The Long Song

The Long Song

by Andrea Levy
The Long Song

The Long Song

by Andrea Levy

Paperback(First Edition)

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Overview

Finalist for the 2010 Man Booker Prize
The New York Times Book Review Notable Book of the Year


In her follow-up to Small Island, winner of the Whitbread Book of the Year Award and the Orange Prize for Fiction, Andrea Levy once again reinvents the historical novel.

Told in the irresistibly willful and intimate voice of Miss July, with some editorial assistance from her son, Thomas, The Long Song is at once defiant, funny, and shocking. The child of a field slave on the Amity sugar plantation in Jamaica, July lives with her mother until Mrs. Caroline Mortimer, a recently transplanted English widow, decides to move her into the great house and rename her "Marguerite." Together they live through the bloody Baptist War and the violent and chaotic end of slavery. An extraordinarily powerful story, "The Long Song leaves its reader with a newly burnished appreciation for life, love, and the pursuit of both" (The Boston Globe).


Product Details

ISBN-13: 9780312571146
Publisher: Picador
Publication date: 04/26/2011
Edition description: First Edition
Pages: 352
Sales rank: 699,273
Product dimensions: 5.36(w) x 8.26(h) x 0.94(d)

About the Author

Born in London, England to Jamaican parents, Andrea Levy (1956-2019) was the author of Small Island, winner of the Whitbread Award (now Costa Award), the Orange Prize for Fiction (now Women’s Prize for Fiction), and the Commonwealth Writers’ Prize. The BBC Masterpiece Classic television adaptation of her novel won an International Emmy for best TV movie/miniseries.

Andrea’s other books include the Man Booker Prize finalist The Long Song, also adapted by the BBC for television, and Fruit of the Lemon, among others.

Read an Excerpt

CHAPTER 1

IT WAS FINISHED ALMOST as soon as it began. Kitty felt such little intrusion

from the overseer Tam Dewar’s part that she decided to believe

him merely jostling her from behind like any rough, grunting, huffing

white man would if they were crushed together within a crowd. Except

upon this occasion, when he finally released himself from out of her, he

thrust a crumpled bolt of yellow and black cloth into Kitty’s hand as a

gift. This was more vexing to her than that rude act—for she was left to

puzzle upon whether she should be grateful to this white man for this

limp offering or not . . .

Reader, my son tells me that this is too indelicate a commencement of

any tale. Please pardon me, but your storyteller is a woman possessed of

a forthright tongue and little ink. Waxing upon the nature of trees when

all know they are green and lush upon this island, or birds which are

plainly plentiful and raucous, or taking good words to whine upon the

cruelly hot sun, is neither prudent nor my fancy. Let me confess this

without delay so you might consider whether my tale is one in which

you can find an interest. If not, then be on your way, for there are plenty

books to satisfy if words flowing free as the droppings that fall from the

backside of a mule is your desire.

Go to any shelf that groans under a weight of books and there,

wrapped in leather and stamped in gold, will be volumes whose contents

will find you meandering through the puff and twaddle of some

white lady’s mind. You will see trees aplenty, birds of every hue and

oh, a hot, hot sun residing there. That white missus will have you

acquainted with all the many tribulations of her life upon a Jamaican

sugar plantation before you have barely opened the cover. Two pages

upon the scarcity of beef. Five more upon the want of a new hat to wear

with her splendid pink taffeta dress. No butter but only a wretched alligator

pear again! is surely a hardship worth the ten pages it took to

describe it. Three chapters is not an excess to lament upon a white

woman of discerning mind who finds herself adrift in a society too dull

for her. And as for the indolence and stupidity of her slaves (be sure you

have a handkerchief to dab away your tears), only need of sleep would

stop her taking several more volumes to pronounce upon that most

troublesome of subjects.

And all this particular distress so there might be sugar to sweeten the

tea and blacken the teeth of the people in England. But do not take my

word upon it, peruse the volumes for yourself. For I have. And it was

shocking to have so uplifting an act as reading invite some daft white

missus to belch her foolishness into my head.

So I will not worry myself for your loss if it is those stories you

require. But stay if you wish to hear a tale of my making.

