London and the Georgian Navy

by Philip MacDougall

Overview

At a time when the Royal Navy was the biggest and best in the world, Georgian London was the hub of this immense industrial-military complex, underpinning and securing a global trading empire that was entirely dependent on the navy for its existence. Philip MacDougall explores the bureaucratic web that operated within the wider city area before giving attention to London's association with the practical aspects of supplying and manning the operational fleet and shipbuilding, repair and maintenance. His supremely detailed geographical exploration of these areas includes a discussion of captivating key personalities, buildings and work. The book examines significant locations as well as the importance of Londoners in the manning of ships and how the city memorialised the navy and its personnel during times of victory. An in-depth gazetteer and walking guide complete this fascinating study of Britain, her capital and her Royal Navy.

Product Details

ISBN-13:	9780752493022
Publisher:	The History Press
Publication date:	06/03/2013
Sold by:	Barnes & Noble
Format:	eBook
Pages:	192
File size:	2 MB
Age Range:	12 Years

About the Author

PHILIP MACDOUGALL has written extensively on both naval dockyards and the Medway Towns with a history of Chatham Dockyard. He is a founding member of the Naval Dockyards Society, closely linked with the National Maritime Museum at Greenwich, and he has travelled and researched extensively visiting state-owned dockyards (both British and foreign) in Europe and the Americas. He has previously written A Century of Chatham, Chatham Dockyard and Chatham Past for The History Press. He lives in Chichester.

Read an Excerpt

London and the Georgian Navy

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By Philip MacDougall

The History Press

Copyright © 2013 Phillip MacDougall
All rights reserved.
ISBN: 978-0-7524-9302-2

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CHAPTER 1

Prologue: Death of a Hero

Georgian London and the Royal Navy were a completely intertwined entity. Each and every sector of the great metropolis was connected in some way with the sea service. The most palpable of these links was direct employment, with thousands of Londoners at various times having either served on board a ship of war or contributed to the work that kept the Navy at sea. Far less obvious was the connection that most others in London also had with the Navy, through the fact of London's wealth being dependent on the ability of the Navy to protect overseas trade. London was entirely reliant on this trade, being a great commercial city that had been created to sustain the merchant and the financial profits he generated. Everyone who lived in London benefited in some way from the Navy. It was a symbiotic connection but, because of its partial invisibility, many were quite oblivious of this uncontracted bond.

How could it be otherwise? The near-destitute crossing sweeper or marginally better off waterman might make few connections between the possession of an income, however minimal, and the wealth that supported the complex infrastructure of which they were a part. But recognition of the Navy as special was something they did share with those who, through being more closely connected with commerce, were more aware of how the naval and commercial world were mutually dependent.

Of course, there were down sides to this close association, and these affected Londoners in different ways. Most obvious was the expense of maintaining such a force: this was borne by those with any sort of income. And even if you could not afford to pay for the Navy, you might end up serving in it. The press gang was only one way that the Navy recruited men to its service. But any resulting concerns were seemingly put aside when the capital was mourning a naval loss or celebrating a triumph. Sea battles, in particular, would result in adulatory crowds, celebratory banquets and gifts galore poured upon those who had orchestrated such a masterful stroke. Similarly, anyone perceived to have failed or to have acted against the immemorial traditions of the service, would find a London mob stoning the windows of their town houses or having an effigy of their likeness publicly burnt.

The Battle of Trafalgar, resulting in the destruction of a combined French and Spanish fleet, was one of the most decisive naval engagements ever fought. It brought London's adulation of the Navy to new heights. Yet the tone of the celebrations was tempered by the loss of the city's favourite admiral, the often controversial Lord Nelson. As one London newspaper, The Times editorialised:

That the triumph, great and glorious as it is, has been dearly bought, and that such was the general opinion, was powerfully evinced in the deep and universal affliction with which the news of Lord Nelson's death was received. (The Times, 7 November 1805)

Suggestive, indeed, of a widely held viewpoint was the notion, also pursued by The Times, that:

There was not a man who did not think that the life of the Hero of the Nile was too great a price for the capture and destruction of twenty sail of French and Spanish men of war. (The Times, 7 November 1805)

The Morning Post, another widely read London newspaper, put a different spin on the event, but still regarded the loss of Nelson as a tragedy:

But while we mourn at the fate of Britain's darling son, we have the consolation to reflect that he has closed his career of glory by a work that will place his name so high on the tablet of immortality, that succeeding patriots can only gaze with enthusiasm, scarcely hope to reach the envied elevation, whilst a nation's tears, to the latest period of time, will drop like so many bright gems upon the page of history that recalls the fall of the great hero. (The Morning Post, 7 November 1805)

Although the battle itself had taken place on 21 October 1805, the news was not confirmed until a dispatch from Admiral Collingwood arrived at the Admiralty in Whitehall during the early hours of Thursday 6 November. This told of 'a complete and glorious victory' but one tainted by the loss of him 'whose name will be immortal and his memory ever dear to his country'. First Lord of the Admiralty, Charles Middleton, 1st Baron Barham, having been awoken at 1.30 a.m., immediately set about ensuring that the news was taken to the King, then at Windsor Castle, and various ministers of state. Among the latter was Prime Minister William Pitt; an Admiralty messenger took the news to nearby Downing Street. Pitt was awoken from his sleep, something to which he was not unaccustomed, although on this occasion he was unable to return to his repose, continually reflecting on the image of the 'immortal Admiral' whom he had so recently spoken to in that very house.

