Love Saves the Day

by Gwen Cooper Narrated by Cris Dukehart

Overview

When
five-week-old Prudence, a brown tabby, meets a woman named Sarah in a deserted
construction site on Manhattan's Lower East Side, she knows she's found
the human she was meant to adopt. For three years their lives are filled
with laughter, tuna, catnaps, music, and the unchanging routines
Prudence craves. Then one day Sarah doesn't come home. From Prudence's
perch on the windowsill she sees Laura, the daughter who hardly ever
comes to visit Sarah, arrive with her new husband. They're carrying
boxes. Before they even get to the front door, Prudence realizes that
her life has changed forever.

Suddenly Prudence finds herself
living in a strange apartment with humans she barely knows. It could
take years to train them in the feline courtesies and customs (for
example, a cat should always be fed before the humans, and
at the same exact time every day) that Sarah understood so well.
Prudence clings to the hope that Sarah will come back for her, while
Laura, a rising young corporate attorney, tries to push away memories of
her mother and the tumultuous childhood spent in her mother's dusty
downtown record store. But the secret joys, past hurts, and
life-changing moments that make every mother-daughter relationship
special will come to the surface. With Prudence's help, Laura will learn
that the past, like a mother's love, never dies.

Poignant, insightful, and laugh-out-loud funny, Love Saves the Day is
a story of hope, healing, and how the love of an animal can make all of
us better humans. It's the story of a mother and daughter divided by
the turmoil of bohemian New York, and the opinionated, irrepressible
feline who will become the bridge between them. It's a novel for anyone
who's ever lost a loved one, wondered what their cat was really
thinking, or fallen asleep with a purring feline nestled in their arms.
Prudence, a cat like no other, is sure to steal your heart.

Editorial Reviews

Publishers Weekly

Prudence the cat is the dominant of three narrators in this jumbled tale about the ways a cat handles it's a change of ownership. Prudence is trying to get comfortable in a new home with former owner Sarah's daughter, Laura, and her husband, Josh. Typical Prudence wisdom goes something like this: "Humans need holidays and calendars to tell them things cats already know-like when summer ends." Sarah and Laura, on the other hand, have a tale to tell, about living in poverty and losing belongings and the people they have each loved along the way. Sarah, a DJ in the 1970s who bought a record store on a whim, had Laura at 19 and raised her in a rent-controlled apartment on New York's Lower East Side. Cooper (Homer's Odyssey) folds into her narrative a controversial 1998 demolition of a New York City tenement that displaced a number of residents. It's difficult, however, to discern the book's plot, with a cat's childlike worldview butting up against more kaleidoscopic narrators, resulting in a head-spinning loss of direction that hobbles this potentially endearing novel. Agent: Michelle Rubin, Writers House.
(c) Copyright PWxyz, LLC. All rights reserved.

From the Publisher

Prudence [is a] sassy but sensitive feline heroine.”—Time
 
“Unforgettably moving . . . a hard one to put down.”—Modern Cat
 
“If you are the Most Important Person to a cat, you will hold them much tighter by the book’s end. If you don’t have a cat, Prudence will have surreptitiously lured you into the danger zone: Falling in love with a cat because they need family, too.”—The Vancouver Sun
 
“Cooper brings readers a fictional tale that cat lovers will treasure. . . . This book will make most readers laugh and cry, and probably lead them to wonder more often what, exactly, their pet is thinking.”—Fredericksburg Free Lance–Star
 
“The interspersed viewpoints . . . enrich Cooper’s sensitively told novel that unravels a story (based on actual events) about a century-old tenement building—and the inhabitants therein. That story ultimately serves as the basis to understanding the emotional subtexts of these authentic, well-drawn characters.”—Shelf Awareness
 
“Love Saves the Day is a charming story of love lost and found, both in human hearts and that of one very special cat. Prudence’s voice is as simple and honest as that of the child who sees things adults miss. At its heart, this book is an exploration of unconditional love between mother and daughter, as seen through the eyes of a creature who lives for just this. In that sense, Love Saves the Day eloquently explains why so many of us would do anything at all for our pets.”—Barbara Delinsky, New York Times bestselling author of Escape
 
“Finally, publishers are realizing cats can write. You go, Prudence!”—New York Times bestselling author Sneaky Pie Brown (via her spokeshuman, Rita Mae Brown)
 
“Once again Gwen Cooper shines her light on the territory that defines the human/animal bond. In Love Saves the Day, she creates an emotional landscape so beautifully complete that we can’t help but share in the heartbreaks and triumphs of her characters, regardless of their species. That, in itself, is a reason to stand up and cheer.”—Jackson Galaxy, star of My Cat From Hell and author of Cat Daddy
 
“If you love cats, music, or New York City, you’ll love Gwen Cooper’s Love Saves the Day.”—Nancy Thayer, author of Island Girls
 
