Lucy Kirkwood Plays: One

Since her debut in 2008, Lucy Kirkwood has firmly established herself as a leading playwright of her generation, the writer of a series of savagely funny, highly intelligent and beautifully observed plays that tackle the pressing issues of our times.

This collection, with an introduction by the author, brings together five of her plays, starting with the wild and riotously funny farce, Tinderbox (Bush Theatre, 2008), a disturbing vision of a dystopian future where England is dissolving into the sea, realised with 'off-kilter imaginative flair' (The Times).

Written for Clean Break theatre company, it felt empty when the heart went at first but it is alright now (Arcola Theatre, 2009; winner of the John Whiting Award) is a devastating report from the hidden world of Eastern European women trafficked to London to work in the sex industry.

The previously unpublished small hours (Hampstead Theatre, 2011), a collaboration with Ed Hime, directed by Katie Mitchell, is an intimate dissection of the claustrophobic world of a new mother struggling to cope on her own.

The sharply satirical NSFW (Royal Court, 2012) is a 'richly absorbing and inventive' (Telegraph) look at power games, privacy and gender politics in the media.

The volume concludes with Chimerica (Almeida Theatre and West End, 2013), a gripping and provocative examination of the shifting balance of power between East and West. Winner of multiple awards, including the Olivier and Critics' Circle Awards for Best New Play, the Evening Standard Best Play Award and the Susan Smith Blackburn Prize, Chimerica is 'gloriously rich and mind-expanding' (Guardian), and a 'tremendously bold piece of writing' (Evening Standard).

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Lucy Kirkwood Plays: One

Since her debut in 2008, Lucy Kirkwood has firmly established herself as a leading playwright of her generation, the writer of a series of savagely funny, highly intelligent and beautifully observed plays that tackle the pressing issues of our times.

This collection, with an introduction by the author, brings together five of her plays, starting with the wild and riotously funny farce, Tinderbox (Bush Theatre, 2008), a disturbing vision of a dystopian future where England is dissolving into the sea, realised with 'off-kilter imaginative flair' (The Times).

Written for Clean Break theatre company, it felt empty when the heart went at first but it is alright now (Arcola Theatre, 2009; winner of the John Whiting Award) is a devastating report from the hidden world of Eastern European women trafficked to London to work in the sex industry.

The previously unpublished small hours (Hampstead Theatre, 2011), a collaboration with Ed Hime, directed by Katie Mitchell, is an intimate dissection of the claustrophobic world of a new mother struggling to cope on her own.

The sharply satirical NSFW (Royal Court, 2012) is a 'richly absorbing and inventive' (Telegraph) look at power games, privacy and gender politics in the media.

The volume concludes with Chimerica (Almeida Theatre and West End, 2013), a gripping and provocative examination of the shifting balance of power between East and West. Winner of multiple awards, including the Olivier and Critics' Circle Awards for Best New Play, the Evening Standard Best Play Award and the Susan Smith Blackburn Prize, Chimerica is 'gloriously rich and mind-expanding' (Guardian), and a 'tremendously bold piece of writing' (Evening Standard).

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Lucy Kirkwood Plays: One

Lucy Kirkwood Plays: One

by Lucy Kirkwood
Lucy Kirkwood Plays: One

Lucy Kirkwood Plays: One

by Lucy Kirkwood

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Overview

Since her debut in 2008, Lucy Kirkwood has firmly established herself as a leading playwright of her generation, the writer of a series of savagely funny, highly intelligent and beautifully observed plays that tackle the pressing issues of our times.

This collection, with an introduction by the author, brings together five of her plays, starting with the wild and riotously funny farce, Tinderbox (Bush Theatre, 2008), a disturbing vision of a dystopian future where England is dissolving into the sea, realised with 'off-kilter imaginative flair' (The Times).

Written for Clean Break theatre company, it felt empty when the heart went at first but it is alright now (Arcola Theatre, 2009; winner of the John Whiting Award) is a devastating report from the hidden world of Eastern European women trafficked to London to work in the sex industry.

The previously unpublished small hours (Hampstead Theatre, 2011), a collaboration with Ed Hime, directed by Katie Mitchell, is an intimate dissection of the claustrophobic world of a new mother struggling to cope on her own.

The sharply satirical NSFW (Royal Court, 2012) is a 'richly absorbing and inventive' (Telegraph) look at power games, privacy and gender politics in the media.

The volume concludes with Chimerica (Almeida Theatre and West End, 2013), a gripping and provocative examination of the shifting balance of power between East and West. Winner of multiple awards, including the Olivier and Critics' Circle Awards for Best New Play, the Evening Standard Best Play Award and the Susan Smith Blackburn Prize, Chimerica is 'gloriously rich and mind-expanding' (Guardian), and a 'tremendously bold piece of writing' (Evening Standard).


Product Details

ISBN-13: 9781780018423
Publisher: Hern, Nick Books
Publication date: 11/17/2016
Sold by: Bookwire
Format: eBook
Pages: 384
File size: 369 KB

About the Author

Lucy Kirkwood’s plays include The Children (Royal Court); Chimerica (Almeida/West End); NSFW (Royal Court); small hours (co-written with Ed Hime; Hampstead); Hansel and Gretel, Beauty and the Beast (with Katie Mitchell; National Theatre); Bloody Wimmin, as part of Women, Power and Politics (Tricycle); it felt empty when the heart went at first but it is alright now (Clean Break/Arcola); Hedda (Gate, London); Tinderbox (Bush). it felt empty when the heart went at first but it is alright now won the 2012 John Whiting Award, and was nominated for the Evening Standard Most Promising Playwright Award, and the Susan Smith Blackburn Award. Chimerica won the 2014 Olivier Award for Best New Play, the 2013 Evening Standard Best Play Award, the 2014 Critics’ Circle Best New Play Award, and the Susan Smith Blackburn Award.
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