News of Trafalgar now began to spread by word of mouth, helped by the publication of an 'extraordinary' edition of the government-authorised London Gazette together with a second, late morning edition of some of the London newspapers. For those who, by mid-morning, were still not in the know, a hint of something unusual having taken place was given by the firing of an accolade of guns in Hyde Park and on the Tower. Yet, through the loss of Nelson, feelings towards the victory were mixed, resulting in a confused response. While guns may have been blazing away in the morning, many of the owners of larger houses around the city, who would normally have bathed their mansions in a blaze of light, merely showed a few plain lamps in the windows, these soon to be joined by wreaths that bore the telling motto, 'Nelson and Victory'. The theatres of London also reflected this ambiguity. The Theatre Royal, Covent Garden, in an impromptu addition to the evening performance, had on stage statuesque naval heroes and a half-length portrait of Nelson that carried the epigram 'Horatio Nelson OB 21st Oct'.

It was not until the following day, Thursday 7 November, that full details of the battle really became available. The morning editions of all the London papers carried the unedited copy of Collingwood's dispatch that had appeared in the London Gazette Extraordinary.

By now, others had considered how they would treat the event. In particular the larger business institutions of the City, in contrast to the muted lighting to be found elsewhere, elected to emphasise their indebtedness to Nelson and the Royal Navy by heavily decorating the exterior of a number of key buildings. The Guildhall, with a bust of Nelson as a centrepiece, was emblazoned with a crown and anchor over the front of the building, while India House, the home of the East India Company, was decorated with lamps that were offset by a huge anchor motif to the front and stars on each side of the building. So impressive was this particular display that 'it was hardly possible to move along the street' due to the illuminations having 'attracted such a crowd of people' (The Morning Chronicle, 8 November 1805). At the Theatre Royal in Covent Garden, music was now added to the original impromptu display while at Drury Lane, performances were ending with a rousing chorus of Rule, Britannia!

The behaviour of those from the seamier underside of the metropolis, otherwise known as the London mob, was also strange. Normally, the mob could turn any piece of sensational news into several nights of lawlessness, but it too was muted, for not 'a single pane of glass was broken from one end of the town to the other', with the knowing correspondent of The Morning Chronicle explaining that while 'the voice of the mob is in general more imperative' on this occasion its views were exercised in 'moderation' (The Morning Chronicle, 8 November 1805).

As the weekend approached, so did one of London's grandest annual events: the banquet at Mansion House that honoured the newly elected Lord Mayor, on this occasion, Sir James Shaw. Attended by the elite of the City and those in London that the City most wished to impress, the guests included royalty, high-ranking ministers of state (including the Prime Minister) and leading merchants. Among those also invited were the Russian, Prussian and Turkish ambassadors. Inevitably, therefore, every effort was made to emphasise both the importance of the recent victory and the capital's commitment to the on-going war against Napoleon's France. To this end, Nelson became a useful point of focus, with the The Times on the morning of the banquet reporting:

The preparations made for the dinner on this day are on a very grand scale. The inside of Guildhall is adorned with different devices. The whole length portrait of Lord Nelson is removed out of the council chamber, and placed over the seat of the Lord Mayor, with a prodigious number of lamps, and the flags of the different nations he has conquered. At the Sheriff's table is placed a bust, in marble, with the brow of the conqueror of the Nile adorned with oak and laurel leaves. (The Times, 11 November 1805)

Lloyd's, through its particular connections with maritime trade, was another London institution heavily indebted to the Navy. At that time housed in the Royal Exchange, Lloyd's showed its gratitude through establishing in July 1803 the Patriotic Fund that provided grants for those wounded while in the service of the Crown. Trafalgar, although a British victory, had resulted in a considerable number of British seamen suffering death or injury. At a special meeting of the fund management committee, held on 14 November, it was agreed that a further appeal should be sent to both existing and possible new subscribers, with pledged sums accepted by all branch banks within the greater metropolis and also at the bar of Lloyd's Coffee House. By mid-December, over £23,000 had been received, with Lloyd's and its subscribers contributing the greatest amount but with additional sums also received from collections made in churches. This was made easier by the King declaring Thursday 5 December as a day of General Thanksgiving to Almighty God. Temple Church and Lincoln's Inn Chapel, which were frequented by the legal fraternity, raised £321 and £181 respectively.

For most Londoners, the desire to celebrate the victory at Trafalgar was impeded by an equal need to mourn the loss of the hero. Giving generously to church collections on the day of remembrance was, in itself, a significant act that helped resolve the problem while helping reinforce the clear line that stood between celebrating the victory and grieving for the dead. In placing notes and coins into the collection plates, many were heard to mention the name of Nelson with a sigh. Of even greater importance, and further assuaging London's desire to memorialise the man who had led the fleet, was that Nelson was soon to be honoured with a state funeral. Admittedly, in his will, Nelson had requested that he be buried alongside his reverend father in the churchyard of Burnham Thorpe, but he had then conveniently added 'unless his majesty should be graciously pleased to direct other ways'. Almost certainly, if Nelson had not provided the necessary codicil, the request in his will would have been ignored, since it had become an essential national requirement that St Paul's Cathedral should be his final resting place.