“Prudence’s voice is so hauntingly fragile and raw that it will break your heart a million ways while simultaneously piecing you back together. Love Saves the Day is a beautifully told story of loss and love and recovery, and of how the animals in our lives connect us to our own humanity.”—Amanda Kyle Williams, author of Stranger in the Room
 
“Cooper’s beautiful words tell a moving story of the sometimes fragile relationship between mothers and daughters as well as speaking on the special love that forms between a pet and its owner.”—RT Book Reviews
 
“[Cooper] once again demonstrates her compassionate fluency in felinespeak and proves equally adept at conveying complex human emotions with flair and sensitivity.”—Booklist
 
“Hauntingly beautiful, heart touching, and at times painfully raw, this is a story about grief, hope and healing. It’s a story about the importance of memories, and of preserving a part of one’s past. It is the story of a mother-daughter relationship that shows that deep rifts can be mended even after death. But ultimately, this is a book about love, and how one small cat, through her mere presence, can change multiple lives. This book will stay with you long after you turn the final page. And it already makes me look forward to Gwen Cooper’s next book.”—The Conscious Cat
 
“Love Saves the Day has taken Gwen Cooper to a whole new pinnacle as an author. The writing is superb. The story line is riveting. . . . There’s no doubt Love Saves the Day is a winner. It’s a book that everyone, whether you’re a cat lover or not, should read.”—BJ Bangs
 
“Love Saves the Day is sometimes funny, sometimes heartbreaking, sometimes devastatingly tragic, and it holds your attention all the way through to its happy ending. For both cats and humans, it is one of this year’s must-reads.”—Sparkle the Designer Cat

From the Publisher - AUDIO COMMENTARY

"Once again, Gwen Cooper shines her light on the territory that defines the human/animal bond. In Love Saves the Day, she creates an emotional landscape so beautifully complete that we can't help but share in the heartbreaks and triumphs of her characters, regardless of their species." —Jackson Galaxy, author of Cat Daddy

Kirkus Reviews

The tumultuous life of a cat spans the equally turbulent lives of the mother and daughter who share her always-changing New York City existence. Prudence the tabby never expected to find the right human. Living alone in a deserted construction site on the Lower East Side, she's drawn first to Sarah's singing: As a feral kitten, music is new to her. And while she quickly gets used to the idea of having a "roommate," as she puts it, Sarah's irregular lifestyle means that meals can't be counted on. When Sarah finally disappears one day, Prudence is taken in by Laura, Sarah's daughter, and her husband and trades a bohemian existence for more conventional comforts. But as the tabby learns, even life on the Upper West Side can have its ups and downs. Not only does she witness the aftereffects of Sarah and Laura's often strained relationship, she runs into danger in the form of an innocent-seeming bouquet. Initially presented in the first-person by the cat, this book by Cooper (Homer's Odyssey, 2009) achieves a matter-of-fact directness that only occasionally veers into cutesiness ("[S]ometimes Sarah eats things that are just plain gross. There's one kind of food, called 'cookies'...") But Prudence's scope is insufficient to convey the entirety of this New-York-in-the-'90s saga, and by the book's second half, human narratives begin to take over. While these are often affecting--relating the different sides of the mother–daughter struggle--they seem to come from a different book. And real-life events, notably the city-ordered demolition of a tenement with some of the occupants' pets left inside, are not convincingly woven into the narrative. The result is moving but uneven, and even a feel-good ending from the cat's viewpoint can't pull the story back together. The follow-up to an international best-seller starts off well but falls apart under its own best intentions.

Product Details

BN ID:	2940170865727
Publisher:	Tantor Audio
Publication date:	01/28/2013
Edition description:	Unabridged

