Loot: Britain and the Benin Bronzes
In 1897, Britain responded to the killing of a group of officials by razing an empire to the ground. The men had been travelling to the ancient Kingdom of Benin, in what is now Nigeria, when they were ambushed and killed by local soldiers. Just six weeks later, the British had exacted their revenge, set Benin aflame, exiled the king and annexed the territory. They also made off with some of Africa's greatest works of art.



This is the story of the "Benin Bronzes", their creation, theft, and what should happen to them now. When first exhibited in London they caused a sensation and helped reshape European attitudes towards Africa, challenging the prevailing view of the continent as "backward" and without culture. But seeing them in the British Museum today is, in the words of one Benin City artist, like "visiting relatives behind bars". In a time of fevered debate about the legacies of empire, loot, museums, and history, what does the future hold for the Bronzes themselves?
1137969991
Loot: Britain and the Benin Bronzes
In 1897, Britain responded to the killing of a group of officials by razing an empire to the ground. The men had been travelling to the ancient Kingdom of Benin, in what is now Nigeria, when they were ambushed and killed by local soldiers. Just six weeks later, the British had exacted their revenge, set Benin aflame, exiled the king and annexed the territory. They also made off with some of Africa's greatest works of art.



This is the story of the "Benin Bronzes", their creation, theft, and what should happen to them now. When first exhibited in London they caused a sensation and helped reshape European attitudes towards Africa, challenging the prevailing view of the continent as "backward" and without culture. But seeing them in the British Museum today is, in the words of one Benin City artist, like "visiting relatives behind bars". In a time of fevered debate about the legacies of empire, loot, museums, and history, what does the future hold for the Bronzes themselves?
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Loot: Britain and the Benin Bronzes

Loot: Britain and the Benin Bronzes

by Barnaby Phillips

Narrated by Michael Page

Unabridged — 12 hours, 3 minutes

Loot: Britain and the Benin Bronzes

Loot: Britain and the Benin Bronzes

by Barnaby Phillips

Narrated by Michael Page

Unabridged — 12 hours, 3 minutes

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Overview

In 1897, Britain responded to the killing of a group of officials by razing an empire to the ground. The men had been travelling to the ancient Kingdom of Benin, in what is now Nigeria, when they were ambushed and killed by local soldiers. Just six weeks later, the British had exacted their revenge, set Benin aflame, exiled the king and annexed the territory. They also made off with some of Africa's greatest works of art.



This is the story of the "Benin Bronzes", their creation, theft, and what should happen to them now. When first exhibited in London they caused a sensation and helped reshape European attitudes towards Africa, challenging the prevailing view of the continent as "backward" and without culture. But seeing them in the British Museum today is, in the words of one Benin City artist, like "visiting relatives behind bars". In a time of fevered debate about the legacies of empire, loot, museums, and history, what does the future hold for the Bronzes themselves?

Editorial Reviews

The Times

‘[A] valuable guide to a complex narrative... Throughout this tortured history, Phillips writes with journalistic detail, gathering his accounts from many sources, attempting fairness.’

Alexander Herman

‘For the first time a comprehensive account of the famed Benin Bronzes, from their creation to their pillaging by British troops to subsequent attempts at recovery. Phillips writes with ease and erudition, highlighting the many complexities that arise with each attempt at addressing this historical injustice.’

BBC History

‘Debate continues to rage over whether the Benin Bronzes held in London’s British Museum should be returned to Africa. Barnaby Phillips focuses instead on their origins, investigating their medieval authors, and what they can tell us about Africa’s culture and history.’

author of Any Human Heart and A Good Man in Africa William Boyd

‘A fascinating and timely book. A brilliant model of expertly marshalled historical research and compelling narrative.’

Evening Standard

‘His compelling book is full of African voices... It is balanced, sternly critical of the Brits when that is appropriate, but at the same time humane, reasonable, and ultimately optimistic.’

Prospect

‘Persuasive... Phillips is scrupulously fair yet damning. He points to the racist hypocrisy that rationalised colonial plunder...[and] covers the ritzy, often clandestine, history of the Bronzes on the western market, where some objects have been sold for up to £10m. Above all, his tale is one of competing ways of assessing material culture.’

