Lost Girl

by Adam Nevill

Overview

Set amidst the devastation of climate change and global pandemics, Lost Girl is a dystopian nightmare from the master of horror Adam Nevill.

How far will he go to save his daughter? How far will he go to get revenge?

It's 2053 and climate change has left billions homeless and starving - easy prey for the pandemics that sweep across the globe, scything through the refugee populations. Easy prey, too, for the violent gangs and people-smugglers who thrive in the crumbling world where 'King Death' reigns supreme.

The father's world went to hell two years ago. His four-year-old daughter was snatched from his garden when he should have been watching. The moments before her disappearance play in a perpetual loop in his mind. But the police aren't interested; amidst floods, hurricanes and global chaos, who cares about one more missing child? Now it's all down to him to find her, him alone . . .

Product Details

ISBN-13:	9780230772120
Publisher:	Pan Macmillan
Publication date:	10/22/2015
Sold by:	Barnes & Noble
Format:	eBook
Pages:	320
Sales rank:	278,514
File size:	899 KB
Age Range:	18 Years

About the Author

Adam Nevill was born in Birmingham, England, in 1969 and grew up in England and New Zealand. He is the author of the supernatural horror novels including Banquet for the Damned, Apartment 16, House of Small Shadows, No One Gets Out Alive and Lost Girl as well as The Ritual and Last Days which both won The August Derleth Award for Best Horror Novel, and the RUSA for Best in Category: Horror. Adam lives in Birmingham, England.
Described as ‘Britain’s answer to Stephen King’ by the Guardian, Adam Nevill is one of the UK’s best horror writers. He was born in Birmingham in 1969 and grew up in England and New Zealand. He is the author of the supernatural horror novels Banquet for the Damned, Apartment 16, House of Small Shadows,No One Gets Out Alive and Lost Girl as well as The Ritual and Last Days, which both won the August Derleth Award for Best Horror Novel, and the RUSA for Best in Category: Horror. Adam lives in Birmingham.

Editorial Reviews

A novel which recognises the complex lives we all lead, that of private intimates (family, lovers, friends) as well as global citizens. It's how these two intermesh that determine the way things go for us, and by exploring these double realms of experience with such conviction, Nevill's narrative tears us apart at the end of the book. It's all too true in our troubled times, and I fear the novel will grow increasingly topical as the years unfold

EBOOK COMMENTARY

10/03/2016
Nevill (No One Gets Out Alive) isn’t at his best in this near-future revenge thriller; his writing is as sharp as ever, as he provides a grimly plausible recipe for an impending global apocalypse, but the central plot is familiar and becomes repetitive. In 2051, global warming has led to violent conflict and mass suffering. An Englishman identified only as “the father” is distracted at a crucial time; instead of keeping an eye on his four-year-old-daughter, Penny, who has been playing in their garden, he’s writing a salacious email to a woman who is not his wife, and while he’s looking away, Penny vanishes. Two years later, Penny is still unaccounted for. With Great Britain overrun by refugees and the authorities overwhelmed, the tragedy is lost in the huge volume of human misery, forcing the father to turn vigilante to find his daughter. The guilt-ridden lead is two-dimensional, and his constant grappling with how far he should go to get to the truth becomes static. Agent: John Jarrold, John Jarrold Literary (U.K.). (Nov.)

Publishers Weekly

"Nevill's portrayal of the breakdown of civilisation, mirrored by the father's own spiralling moral crisis, is unflinchingly realistic—though not without hope. The author says he wanted the novel to amend "the status of climate change from the existential to the very real", and in this Lost Girl succeeds brilliantly." —Guardian


"Nevill ornaments his tale of brutality and bloodshed with florid Gothic prose, like flock wallpaper gracing a torture dungeon. There's acute psychological insight amid Lost Girl's squalid inferno, and the author's vision of our near future is horribly plausible." —Financial Times


"Grimly satisfying." —Booklist

From the Publisher