As I write, I have a cup of sweetened tea resting beside me (although

not quite sweet enough for my taste, but sweetness comes at a dear price

here upon this sugar island); the lamp is glowing sufficient to cast a light

upon the paper in front of me; the window is open and a breeze is cooling

upon my neck. But wait . . . for an annoying insect has decided to

throw itself repeatedly against my lamp. Shooing will not remove it, for

it believes the light is where salvation lies. But its insistent buzzing is

distracting me. So I have just squashed it upon an open book. As soon as

I have wiped its bloody carcass from the page (for it is in a volume that

my son was reading), I will continue my tale.

Reading Group Guide

The new novel from the Orange Prize–winning author of Small Island tells the story of an unforgettable heroine during the last turbulent years of slavery and the early years of freedom following the Baptist War in Jamaica in 1831.

With The Long Song, Levy once again reinvents the historical novel. Told in the irresistibly willful and intimate voice of Miss July, with some editorial assistance from her son, Thomas, The Long Song is at once defiant, funny, and shocking. The child of a field slave on the Amity sugar plantation, July lives with her mother until Mrs Caroline Mortimer, a recently transplanted English widow, decides to move her into the great house and rename her "Marguerite."

Resourceful and mischievous, July soon becomes indispensable to her mistress. Together they live through the bloody Baptist War and through the violent and chaotic end of slavery. Taught to read and write so that she can help her mistress run the business, July remains bound to the plantation despite her "freedom." It is the arrival of a young English overseer, Robert Goodwin, that will dramatically change life in the great house for both July and her mistress. Prompted and provoked by her son's persistent questioning, July's heartache and resilience are gradually revealed in this extraordinarily powerful story of slavery, revolution, freedom, and love.

The questions and discussion topics that follow are designed to enhance your reading of Andrea Levy's The Long Song.


1. When a young woman asked the author how one could possibly take any pride in one's ancestry when all one's ancestors were slaves, she planted the seed that would eventually become The Long Song. By telling such a story and writing this novel, Andrea Levy wanted to make her questioner feel proud of her heritage. Discuss how the novel does this.

2. In Small Island, Andrea Levy told the story of Jamaicans in London just after World War II; in the The Long Song, she goes further back, to the nineteenth century. Both books explore the relationship among the Caribbean, Jamaica, and Britain. What did you learn from The Long Song that surprised you and that you didn't know before? How do you think novels bring the past to life in a way that history books don't?

3. When she was doing research for the novel, Andrea Levy found plenty of accounts of slavery in Jamaica by white plantation owners, but the voices of the plantations' slaves seemed silent or lost. In The Long Song she saw a way to fill the silence with a fictional voice, and to give us a sense of life as it was lived on a daily basis during the period. How successful is the novel in achieving both these aims?

4. July is clearly an unreliable narrator, but what does that mean? How did your feelings for her develop or change in the course of the novel?

5. Caroline Mortimer takes July away from her mother without any thought. Discuss how the relationship between master and servant develops. Does it change once July is "free"?

6. Discuss the author's use of language and of voice in the novel. How does she use humor in tackling the grim and disturbing subject of slavery?

7. Discuss the differences between men's power and women's power in The Long Song. Who are the most vulnerable characters?

8. What role does religion play in the novel? What motivates the leaders of the Baptist revolution, some of whom are tortured for their abolitionist beliefs? What does Christianity mean to the characters?

9. What does Robert Goodwin learn about the nature of work and worth? How do his beliefs about coercion and punishment change? How is this reflected in his feelings for July?

10. In the novel, how do Jamaicans perceive England and the monarchy? What does living in England or leaving England mean to them? Who honors an English identity? Who rejects it?

11. What is special about the structure of the novel? What is the effect of the format, including Thomas's foreword and July's frequent comments aimed directly at the reader?

12. What do you think happened to Emily? Discuss how July portrays motherhood and fatherhood. How do the characters handle the estrangement between mothers and their children?

13. Discuss your own family legacies. What are the chapters that no one wants to speak of, as well as the ones that spark pride?

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