The planned funeral procession, which would pass from the Admiralty in Whitehall, into the Strand and then along Fleet Street, would have the advantage of providing a suitably extended route that would allow thousands of Londoners to line the streets and be part of the final act. Previous to this, the general populace was also to be given the chance of paying its respects to the body lying in state at the Seamen's Hospital in Greenwich.

It was on board Victory, the flagship at Trafalgar, that Nelson was returned to England, secured in a complex arrangement of coffins that saw the body directly placed in one of elm, the timber for this previously taken from L'Orient, a French ship destroyed at the Battle of the Nile. In turn, this elm coffin had been placed into a completely sealed lead coffin, before the two were placed in a much larger one also made out of elm. With Victory anchoring off Sheerness on Sunday 21 December, the body was then transferred on the following day to the Seamen's Hospital at Greenwich, carried up river by the naval yacht Chatham. Arriving just after 1 p.m., the triple coffin arrangement was taken off at dusk and carried by some of the crew of Victory to King William Court and the vast Painted Hall.

However, the coffin viewed by the general public on the three days of lying in state was outwardly different from the one that was brought from the Mediterranean. Instead of the plain elm exterior, something much more magnificent had been added. Designed by a number of leading London craftsmen, the publicly seen coffin was of mahogany and decorated with a series of panels representing national symbols or Nelson's past deeds. Included, for instance, was a lion holding the union flag and a crocodile that represented the victory at Aboukir Bay.

During Nelson's lying in state, the Painted Hall was hung with black cloth and brilliantly lit by fifty-six candles in silver holders. Placed at the upper, raised end of the hall was the decorated mahogany coffin, covered by black drape with only the foot uncovered. Set around the coffin were various flags, including ten placed a few steps back and emblazoned with the single emotive word: Trafalgar.

This was the opportunity for which much of London had waited: the chance to directly pay respect. With Sunday 5 January set aside as the first day, the township of Greenwich was thrown into total confusion. All regular stagecoaches travelling to Greenwich were packed, with the passengers they disgorged into the town joined by hundreds more who had travelled by hackney carriage. Accidents by the score were reported to litter the roads around Greenwich, and a number of carriages overturned in their haste to reach the sought destination. Adding to the confusion were many thousand pedestrians thronging the roads out of London, all making their way to the gates of the hospital. Chaos reigned supreme! Matters were not helped when an official announcement that the hospital would open at 9 a.m. was later countermanded by an instruction that, due to a service taking place in the Painted Hall, the gates of the hospital would remain closed until 11 a.m. This ensured that by mid-morning a great and eager multitude had assembled. Upon the gates being opened, and despite attempts to limit entry, the crowd simply pressed forward:

The scene now became very alarming. The most fearful female shrieks assailed the ear on every side. Several persons were trodden underfoot and greatly hurt. One man had his eye literally torn out by coming into contact with one of the entrance gateposts. Vast numbers of ladies and gentlemen lost their shoes, hats, shawls and the ladies fainted in every direction. (The Morning Chronicle, 2 January 1806)

Fortunately, on approaching the Painted Hall and the steps that provided access, matters were better organised and a large contingency of the Greenwich Volunteers ensured a single-file entry and exit.

On the following day, through the arrival of the King's Life Guards, accidents were much reduced. Of events on the third day, The Times provided a graphic description:

The steps leading up to the entrance of the Great Hall was the principal scene of contest; and curiosity, the ruling passion of the fair sex, rising superior to all of the suggestions of feminine timidity, many ladies pushed into the crowd, and were so severely squeezed, that many of them fainted away, and were carried off apparently senseless to the colonnade; we were however highly gratified that they were rather frightened than hurt and that no injury occurred more serious than a degree of pressure not altogether so great as could be wished. (The Times, 8 January 1806)

(Continues...)

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Excerpted from London and the Georgian Navy by Philip MacDougall. Copyright © 2013 Phillip MacDougall. Excerpted by permission of The History Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Table of Contents

Contents

Title,
Introduction,
1 Prologue: Death of a Hero,
PART 1: The Administrative Hub,
Introduction,
2 The Admiralty,
3 The Civilian Boards,
4 Conflict in the Metropolis,
PART 2: The Downriver Naval Industrial Complex,
Introduction,
5 Limehouse Reach: the Underpinning Foundation,
6 The Naval Multiplex of Kentish London,
PART 3: The Social Dimension,
Introduction,
7 Those of the Lower Deck,
8 The Officers of the Quarterdeck,
PART 4: Merchants, Tradesmen and Profiteers,
Introduction,
9 Finance and the City,
10 Cheats and Racketeers,
A Gazetteer and Walking Tour,
Bibliography,
Plates,
Copyright,