expression of how captivating an evening of crackling Shakespeare can be." — Peter Marks, The Washington Post

"The explosive and overwhelming effect of a truck bomb...this horrific, riveting Macbeth ought to be seen by as many people as possible." — Terry Teachout, The Wall Street Journal

Editorial Reviews

Gorgeous new Shakespeare paperbacks.” 
—Marlon James, author of A Brief History of Seven Killings

“I have been using the Pelican Shakespeare for years in my lecture course—it's invaluable, the best individual-volume series available for students.”
—Marjorie Garber, William R. Kenan, Jr. Professor of English and Visual and Environmental Studies, Harvard University 

From the Publisher

Gr 10 Up—Shakespeare's tragedy is brought to life in this studio-recorded full-cast performance starring James Marsters and Joanne Whalley. Marsters's Macbeth is solid, and Whalley turns in a remarkable performance of Lady Macbeth's calculated strength and eventual unraveling. The pacing and delivery of Shakespeare's lines are effective and accurate, and the use of sound to depict setting and action provide the essential cues listeners need. The sound effects and the theatrics of the Weird Sisters are wonderful. Listeners should be familiar with the story prior to listening due to the large number of characters and the lack of stage direction in audio format. A good choice to offer students as a reading companion.—Rebecca Flannery, Lyman Memorial High School, Lebanon, CT

School Library Journal

In one of Shakespeare’s shortest plays, a Scots noble, inspired by witches, murders to become king and then loses himself in brutality. James Marsters and Joanne Whalley, as Macbeth and his Lady, are both quite good, if rarely exciting or remarkable. Whalley hits that mark more often. There are, by turns, some flatness and overacting in the lesser roles. There’s too much forced laughter among the supernumeraries and too much grunting during fights we cannot see. Still, the overall production is effective. Without standout performances, the play takes the lead. The music and sound effects, though occasionally overdone, help build a sense of dread and things gone very wrong. Text, performances, and sound combine to deliver an affecting tale of tragic horror. W.M. © AudioFile 2011, Portland, Maine

DECEMBER 2011 - AudioFile