Loch Ness Uncovered: Media, Misinformation, and the Greatest Monster Hoax of All Time

Loch Ness Uncovered: Media, Misinformation, and the Greatest Monster Hoax of All Time

by Rebecca Siegel

Narrated by Samara Naeymi

Unabridged

Loch Ness Uncovered: Media, Misinformation, and the Greatest Monster Hoax of All Time

Loch Ness Uncovered: Media, Misinformation, and the Greatest Monster Hoax of All Time

by Rebecca Siegel

Narrated by Samara Naeymi

Unabridged

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Overview

In 1934, a photo of a Scottish lake beast appeared in London's Daily Mail, stunning the public and igniting a worldwide case of Loch Ness Monster fever. But the truth behind that earth-shattering photograph reveals a stranger-than-fiction tale, complete with a band of merry pranksters, feuding scientists, and newspaper editors desperate to sell papers.

Meticulously researched through primary sources and in-depth interviews, Loch Ness Uncovered is the fascinating true story of the conspiracy that sparked intrigue worldwide. With an engaging narrative, here is a nonfiction book that will transport young readers to a thrilling world of monster madness.

Editorial Reviews

Publishers Weekly

03/25/2024

Utilizing a myth-busting framework, Siegel (Mayflower) depicts how “the Loch Ness Monster has transformed into an icon of hope, mystery, and possibility” in this illuminating examination of the “unchecked media... elevated by a disgruntled actor’s hoax” that birthed the tale of this legendary cryptid. Delving deep into the beginnings of the beloved monster of Scottish lore, the author traces Nessie’s fascinating history, starting with its first reported sighting in 1933 and the many supposed pieces of indisputable proof of its existence that followed. Tongue-in-cheek prose renders the publication of a 1934 photo that would seal the deal for millions of believers; it was purportedly taken by Robert Kenneth Wilson (1899–1969), a “great prankster with a wicked sense of humor” and part of a group of practical jokers five-strong. Included statistics relating to rapidly escalating scientific innovation and exploration suggests that the 1930s were a time “in which scientific discoveries came so hot and fast that it was impossible to stay on top of them.” Additional information provided via extensive source notes and interviews with key figures provide an engaging foundation upon which Siegel sets this amusing examination of mythical lore and fact that expands on media’s history of misinformation and its consequences. Concludes with tips for how to identify misinformation. Ages 10–up. (Apr.)

From the Publisher

★ "Many trade series cover monsters and unearthly phenomenon with breathless storytelling that reads like clickbait. Rebecca Siegel takes a more measured approach in her examination of the Loch Ness Monster legend, framing the story as an early example of disinformation spread through news media. She opens with a bang; the famous pictures we've all seen of a tiny head and long neck emerging from a murky lake were absolutely fake and that fact had been out in the open for years. But Siegel doesn’t just take readers through the how and why of pioneering filmmaker Marmaduke Wetherell’s fraudulent stunt; she’s also interested in why everyone wanted to believe it." —Youth Services Book Review

"Offering a world-class case study in 'fake news,' Siegel analyzes in depth how the legend of a creature hiding in the murky waters of Loch Ness got started....She draws on an array of published resources, including dozens of sensationalistic newspaper stories, to tell her tale, threading in savvy references to the legend’s value for local tourism, the popularity and suggestiveness of monster movies, the discoveries of actual creatures like the colossal squid, the influence of 'confirmation bias' on supposed eyewitnesses, and the media’s preference for highlighting mystery and speculation over facts...It’s hard to imagine a timelier theme." —Booklist

"Utilizing a myth-busting framework, Siegel (Mayflower) depicts how 'the Loch Ness Monster has transformed into an icon of hope, mystery, and possibility' in this illuminating examination of the 'unchecked media... elevated by a disgruntled actor’s hoax' that birthed the tale of this legendary cryptid. Additional information provided via extensive source notes and interviews with key figures provide an engaging foundation upon which Siegel sets this amusing examination of mythical lore and fact that expands on media’s history of misinformation and its consequences. Concludes with tips for how to identify misinformation."—Publishers Weekly

"As Siegel pulls at each string of the mythology surrounding the Loch Ness Monster, she provides clear analysis of why this myth became a world fascination and still draws countless spectators to the ­region...Tweens will enjoy the fresh approach to the Loch Ness Monster phenomenon; instructors seeking engaging, unconventional books on the topic of fake news will find this an excellent fit." —School Library Journal

School Library Journal

04/01/2024

Gr 5 Up—The belief in the Loch Ness Monster is often linked to other cryptid encounters and supernatural beliefs that date back many years. However, according to this book, the appearance of the Loch Ness Monster is a relatively new phenomenon. In 1934, a man snapped a grainy photograph of a water creature. The subsequent media frenzy was a meticulously constructed news story that has been sustained by a collection of tricks and pranks perpetrated by popular experts, and published by newspapers more interested in sensational stories than factual news. The perspective of this title differs from others in that it does not focus on the validity of the monster's existence. Rather, it explores in great detail the methods and reasons this hoax was created and perpetuated. As Siegel pulls at each string of the mythology surrounding the Loch Ness Monster, she provides clear analysis of why this myth became a world fascination and still draws countless spectators to the region. Typical readers of the unexplained may be disappointed at this book's perspective, but those who want to be challenged to think critically about misinformation, fake news, and biases will find this a thoughtful and appealing read. VERDICT Tweens will enjoy the fresh approach to the Loch Ness Monster phenomenon; instructors seeking engaging, unconventional books on the topic of fake news will find this an excellent fit.—Patricia Feriano

Product Details

BN ID: 2940192021576
Publisher: Recorded Books, LLC
Publication date: 10/01/2024
Edition description: Unabridged
Age Range: 10 - 13 Years

Read an Excerpt

There was a beast in Loch Ness. Aldie Mackay delivered this shocking bit of information on April 14, 1933, her lilting Scottish accent wrapping around each strange detail.