Read an Excerpt

1     Prudence     There are two ways humans have of not telling the truth. The first used to be hard for me to understand because it doesn’t come with any of the usual signs of not-truth-telling. Like the time Sarah called my white paws “socks.” Look at your adorable littlesocks, she said. Socks are what humans wear on their feet to make them more like cats’ paws. But my paws are already padded and soft, and I can’t imagine any self-respecting cat tolerating something as silly as socks for very long.   So at first I thought Sarah was trying to trick me by saying something that wasn’t true. Like the time she took me to the Bad Place and said, Don’t worry, they’re going to make you healthy and strong. I knew from the tightness in her voice when she putme into my carrier that some betrayal was coming. And it turned out I was right. They stabbed me with sharp things there and forced me to hold still while human fingers poked into every part of my body, even my mouth.   When it was all over, the lady who did it put me back into my carrier and told Sarah, Prudence has such cute white socks! She was smiling and calm when she said it, so I knew she wasn’t trying to trick Sarah like Sarah had tried to trick me about goingthere in the first place. I thought maybe I should lick my paws or do something to show them that these were my real feet, not the fake feet humans put on before they go outside. I thought that maybe humans weren’t as smart as cats and wouldn’t understand suchsubtle distinctions unless they were pointed out.   That was when I was very young, just a kitten, really—back when I first came to live with Sarah. Now I know that humans sometimes best understand the truth of things if they come at it indirectly. Like how sometimes the best way to catch a mouse that’sright in front of you is to back up a bit before you pounce.   And later at home, looking at my reflection in Sarah’s mirror (once I realized it was my reflection and not some other cat who was trying to take my home away from me), I saw how the bottoms of my legs did look a bit like the socks Sarah sometimes wears.   Still, to say that they were socks and not that they looked like socks was clearly untrue.   The other way humans have of not telling the truth is when they’re trying to trick one another outright. Like when Laura visits and says, I’m sorry I haven’t been here in such a long time, Mom, I really wanted to come sooner . . . and it’s obvious, bythe way her face turns light pink and her shoulders tense, that what she really means is she never wants to come here. And Sarah says, Oh, of course, I understand, when you can tell by the way her voice gets higher and her eyebrows scrunch up that she doesn’tunderstand at all.   I used to wonder where the rest of Laura’s littermates were and how come they never came over to see us. But I don’t think Laura has any littermates. Maybe humans have smaller litters than cats, or maybe something happened to the others. After all, I usedto have littermates, too.   But that was a long time ago. Before I found Sarah.       The Bad Place is a short walk from where we live in a place called Lower East Side. (Technically, it was Sarah who walked there, because I was in my carrier. Still, it didn’t take her very long, and cats can walk faster than humans. That’s a fact.) Thelady there told Sarah that I’m a polydactyl brown tabby. Sarah asked if that meant I was some kind of flying dinosaur? The lady laughed and said, no, it just means I have extra toes. I’m not sure which of my toes are supposed to be the “extra” ones though,because I’m positive I need them all. And it’s not really true to say I’m brown because parts of me are white—like my chest and my chin and the bottoms of my legs. Also, my eyes are green. And even the parts of me that are brown have darker stripes that arealmost black. But I’ve noticed that humans aren’t as precise as cats are. It’s hard to believe they feel safe enough to sleep at night.   The stabbing lady also told Sarah that I was too skinny, which was to be expected because I’d been living by myself on the street. She said I’d probably fatten up quickly. I’ve gotten much taller and longer since then, but I’m still pretty skinny. Sarahsays I’m lucky to stay that way without having to try. But the truth is I’m skinny because I never eat all the food Sarah gives me. That’s because even though she feeds me every day, she never feeds me at exactly the same time. Sometimes she feeds me firstthing in the morning, sometimes she feeds me when it’s closer to midday. There have even been times when she hasn’t fed me until after it’s dark. That’s why I always make sure to keep some food left over, in case one day Sarah forgets to feed me altogether.   And it turns out I was right to worry. Sarah hasn’t been home to feed me—hasn’t been home at all—in five days. The first two days I had to get by on what was left over in my food bowl. I even jumped onto the counter where my bag of dry food is kept andused my teeth and claws to make a small hole in it so I could get some food out myself. (I would normally never do that because it’s bad manners. But sometimes there are things more important than manners.)   Finally, on the third day, a woman I recognized as one of our neighbors came over and opened a can of food for me. Prudence! she called. Come and eat, poor kitty, you must be so hungry.   I had been waiting under the couch for her to leave, but I came out when I heard the can open. The woman tried to stroke my head, though, so I had to go back under the couch again and twitch the muscles on my back very fast until I felt calm. I don’t liketo be touched by humans I don’t know well. So I waited until she left before I came out to eat, even though I was starving after two days with hardly any food.   The woman has been back to feed me every day since then, although I still won’t come out from under-the-couch until she’s gone. Maybe she’s trying to trap me with the food. Maybe she’s already trapped Sarah somewhere, and that’s why Sarah hasn’t been homefor so long.   To pass the time while I wait for Sarah to come back, I sit on the windowsill—the one that overlooks the fire escape Sarah says I’m never, ever supposed to go onto—and watch what’s happening on the street. This also gives me a clear view of the entranceto our building, which means I’ll see Sarah as soon as she comes back.   