Luigi Russolo, Futurist: Noise, Visual Arts, and the Occult
Luigi Russolo (1885–1947)—painter, composer, builder of musical instruments, and first-hour member of the Italian Futurist movement—was a crucial figure in the evolution of twentieth-century aesthetics. As creator of the first systematic poetics of noise and inventor of what has been considered the first mechanical sound synthesizer, Russolo looms large in the development of twentieth-century music. In the first English language study of Russolo, Luciano Chessa emphasizes the futurist’s interest in the occult, showing it to be a leitmotif for his life and a foundation for his art of noises. Chessa shows that Russolo’s aesthetics of noise, and the machines he called the intonarumori, were intended to boost practitioners into higher states of spiritual consciousness. His analysis reveals a multifaceted man in whom the drive to keep up with the latest scientific trends coexisted with an embrace of the irrational, and a critique of materialism and positivism.
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Luigi Russolo, Futurist: Noise, Visual Arts, and the Occult
Luigi Russolo (1885–1947)—painter, composer, builder of musical instruments, and first-hour member of the Italian Futurist movement—was a crucial figure in the evolution of twentieth-century aesthetics. As creator of the first systematic poetics of noise and inventor of what has been considered the first mechanical sound synthesizer, Russolo looms large in the development of twentieth-century music. In the first English language study of Russolo, Luciano Chessa emphasizes the futurist’s interest in the occult, showing it to be a leitmotif for his life and a foundation for his art of noises. Chessa shows that Russolo’s aesthetics of noise, and the machines he called the intonarumori, were intended to boost practitioners into higher states of spiritual consciousness. His analysis reveals a multifaceted man in whom the drive to keep up with the latest scientific trends coexisted with an embrace of the irrational, and a critique of materialism and positivism.
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Luigi Russolo, Futurist: Noise, Visual Arts, and the Occult

Luigi Russolo, Futurist: Noise, Visual Arts, and the Occult

by Luciano Chessa
Luigi Russolo, Futurist: Noise, Visual Arts, and the Occult

Luigi Russolo, Futurist: Noise, Visual Arts, and the Occult

by Luciano Chessa

Hardcover(First Edition)

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Overview

Luigi Russolo (1885–1947)—painter, composer, builder of musical instruments, and first-hour member of the Italian Futurist movement—was a crucial figure in the evolution of twentieth-century aesthetics. As creator of the first systematic poetics of noise and inventor of what has been considered the first mechanical sound synthesizer, Russolo looms large in the development of twentieth-century music. In the first English language study of Russolo, Luciano Chessa emphasizes the futurist’s interest in the occult, showing it to be a leitmotif for his life and a foundation for his art of noises. Chessa shows that Russolo’s aesthetics of noise, and the machines he called the intonarumori, were intended to boost practitioners into higher states of spiritual consciousness. His analysis reveals a multifaceted man in whom the drive to keep up with the latest scientific trends coexisted with an embrace of the irrational, and a critique of materialism and positivism.

Product Details

ISBN-13: 9780520270633
Publisher: University of California Press
Publication date: 03/31/2012
Edition description: First Edition
Pages: 296
Product dimensions: 6.00(w) x 9.10(h) x 1.00(d)

About the Author

Luciano Chessa, a composer and musicologist, teaches music history at the San Francisco Conservatory.

Table of Contents

List of Illustrations
Acknowledgments

Introduction

Part One. Luigi Russolo from the Formative Years to 1913
1. Futurism as a Metaphysical Science
2. Occult Futurism
3. Spotlight on Russolo
4. Painting Noise: La musica
5. Russolo and Synesthesia
6. Russolo’s Metaphysics

Part Two. The Art of Noises and the Occult
7. Intonarumori Unveiled
8. The Spirali di Rumori
9. The Arte dei “Romori”
10. Controversial Leonardo
11. Third Level

Conclusion: Materialist Futurism?
Notes

What People are Saying About This

From the Publisher

"
In the spirit of the project, a review of it could simply read (to paraphrase a portmanteau word made up by Futurist Giacomo Balla in 1920): Chessa splendidwavesintonednoiseswordsluminousssss!"—The Wire

"The most comprehensive source of Russolo available in English."—Examiner.com

"Reconciles Russolo's artistic temperament, spiritual awakenings, and philosophical entanglements."—Performa Magazine

"Luciano Chessa reconstructs Russolo's life through ambitious archival research, uncovering . . . how the artist's eccentric interests influenced his creative output."—Brainpickings.org

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