Earlier that day, she and her husband John had been taking a drive along the loch’s northerncoast. It was a pleasant day. Clouds speckled the blue sky. The loch’s surface looked perfectly still. Suddenly, a violent commotion in the water caught her attention. Some kind of animal was thrashing on the surface. Foam and spray shot into the air. The creature soon stopped splashing, but it didn’t disappear. Two glistening humps appeared above the surface. They had the deep blue-black coloring of a whale, and were large and widely spaced, hinting at a giant creature below. The humps undulated across the water, rising and falling in a snakelike manner. And then, just as quickly as it had appeared, the creature dove back beneath the surface. The water stilled. Mackay turned to her husband, who had only just brought their vehicle to a stop. He hadn’t seen the creature at all.

Stunned, the pair sat in their car for thirty minutes. They stared at the water, hoping that the animal might make a second appearance. When it didn’t, they made their way to the Drumnadrochit Hotel, a stately establishment they managed together. There, Mackay shared her story. Listeners must have been baffled, shocked. At the time, Loch Ness had no uniquely frightening reputation. It was simply one of many quiet, picturesque lakes in the Scottish Highlands. Ferries regularly chugged along its twenty-three-mile length, while small boats zipped back and forth across its narrow one-and-a-half-mile width. Its shorelines were mostly undeveloped, save for the occasional country home, castle, or medieval ruin. Other than its impressive depth, which dropped down to 788 feet at its deepest point, the most remarkable thing about the loch was the color of its water. Loch Ness was as black as night. Scotland’s frequent rains had washed eons of peat down the surrounding hillsides and into the loch, causing it to be nearly opaque. Mackay’s claim about a huge, humped beast in Loch Ness was the first of its kind.

In addition to shock, some listeners may have also felt a twinge of doubt hearing Mackay’s tale. She was the sole witness to this unusual event. Neither her husband nor any other locals could verify her account. She also appeared to be ignoring a simple explanation for the commotion: a pair of seals may have just gotten themselves into the loch. But perhaps most importantly, Mackay had a personal motive for sharing such an intriguing tale. She had a loch side hotel to keep afloat.

In truth, the most frightening thing locals had witnessed in recent years was a general decline in tourism. Loch Ness had previously enjoyed nearly two centuries as a favorite destination for wealthy British travelers. They came to the peaceful, dark loch to enjoy a break from the hubbub of aristocratic life. After the royal family made their way to Loch Ness, with Prince Albert visiting in 1847 and Queen Victoria following in 1873, the loch’s status as a high-end getaway was sealed.  At one point, extra ferries even had to be added to accommodate the water traffic, and a special train line was built to help usher visitors to the place advertised as “a most interesting and romantic part of the Highlands.” But eventually the loch’s sparkling appeal dulled. The train line closed. The ferries slowed. By 1933, the area had settled into a quiet rhythm. Making things worse, that season’s fishing output had been less productive than usual. A newspaper called the area’s herring haul “very poor and practically disastrous.” Another observer labeled it “lamentably” bad. The area needed a boost.

Under normal circumstances, Mackay’s claim might have been shared, lightly debated, and then forgotten. She may have even laughed and shrugged the whole thing off, chalking it up to a trick of the light or an overactive imagination. But circumstances weren’t normal. Mackay happened to tell her story in a time and place uniquely primed for an extraordinary event. Science, art, and culture were changing so rapidly that anything seemed possible. The stars were aligned for a strange little tale to grow in size and importance. Then something happened that launched Mackay’s story into the stratosphere. The press got involved.

Alex Campbell was a freelance writer for a local paper called the Inverness Courier. When he heard of Mackay’s odd sighting, he recognized its appeal and made quick work of writing it up for publication. In the tradition of so many journalists at the time, Campbell made little effort to stick to the facts. Rather, he took an already odd tale and embellished it. He included fictional details and emotionally provocative language, declined to name Mackay in the story, and also remained anonymous himself, identifying only as “a correspondent.” His misinformation-filled column hit newsstands on May 2, 1933, both setting a standard for the way future journalists would handle Loch Ness Monster reporting, and shocking the public at the same time. “Strange Spectacle on Loch Ness: What Was It?” informed readers that a monster lived in Loch Ness. And not just any monster, but a large, “fearsome-looking,” whale-like beast. Campbell declared that Mackay’s sighting wasn’t some shocking new revelation, but confirmation of a generations-old belief. His column made it seem as though locals had always been on the lookout for such an aquatic creature. The stage was set for the drama of the century. Loch Ness had itself a monster.

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