To get to the windowsill, I jump from the floor to the coffee table, and then from the coffee table to the couch. Then I climb to the back of the couch and step right onto the windowsill. I can jump directly from the floor to the windowsill, of course(I could jump much higher than that if I had to), but this way I can check to make sure everything is safe and exactly the way I left it. If the little, everyday things don’t change, it makes sense that the bigger and more important things won’t change, either.If I keep doing things the way I always do, Sarah will have to come back the way she always does. Probably I made a mistake of some kind a few days ago—did something in a different order than I’m supposed to—and that’s what made her go away.   Sarah and I have been roommates for three years, one month, and sixteen days. I would tell you how many hours and seconds we’ve been together, but cats don’t use hours and seconds. We know that’s something humans made up. Cats have an instinct that tellsus exactly when the right time for everything is. Humans never know when they’re supposed to do anything, so they need things like clocks and timers to tell them. Twice a year, Sarah sets all the clocks in our apartment forward one hour or back one hour, andthat just proves how made-up hours are. Because it’s not like you can tell everybody to move the world one whole day back or one whole year ahead and have it be true.   You might think Sarah and I are a family because we live together, but not everybody who lives together is a family. Sometimes they’re roommates. The difference is that, in a family, everybody does things together, and they do those things at the sametime every day. They all eat breakfast with each other, and breakfast is always at the same time in the morning. Then they have dinner together, and that always happens at the same time, too. They take each other to school or work and then pick each other upfrom those places a few hours later, and both the picking-up and the dropping-off happen on a schedule. I learned all about it from the TV shows Sarah and I watch together. Even the TV shows about families always come on at the same time, every day.   (I used to think that the things on TV were really happening, right here in our apartment. Once I tried to catch a mouse that was on the TV screen. I clawed and clawed at the glass and couldn’t understand why I couldn’t get the mouse. And Sarah laughedand explained that TV is like a window, except it shows you things that are happening far away.)   With roommates, it’s more like you have separate lives even though you live in the same place. Things happen when they happen and not at any specific time. Also, families live in houses with an upstairs and a downstairs. Roommates live in apartments. Sarahand I live in an apartment, and our schedule is always different. Sarah says this is because they always change the times she’s supposed to work. She types things for a big office in a place called Midtown, and she’s so good at typing that sometimes they needher to type early in the morning, and sometimes they need her to type later in the day. Sometimes they pay her a lot of extra money to type all night and not come home until after the sun comes up, which is when most other humans are first starting to work.   Money is what Sarah uses to get food for me and to keep our apartment. She always says you have to get it when you can get it, even if you wish you didn’t have to. I know just what she means, because sometimes a cat has to chase her food when it runs by,even if she’s in the middle of a really great nap. Who knows when the next time food runs by will be? That’s why smart cats spend most of their time napping—to save their energy for when they suddenly need it.   But even on the days she doesn’t work, Sarah doesn’t do things on anything like a regular schedule. Sometimes I have to meow in my saddest voice and paw at her leg to remind her it’s time to feed me. I feel bad when I have to do that, because I can tellfrom her face how unhappy it makes her when she forgets to do things for me. But she usually laughs a little in the way that humans do when they’re trying to make something sad into something funny, and says she supposes the reason she’s so forgetful is becauseshe has an artistic temperament, even though it’s been years since she’s done anything creative.   I’m not sure what a “temperament” is. Maybe it’s something an artist makes. Or maybe it’s something an artist uses to make something else. Whatever it is, though, I’ve never seen anything like that around here.   You might think from all this that I’m complaining about living with Sarah, but that’s not true. Living with Sarah is actually pretty great. For one thing, she’s always willing to share her food with me. When she sits down to eat, she usually puts someof her food on a little plate off to the side, and I sit on the table and eat with her. Although sometimes Sarah eats things that are just plain gross. There’s one kind of food, called “cookies,” that Sarah especially loves even though they don’t have any meator grass or anything in them. Sarah laughs when I turn up my nose in disgust and says I don’t know what I’m missing. I think Sarah’s the one who doesn’t know what’s supposed to be eaten and what isn’t.   There are two rooms in our apartment. In the room with our kitchen is also our couch and television and coffee table. This is the room people are allowed into when they come to visit us, although people hardly ever come to visit us except for Laura and,sometimes, Sarah’s best friend, Anise. Anise only comes over two or three times a year because her job is going on tours in a place called Asia. Laura won’t come over if she knows Anise will be here, but Sarah and I are always happy to see Anise because whenAnise smiles she smiles with her whole face, and she never says anything even a little untrue. Also, as Sarah likes to say, Anise is a person who understands cats. (As much as a human can, anyway.) When I first came to live with Sarah, she brought home a “self-cleaning”litterbox that would make a terrifying whirrrrrrr noise whenever I tried to use it. (I think it planned to keep itself clean by never letting me use it.) It scared me so much that I started going on the living room rug just to avoid it, which made Sarah veryunhappy with me even though it clearly wasn’t my fault. This went on for weeks until finally Anise came over and wrinkled her nose at the smell from the rug that now filled our whole apartment. Ugh, she said, doesn’t Prudence have a litterbox? Then she sawthe “self-cleaning” monster Sarah had brought home and said, Sarah, you’re scaring the piss out of her with that thing. (Although really the piss was getting scared into me until I couldn’t hold it anymore.) She took Sarah right out to buy me a regular litterbox,and we didn’t have any problems after that.

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