Tim Butcher

‘The storytelling is crisp, balanced and authoritative... As Britain continues to twist on the thorny issue of racism...this book’s laser-sharp focus on the casenotes from one instance of colonial cruelty allows for a much more informed understanding of the wider issue. Whereas before the now highly valuable Benin Bronzes might have had us looking in the attic for some forgotten heirloom, perhaps now we are left examining our consciences.’

Best Books of 2021 Prospect

‘Damning’

Director of V&A East and former Director of the Sm Gus Casely-Hayford

‘This timely, thoughtful and beautifully crafted volume deftly guides us through a truly astounding passage of events. These are the kind of histories that change the way that we look at things we thought we knew – whilst shocking us at the things that we simply hadn’t grasped.’

Dr Uyilawa Usuanlele

‘Reading Barnaby Phillips’s Loot is like walking a sniffing dog through the minds, homes, and storerooms of government agents, military adventurers, museums, art dealers, and collectors... Brilliant and evidenced-based... It is a highly recommended book that will thrill the reader to the last page.’

Art News

‘Rarely have books like Loot focussed so in-depth on the perspectives of Africans. As Loot makes clear, whether in the form of Nollywood films or oral histories handed down across generations, Nigerians have had a lot to say about the Benin Bronzes... Phillips kicks off his stylish tome with an in-depth history of the Kingdom of Benin... he paints a touching portrait of the kingdom and the people who inhabited it... it’s possible that a book like Loot could offer some readers the context needed to get behind Phillips’s cause.’

MP and author of Ghosts of Empire and War and Gold Kwasi Kwarteng

‘Vivid, dramatic and colourful, Loot is a story of empire running amok. It still has huge resonance in the debate about colonialism and racism today.’

FT

‘Gripping...a must read.’

Peter Frankopan

‘Well-balanced and highly readable.’

Wall Street Journal

‘A veteran journalist based for years in Africa, Mr. Phillips has written a humane and thoughtful book, devoid of the sort of posturing that mars the debate over the repatriation of objects brought to the West during the colonial era.’

Economist

‘Mr Phillips, a veteran British correspondent in Africa who knows Nigeria well, adds new and much-needed context to the story of the Edo empire and its bloody finale... Mr Phillips is at pains to show how deeply the Edo people feel the loss of their physical culture... But Mr Phillips is clear-sighted about the political and financial obstacles that must still be overcome.’

International Journal of Cultural Property

‘Readers interested in the diversity of Nigerian views about the Benin Bronzes will be better served by [Loot]... Phillips’s incorporation of local perspectives produces a nuanced picture.’

TLS

‘[A] balanced reconstruction of the Benin saga and probes the difficult choices facing European – and Nigerian – museums... Phillips excels at tracing the roundabout ways in which objects could find their way into museums.’

BBC Chief Correspondent and Presenter Clive Myrie

‘This is a thoroughly researched, well written and timely contribution to the live debate about cultural restitution. Accessible yet nuanced, we hear the voices of a contested history from the looters themselves and the bronze casters of Benin City, to the leaders of the world’s major cultural institutions and so many other players in this drama. Barnaby takes us on a journey raising important questions about empire and the meaning of art, civilisation and culture.’

All About History

‘Phillips weaves a compelling and evocative narrative from the off, peopled by a cast that propels the story forward, sending the reader on a voyage of discovery that raises some very important questions indeed... accessible, packed with drama and utterly fascinating. It should appeal to a wide audience, from those with an interest in the history of colonialism to art historians and readers who are simply looking for a book that will be difficult to put down.’

Economist

‘Mr Phillips, a veteran British correspondent in Africa who knows Nigeria well, adds new and much-needed context to the story of the Edo empire and its bloody finale... Mr Phillips is at pains to show how deeply the Edo people feel the loss of their physical culture... But Mr Phillips is clear-sighted about the political and financial obstacles that must still be overcome.’

TLS on Another Man’s War

‘A gripping military history which brings African witnesses to the dying days of the British Empire out of the shadows.’

Spectator on Another Man’s War

‘[Phillips] captures nuances of Nigeria that only a man who knows and loves a place and people can... an extraordinary story, very well told.’

Product Details

BN ID: 2940176361858
Publisher: Tantor Audio
Publication date: 06/08/2021
Edition description: Unabridged
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